DIVA superb history of English and European tournaments. Topics include Arthurian and other round tables, body armor, chain mail, plate armor, royal jousts, the tilt, trial by combat, much more. 24 illustrations. Bibliography. Index. /div
Like all warrior classes throughout history medieval knights engaged in military games, partly in preparation for war and partly for pure sport. From their often brutal origins in the 10th century to the gaudy pageantry and eventual decline of the 15th and 16th centuries, tournaments were the centre of the knightly life. The image of the armoured and surcoated knight on his caparisoned charger remains the epitome of the chivalric ideal. Christopher Gravett explores the history of the tournament from its chaotic beginnings to its more formal, 'civilised' incarnation, describing the various 'events' and equipment which came into use.
A survey of the tournament in England from its first emergence in the 12th century to the beginning of the 15th, when technical changes altered its very nature. Juliet Barker surveys the tournament in England from its first emergence in the twelfth century to the beginning of the fifteenth, when it was revolutionised by the emergence of technical changes which altered its very nature. Theoriginal publication of this study, deriving from Juliet Barker's PhD thesis supervised by Maurice Keen, reestablished the importance of the tournament at the heart of medieval chivalric culture. The first serious scholarly publication for over half a century, it dramatically reawakened interest in the historical context of tournaments, and is especially valuable for its detailed evidence on the early years. Tournaments are shown as far more than just sport. They had wide political, social and military implications; in England their potential as a political instrument was quickly realised: for the disaffected they became a means of rebellion and feuding, but for the king and court they were a powerful propaganda machine. Participation in tournaments was also a way to earn a coveted reputation for chivalry; the passion for tourneying could bring knights lasting fame. Military demands accounted for the increasing sophistication of armour and weapons, partly in response to the demands of the tourneyers, who needed military training that reflected their role in actual combat. This wide-ranging study looks at the tournament fromall these angles, and in so doing produces an exemplary history of the first three hundred years of their development. JULIET BARKER is a well-known broadcaster and writer, whose other books include The Brontesand Wordsworth: A Life in Letters.
This volume explores the various strategies by which appropriate pasts were construed in scholarship, literature, art, and architecture in order to create “national”, regional, or local identities in late medieval and early modern Europe. Because authority was based on lineage, political and territorial claims were underpinned by historical arguments, either true or otherwise. Literature, scholarship, art, and architecture were pivotal media that were used to give evidence of the impressive old lineage of states, regions, or families. These claims were related not only to classical antiquity but also to other periods that were regarded as antiquities, such as the Middle Ages, especially the chivalric age. The authors of this volume analyse these intriguing early modern constructions of “antiquity” and investigate the ways in which they were applied in political, intellectual and artistic contexts in the period of 1400–1700. Contributors include: Barbara Arciszewska, Bianca De Divitiis, Karl Enenkel, Hubertus Günther, Thomas Haye, Harald Hendrix, Stephan Hoppe, Marc Laureys, Frédérique Lemerle, Coen Maas, Anne-Françoise Morel, Kristoffer Neville, Konrad Ottenheym, Yves Pauwels, Christian Peters, Christoph Pieper, David Rijser, Bernd Roling, Nuno Senos, Paul Smith, Pieter Vlaardingerbroek, and Matthew Walker.
A history of the war experience of 13th and 14th century England. With anecdotes and illustrations, it explores how English medieval armies fought, how men were recruited, how the troops were fed, supplied and deployed, the development of weapons, and the structure of military command.
Frida Kahlo, Mexican artist and champion of justice and women's rights, transformed the pain and suffering of her life into enduringly powerful paintings. This XXL monograph brings together all of Kahlo's 152 paintings in stunning reproductions.