This teaching guide covers the identification, deterioration, and conservation of artifacts made from plant materials. Detailed information on plant anatomy, morphology, and development, focusing on information useful to the conservator in identifying plant fibers are described, as well as the processing, construction, and decorative techniques commonly used in such artifacts. A final chapter provides a thorough discussion of conservation, preservation, storage, and restoration methods. This is a valuable resource to conservators and students alike.
Conservation techniques for the analysis and preservation of heritage materials are constantly progressing. Building on the first edition of Conservation Science, this new edition incorporates analytical techniques and data processing methods that have emerged in the past decade and presents them alongside notable case studies for each class of material. An introductory chapter on analytical techniques provides a succinct overview to bring the reader up-to-speed with which type of material each technique is suitable for, the differing sampling techniques that can be employed, and the handling and processing of the resultant data. Subsequent chapters go on to cover all common heritage materials in turn, from natural substances such as wood and stone to modern plastics, detailing the up-to-date techniques for their analysis. With contributions by scientists working in the museum and heritage sector, this textbook will interest students, scientists involved in conservation, and conservators who want to develop their understanding of their collections at a material level.
This book identifies novel advanced materials that can be utilized as protective agents for the preservation of stone. The innovative solutions to stone conservation presented here result in increased sustainability, reduced environmental impact, and increased social and economic benefits. It provides an overview of recent trends and progress in advanced materials applied to stone protection. It also explores the scientific principles behind these advanced materials and discusses their applications to diff erent types of stone preservation efforts. Essential information as well as knowledge on the availability and applicability of advanced nanostructured materials is also provided, with focus placed on the practical aspects of stone protection. Th e book highlights an interdisciplinary eff ort regarding novel applications of nanostructured materials in the advancement of stone protection. It provides insight towards forthcoming developments in the fi eld. Advanced nanostructured materials are designed and developed with the aim of being chemically, physically, and mechanically compatible with stone. Advanced materials for stone conservation that are characterized by several functional properties are considered in this book. These include the physico-chemical, protective, and morphological properties, eco-toxicity, and mechanisms of degradation. The authors present a thorough overview of cutting–edge discoveries, detailed information on recent technological developments, breakthroughs in novel nanomaterials, utilization strategies for applications in cultural heritage, and the current status and future outlook of the topic to address a wide range of scientific communities.
“A curator, a paintings conservator, a photographer, and a conservation scientist walk into a bar.” What happens next? In lively and accessible prose, color science expert Roy S. Berns helps the reader understand complex color-technology concepts and offers solutions to problems that occur when art is displayed, conserved, imaged, or reproduced. Berns writes for two types of audiences: museum professionals seeking explanations for common color-related issues and students in conservation, museum studies, and art history programs. The seven chapters in the book fall naturally into two sections: fundamentals, covering topics such as spectral measurements, metamerism, and color inconstancy; and applications, where artwork display, painting materials, and color reproduction are discussed. A unique feature of this book is the use of more than 200 images as its main medium of communication, employing color physics, color vision, and imaging science to produce visualizations throughout the pages. An annotated bibliography complements the main text with suggestions for further reading and more in-depth study of particular topics. Engaging, incisive, and absolutely critical for any scholar or student interested in color science, Color Science and the Visual Arts is sure to become a key reference for the entire field.
Examines the application of scientific methods to the study and conservation of art and cultural properties. This work addresses scientific topics of broad interest, cutting across the boundaries of traditional disciplines and attracting up to 250 leadingresearchers in the field.
Materials for Conservation: Organic Consolidants, Adhesives and Coatings provides an overview of one aspect of materials conservation treatment, particularly the properties of organic consolidants, adhesives, and coatings. The contents of the book are divided into two parts; these parts are background information and survey of polymers. The coverage of the first part includes polymer science and the uses and requirements of applied polymers. The second part covers resins, vinyl, thermoplastics, fillers, and colorants. The text will be most useful to individuals involved in the management and conservation of historic materials, such as museum curators. Materials engineer and polymer chemists will also benefit from the book.
This book is based on Dr. Torraca's 2002 publication, Lezioni di scienza e tecnologia dei materiali per restauro dei monumenti. The English-language Lectures includes new and updated material. An excellent resource for architectural conservators, engineers, and conservation scientists.
"The Grove Encyclopedia of Materials and Techniques deals with all aspects of materials, techniques, conservation, and restoration in both traditional and nontraditional media, including ceramics, sculpture, metalwork, painting, works on paper, textiles, video, digital art, and more. Drawing upon the expansive scholarship in The Dictionary of Art and adding new entries, this work is a comprehensive reference resource for artists, art dealers, collectors, curators, conservators, students, researchers, and scholars." "Similar in design to The Grove Encyclopedia of Decorative Arts, this one-volume reference work contains articles of various lengths in alphabetical order. The shorter, more factual articles are combined with larger, multi-section articles tracing the development of materials and techniques in various geographical locations. The Encyclopedia provides unparalleled scope and depth, and it offers fully updated articles and bibliography as well as over 150 illustrations and color plates." "The Grove Encyclopedia of Materials and Techniques offers scholarly information on materials and techniques in art for anyone who studies, creates, collects, or deals in works of art. The entries are written to be accessible to a wide range of readers, and the work is designed as a reliable and convenient resource covering this essential area in the visual arts."
Innovative Technology in Art Conservation provides one of the first ever critical assessments of innovation in conservation science and questions what role it should play in conservation and conservation ethics. Written in language understandable for the non-technical reader, the book begins with a brief history of so-called science-based conservation, which is based on chemistry, physics and engineering, and examines how it influences conservation ethics and conservation decisions. It considers the concepts of originality and original appearance, and how people see and perceive objects, looking in particular at the results of the relatively new technology of eye-tracking. Wei then moves on to critically examine advanced technologies such as colour modelling, hyperspectral imaging, texture mapping, virtual retouching and digital reproductions and considers what they offer for determining original appearance of artworks and other cultural heritage objects. The book concludes with some reflections on the future of conservation and science-based conservation, calling for more thoughtful consideration of what it is that conservation scientists are offering, and why and for whom it is being offered. Innovative Technology in Art Conservation is essential reading for academics and students working in conservation and conservation science. The book will also be of interest to the international community of conservators and cultural heritage professionals who must make decisions about whether to use advanced technologies in their practice.
