Using Beaumont’s classic story as a touchstone, this work shows how "Beauty and the Beast" takes on different meanings as it is analyzed by psychologists, illustrated in picture books, adapted to the screen, and rewritten by contemporary writers. The Meanings of "Beauty and the Beast" provides expert commentary on the tale and on representative critical approaches and contemporary adaptations. This book also includes a variety of original source materials and twenty-three colour illustrations. The Meanings of "Beauty and the Beast" is for any reader who wishes to explore this classic, endlessly rich fairy tale.
Using Beaumont’s classic story as a touchstone, this work shows how “Beauty and the Beast” takes on different meanings as it is analyzed by psychologists, illustrated in picture books, adapted to the screen, and rewritten by contemporary writers. The Meanings of “Beauty and the Beast” provides expert commentary on the tale and on representative critical approaches and contemporary adaptations. This book also includes a variety of original source materials and twenty-three colour illustrations. The Meanings of “Beauty and the Beast” is for any reader who wishes to explore this classic, endlessly rich fairy tale.
Winner of the National Book Award and National Book Critics Circle Award "A charming book about enchantment, a profound book about fairy tales."—John Updike, The New York Times Book Review Bruno Bettelheim was one of the great child psychologists of the twentieth century and perhaps none of his books has been more influential than this revelatory study of fairy tales and their universal importance in understanding childhood development. Analyzing a wide range of traditional stories, from the tales of Sindbad to “The Three Little Pigs,” “Hansel and Gretel,” and “The Sleeping Beauty,” Bettelheim shows how the fantastical, sometimes cruel, but always deeply significant narrative strands of the classic fairy tales can aid in our greatest human task, that of finding meaning for one’s life.
This is the first published version of Beauty and the Beast, written by the French author Gabrielle-Suzanne Barbot de Villeneuve in the mid-18th century and translated by James Robinson Planch . It is a novel-length story intended for adult readers, addressing the issues of the marriage system of the day in which women had no right to choose their husband or to refuse to marry. There is also a wealth of rich back story as to how the Prince became cursed and revelations about Beauty's parentage, which fail to appear in subsequent versions of the now classic fairy tale.
Once upon a time Elle made a mistake. A small miscalculation sends her through the roof of an enchanted chateau. Stranded until her broken leg mends, Elle is forced to rely on the good will of the sour chateau owner --the cursed Prince Severin.Prince Severin--the commanding general and staunch supporter of his brother the crown prince--is cursed to look like a beast until a maiden falls in love with him. However, he has given up all hope of shattering the curse after several painful and failed attempts to break it. As such he has only disdain for Elle, leaving her to the devices of his bossy servants. This suits Elle perfectly as she dislikes the entire royal family, Severin included.Unfortunately for the unsuspecting pair, the chateau servants are determined to break the curse and spend the majority of their time pushing Elle and Severin together. After bonding over gardens, animals, and terrifying squirrels Elle and Severin show signs of friendship, and perhaps something more...But not all love stories can end that easily. After all, Elle is not what she seems, and Severin's life is placed in danger when hostilities flare between his brother and the monarchs of a neighboring country.If they really want the love of a lifetime Elle, a loyal liar, and Severin, an indifferent beast, will have to use every trick they know to survive.
A Jungian psychologist argues how careful analyses of fairy tales like Beauty and the Beast can lead to a deeper understanding of human psychology Of the various types of mythological literature, fairy tales are the simplest and purest expressions of the collective unconscious and thus offer the clearest understanding of the basic patterns of the human psyche. Every people or nation has its own way of experiencing this psychic reality, and so a study of the world's fairy tales yields a wealth of insights into the archetypal experiences of humankind. Perhaps the foremost authority on the psychological interpretation of fairy tales is Marie-Louise von Franz. In this book—originally published as An Introduction to the Interpretation of Fairy Tales —she describes the steps involved in analyzing and illustrates them with a variety of European tales, from Beauty and the Beast to The Robber Bridegroom. Dr. von Franz begins with a history of the study of fairy tales and the various theories of interpretation. By way of illustration, she presents a detailed examination of a simple Grimm’s tale, The Three Feathers, followed by a comprehensive discussion of motifs related to Jung’s concept of the shadow, the anima, and the animus. This revised edition has been corrected and updated by the author.
Have you heard of the Beasts? No? Well, I'm not surprised. Not many people have. That's because the Beasts are very rare. This is the tale of one Beast, the rarest of the rare, a Beast who decides he is lonely and sets out to find the other Beasts. Will his daring and dangerous journey lead him to some friends?
The “tale as old as time,” in versions from across the centuries and around the world—published to coincide with Disney’s live-action 3D musical film starring Emma Watson, Ian McKellen, Ewan McGregor, Audra McDonald, Kevin Kline, Stanley Tucci, Dan Stevens, and Emma Thompson Nearly every culture tells the story of Beauty and the Beast in one fashion or another. From Cupid and Psyche to India’s Snake Bride to South Africa’s “Story of Five Heads,” the partnering of beasts and beauties, of humans and animals in all their variety—cats, dogs, frogs, goats, lizards, bears, tortoises, monkeys, cranes, warthogs—has beguiled us for thousands of years, mapping the cultural contradictions that riddle every romantic relationship. In this fascinating volume, preeminent fairy tale scholar Maria Tatar brings together tales from ancient times to the present and from a wide variety of cultures, highlighting the continuities and the range of themes in a fairy tale that has been used both to keep young women in their place and to encourage them to rebel, and that has entertained adults and children alike. With fresh commentary, she shows us what animals and monsters, both male and female, tell us about ourselves, and about the transformative power of empathy. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,800 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
From fairy tales to photography, nowhere is the complexity of human-animal relationships more apparent than in the creative arts. Art illuminates the nature and significance of animals in modern, Western thought, capturing the complicated union that has long existed between the animal kingdom and us. In Beauty and the Beast, authors Arluke and Bogdan explore this relationship through the unique lens of photo postcards. This visual medium offers an enormous and relatively untapped archive to compelling document their subject.
One of Alasdair Gray's most brilliant creations, Poor Things is a postmodern revision of Frankenstein that replaces the traditional monster with Bella Baxter--a beautiful young erotomaniac brought back to life with the brain of an infant. Godwin Baxter's scientific ambition to create the perfect companion is realized when he finds the drowned body of Bella, but his dream is thwarted by Dr. Archibald McCandless's jealous love for Baxter's creation.The hilarious tale of love and scandal that ensues would be "the whole story" in the hands of a lesser author (which in fact it is, for this account is actually written by Dr. McCandless). For Gray, though, this is only half the story, after which Bella (a.k.a. Victoria McCandless) has her own say in the matter.Satirizing the classic Victorian novel, Poor Things is a hilarious political allegory and a thought-provoking duel between the desires of men and the independence of women, from one of Scotland's most accomplished authors.
