ShowTime Piano Classics - Level 2A
ShowTime Piano Classics - Level 2A

Author: Nancy Faber

Publisher: Hal Leonard Corporation

Published: 1995-01-01

Total Pages: 24

ISBN-13: 1616772549

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(Faber Piano Adventures ). An excellent collection of symphonic and operatic works by the great composers. The pieces were chosen for their appealing melodies and rhythmic vitality. Includes: Theme from Don Giovanni (La ci darem la mano) by Mozart * Egyptian Ballet Dance (from the opera Sanson & Delilah ) by Saint Saens * Liebestraum by Liszt * The Merry Widow Waltz (from the opera The Merry Widow ) by Lehar * Minuet (Op. 14, No. 1) by Paderewski * Canon by Pachelbel * Spring (from The Four Seasons ) by Vivaldi * Suitor's Song (from the operetta The Gypsy Baron ) by J. Strauss, Jr. * Theme from Symphony No. 1 (Third Movement, "Frere Jacques" theme) by Mahler * Prince of Denmark's March (Trumpet Voluntary) by Clarke.

Imitation Artist
Imitation Artist

Author: Sunny Stalter-Pace

Publisher: Northwestern University Press

Published: 2020-05-15

Total Pages: 361

ISBN-13: 0810141930

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Gertrude Hoffmann made her name in the early twentieth century as an imitator, copying highbrow performances staged in Europe and popularizing them for a broader American audience. Born in San Francisco, Hoffmann started working as a ballet girl in pantomime spectacles during the Gay Nineties. She performed through the heyday of vaudeville and later taught dancers and choreographed nightclub revues. After her career ended, she reflected on how vaudeville’s history was represented in film and television. Drawn from extensive archival research, Imitation Artist shows how Hoffmann’s life intersected with those of central gures in twentieth-century popular culture and dance, including Florenz Ziegfeld, George M. Cohan, Isadora Duncan, and Ruth St. Denis. Sunny Stalter-Pace discusses the ways in which Hoffmann navigated the complexities of performing gender, race, and national identity at the dawn of contemporary celebrity culture. This book is essential reading for those interested in the history of theater and dance, modernism, women’s history, and copyright.

Broadway Musicals
Broadway Musicals

Author: Stanley Green

Publisher: Hal Leonard Corporation

Published: 2011

Total Pages: 896

ISBN-13: 1557837848

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Arranged chronologically beginning with "The Black Crook" in 1866, provides entries for nearly four hundred of the most important productions of American musical theater, covering music and lyrics; cast lists; run dates; songs; and names of producers, directors, and choreographers.

The Red House Mystery and Other Novels
The Red House Mystery and Other Novels

Author: A. A. Milne

Publisher: eBookIt.com

Published: 2013-03

Total Pages: 3285

ISBN-13: 1456614010

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Compiled in one book, the essential collection of books by A. A. MilneBelindaFirst PlaysHappy DaysThe Holiday RoundIf I MayMr. Pim Passes ByNot that it MattersOnce a WeekThe Red House MysterySecond PlaysThe Sunny Side

A Companion to Alfred Hitchcock
A Companion to Alfred Hitchcock

Author: Thomas Leitch

Publisher: John Wiley & Sons

Published: 2011-03-01

Total Pages: 624

ISBN-13: 1444397311

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The most comprehensive volume ever published on Alfred Hitchcock, covering his career and legacy as well as the broader cultural and intellectual contexts of his work. Contains thirty chapters by the leading Hitchcock scholars Covers his long career, from his earliest contributions to other directors’ silent films to his last uncompleted last film Details the enduring legacy he left to filmmakers and audiences alike

Hitchcock's Romantic Irony
Hitchcock's Romantic Irony

Author: Richard Allen

Publisher: Columbia University Press

Published: 2007

Total Pages: 337

ISBN-13: 0231135742

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Is Hitchcock a superficial, though brilliant, entertainer or a moralist? Do his films celebrate the ideal of romantic love or subvert it? In a new interpretation of the director's work, Richard Allen argues that Hitchcock orchestrates the narrative and stylistic idioms of popular cinema to at once celebrate and subvert the ideal of romance and to forge a distinctive worldview-the amoral outlook of the romantic ironist or aesthete. He describes in detail how Hitchcock's characteristic tone is achieved through a titillating combination of suspense and black humor that subverts the moral framework of the romantic thriller, and a meticulous approach to visual style that articulates the lure of human perversity even as the ideal of romance is being deliriously affirmed. Discussing more than thirty films from the director's English and American periods, Allen explores the filmmaker's adoption of the idioms of late romanticism, his orchestration of narrative point of view and suspense, and his distinctive visual strategies of aestheticism and expressionism and surrealism.