The Mediaeval Stage, Vol. 1 (Classic Reprint)

The Mediaeval Stage, Vol. 1 (Classic Reprint)

Author: Edmund Kerchever Chambers

Publisher: Forgotten Books

Published: 2018-03-24

Total Pages: 458

ISBN-13: 9780365477129

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Excerpt from The Mediaeval Stage, Vol. 1 And explain the pre-existing conditions which., by the latter half of the sixtet century, made the great Shakespearean stage possible. The story is one of a sudden dissolution and a slow upbuilding. I have arranged the material in four Books. The First Book shows how the organization of the Gracco Roman theatre broke down before the onslaught of Christianity and the indifference of barbarism, and how the actors became wandering minstrels, merging with the gleemen of their Teutonic conquerors, entertaining all classes of mediaeval society with spectaada in which the dramatic element was of the slightest, and in the end, after long endurance, coming to a practical compromise with the hostility of the Church. In the Second Book I pass to spectacula of another type, which also had to struggle against ecclesiastical disfavour, and which also made their ultimate peace with all but the most austere forms of the dominant religion. These are the ludz' of the village feasts, bearing witness, not only to their origin in heathen ritual, but also, by their constant tendency to break out into primitive forms of drama, to the deep-rooted mimetic instinct of the folk. The Third Book is a study of the process by which the Church itself, through the introduction of dramatic elements into its liturgy, came to make its own appeal to this same mimetic instinct; and of that by which, from such beginnings, grew up the great popular religious drama of the miracle-plays, with its offshoots in the moralities and the dramatic pageants. The Fourth and final Book deals summarily with the transformation of the mediaeval stage, on the literary side under the influence of humanism, on the social and economic side by the emergence from amongst the ruins of minstrelsy of a new class of professional players, in whose hands the theatre was destined to recover a stable organization upon lines which had been departed from since the days of Tertullian. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


The Mediaeval Stage

The Mediaeval Stage

Author: Edmund Kerchever Chambers

Publisher:

Published: 1903

Total Pages: 486

ISBN-13:

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From the demise of ancient Roman spectacles (c. 400 AD) to a new class of professional players by the 16th-century. Excellent accounts of wandering minstrels, mimes, mummers, miracle and morality plays, puppet shows, dramatic pageants, liturgical plays and much more.


The Mediaeval Stage, Vol. 2 (Classic Reprint)

The Mediaeval Stage, Vol. 2 (Classic Reprint)

Author: Edmund Kerchever Chambers

Publisher: Forgotten Books

Published: 2018-02-25

Total Pages: 492

ISBN-13: 9780666320025

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Excerpt from The Mediaeval Stage, Vol. 2 The discussions of the first volume have Often wandered far enough from the history of the stage. But two or three tolerable generalizations emerge. The drama as a living form Of art went completely under at the break-up of the Roman world a process of natural decay was accelerated by the hostility of Christianity, which denied the theatre, and by the indifference of barbarism, which had never imagined it. If anything of a histrionic tradition survived, it took the shape of pitiable farce, one amongst many heterogeneous elements in the spectacular of disreputable mimes. For the men of the Middle Ages, however, peasants or burghers, monks or nobles, such spectacula had a constant attraction and the persistence of the deep-rooted mimetic instinct in the folk is proved by the frequent outcrops of primitive drama in the course of those popular Observances which are the last sportive stage of ancient heathen ritual. Whether of folk or of minstrel origin, the ludi remained to the last alien and distasteful to the Church. The degradation Of Rome and Constantinople by the stage was never forgotten nor the association with an heathenism that was glossed over rather than extinct: and though a working compromise inevitably tended to establish itself, it remained subject to perpetual protest from the austerer Spirit in the counsels of the Clergy. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.