The Melodramatic Moment

The Melodramatic Moment

Author: Katherine Hambridge

Publisher: University of Chicago Press

Published: 2018-07-16

Total Pages: 295

ISBN-13: 022656309X

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We seem to see melodrama everywhere we look—from the soliloquies of devastation in a Dickens novel to the abject monstrosity of Frankenstein’s creation, and from Louise Brooks’s exaggerated acting in Pandora’s Box to the vicissitudes endlessly reshaping the life of a brooding Don Draper. This anthology proposes to address the sometimes bewilderingly broad understandings of melodrama by insisting on the historical specificity of its genesis on the stage in late-eighteenth-century Europe. Melodrama emerged during this time in the metropolitan centers of London, Paris, Vienna, and Berlin through stage adaptations of classical subjects and gothic novels, and they became famous for their use of passionate expression and spectacular scenery. Yet, as contributors to this volume emphasize, early melodramas also placed sound at center stage, through their distinctive—and often disconcerting—alternations between speech and music. This book draws out the melo of melodrama, showing the crucial dimensions of sound and music for a genre that permeates our dramatic, literary, and cinematic sensibilities today. A richly interdisciplinary anthology, The Melodramatic Moment will open up new dialogues between musicology and literary and theater studies.


Melodramatic Voices

Melodramatic Voices

Author: Sarah Hibberd

Publisher: Ashgate Publishing, Ltd.

Published: 2011

Total Pages: 326

ISBN-13: 9781409400820

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The genre of mélodrame à grand spectacle that emerged in the boulevard theatres of Paris in the 1790s - and which was quickly exported abroad - expressed the moral struggle between good and evil through a drama of heightened emotions. The premise of this volume is the idea that the melodramatic aesthetic is central to our understanding of nineteenth-century music drama, broadly defined as spoken plays with music, operas and other hybrid genres that combine music with text and/or image.


The Cambridge Companion to English Melodrama

The Cambridge Companion to English Melodrama

Author: Carolyn Williams

Publisher: Cambridge University Press

Published: 2018-10-04

Total Pages: 353

ISBN-13: 110709593X

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A lively and accessible account of the most popular form of nineteenth-century English theatre, and its continuing influence today.


Mia the Melodramatic

Mia the Melodramatic

Author: Eileen Boggess

Publisher: Bancroft Press

Published: 2008

Total Pages: 188

ISBN-13: 9781890862565

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Mia is fifteen and during her summer vacation she starts working at a children's playhouse, meets new people (including Eric, who she knew once long ago when he was not so interesting) and continues sibling warfare with her younger brother Chris.


Contesting Tears

Contesting Tears

Author: Stanley Cavell

Publisher: University of Chicago Press

Published: 1996

Total Pages: 278

ISBN-13: 9780226098142

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A Note on the Captions Preface Introduction 1: Naughty Orators: Negation of Voices in Gaslight 2: Psychoanalysis and Cinema: Moments of Letter from an Unknown Woman3: Ugly Duckling, Funny Butterfly: Bette Davis and Now, Voyager 4: Postscript: To Whom It May Concern 5: Stella's Taste: Reading Stella Dallas Notes Bibliography Filmography Index Copyright © Libri GmbH. All rights reserved.


The Melodramatic Imagination

The Melodramatic Imagination

Author: Peter Brooks

Publisher: Yale University Press

Published: 1995-01-01

Total Pages: 260

ISBN-13: 9780300065534

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In this lucid and fascinating book, Peter Brooks argues that melodrama is a crucial mode of expression in modern literature. After studying stage melodrama as a dominant popular form in the nineteenth century, he moves on to Balzac and Henry James to show how these "realist" novelists created fiction using the rhetoric and excess of melodrama - in particular its secularized conflicts of good and evil, salvation and damnation. The Melodramatic Imagination has become a classic work for understanding theater, fiction, and film.


Melodramatic Voices: Understanding Music Drama

Melodramatic Voices: Understanding Music Drama

Author: Sarah Hibberd

Publisher: Routledge

Published: 2016-04-22

Total Pages: 314

ISBN-13: 1317097939

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The genre of mélodrame à grand spectacle that emerged in the boulevard theatres of Paris in the 1790s - and which was quickly exported abroad - expressed the moral struggle between good and evil through a drama of heightened emotions. Physical gesture, mise en scène and music were as important in communicating meaning and passion as spoken dialogue. The premise of this volume is the idea that the melodramatic aesthetic is central to our understanding of nineteenth-century music drama, broadly defined as spoken plays with music, operas and other hybrid genres that combine music with text and/or image. This relationship is examined closely, and its evolution in the twentieth century in selected operas, musicals and films is understood as an extension of this nineteenth-century aesthetic. The book therefore develops our understanding of opera in the context of melodrama's broader influence on musical culture during the nineteenth and twentieth centuries. This book will appeal to those interested in film studies, drama, theatre and modern languages as well as music and opera.


Victorian Melodrama in the Twenty-First Century

Victorian Melodrama in the Twenty-First Century

Author: Katie Kapurch

Publisher: Springer

Published: 2016-08-24

Total Pages: 254

ISBN-13: 1137581697

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This book examines melodramatic impulses in Charlotte Brontë’s Jane Eyre and Stephenie Meyer’s Twilight Saga, as well as the series' film adaptations and fan-authored texts. Attention to conventions such as crying, victimization, and happy endings in the context of the Twilight-Jane Eyre relationship reveals melodrama as an empowering mode of communication for girls. Although melodrama has saturated popular culture since the nineteenth century, its expression in texts for, about, and by girls has been remarkably under theorized. By defining melodrama, however, through its Victorian lineages, Katie Kapurch recognizes melodrama's aesthetic form and rhetorical function in contemporary girl culture while also demonstrating its legacy since the nineteenth century. Informed by feminist theories of literature and film, Kapurch shows how melodrama is worthy of serious consideration since the mode critiques limiting social constructions of postfeminist girlhood and, at the same time, enhances intimacy between girls—both characters and readers.


The Cambridge Companion to English Melodrama

The Cambridge Companion to English Melodrama

Author: Carolyn Williams

Publisher: Cambridge University Press

Published: 2018-10-04

Total Pages: 353

ISBN-13: 1108606113

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This newly commissioned series of essays by leading scholars is the first volume to offer both an overview of the field and also current emerging critical views on the history, form, and influence of English melodrama. Authoritative voices provide an introduction to melodrama's early formal features such as tableaux and music, and trace the development of the genre in the nineteenth century through the texts and performances of its various sub-genres, the theatres within which the plays were performed, and the audiences who watched them. The historical contexts of melodrama are considered through essays on topics including contemporary politics, class, gender, race, and empire. And the extensive influences of melodrama are demonstrated through a wide-ranging assessment of its ongoing and sometimes unexpected expressions - in psychoanalysis, in other art forms (the novel, film, television, musical theatre), and in popular culture generally - from the nineteenth to the twenty-first century.