Rogier Van Der Weyden

Rogier Van Der Weyden

Author: Dirk de Vos

Publisher: ABRAMS

Published: 1999

Total Pages: 458

ISBN-13:

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"This sumptuously illustrated volume is the first comprehensive study of Van der Weyden's work in twenty-five years. Author Dirk De Vos, who has incorporated all the latest scholarship, illuminates longstanding questions concerning Van der Weyden's early years and a number of problematic attributions."--BOOK JACKET.


Van Der Weyden

Van Der Weyden

Author: Lorne Campbell

Publisher: Chaucer Press

Published: 2004

Total Pages: 136

ISBN-13:

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One of the greatest 'observers of detail', Van der Weyden's unique style and personal history are illustrated in this new book


The Flemish Primitives

The Flemish Primitives

Author: Dirk de Vos

Publisher:

Published: 2002

Total Pages: 216

ISBN-13: 9780691116617

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A treasury of Northern Renaissance masterpieces focuses on key works by the "Flemish Primatives" and reflects their perspectives of the Burgundian realm's classes and culture, their use of transparent layer painting, use of symbolism, and experimentations with light. (Fine Arts)


Master of Passions

Master of Passions

Author: Rogier van der Weyden

Publisher: Waanders Publishers

Published: 2009

Total Pages: 604

ISBN-13:

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Rogier van der Weyden 1400-1464: Master of Passions highlights the body of work of, alonside Jan van Eyck, one of the most important Flemish painters of the fifteenth century. His success begins around 1453 when he leaves his native Tournai to settle in


Devotional Portraiture and Spiritual Experience in Early Netherlandish Painting

Devotional Portraiture and Spiritual Experience in Early Netherlandish Painting

Author: Ingrid Falque

Publisher: BRILL

Published: 2019-09-16

Total Pages: 334

ISBN-13: 9004397604

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In Devotional Portraiture and Spiritual Experience Ingrid Falque analyses the meditative functions of early Netherlandish paintings including devotional portraits, that is portraits of people kneeling in prayer. Such paintings have been mainly studied in the context of commemorative and social practices, but as Ingrid Falque shows, they also served as devotional instruments. By drawing parallels between the visual strategies of these paintings and texts of the major spiritual writers of the medieval Low Countries, she demonstrates that paintings with devotional portraits functioned as a visualisation of the spiritual process of the sitters. The book is accompanied by the first exhaustive catalogue of paintings with devotional portraits produced in the Low Countries between c. 1400 and 1550. This catalogue is available at no costs in e-format (HERE) and can also be purchased as a printed hardcover book (HERE).


Early Netherlandish Paintings

Early Netherlandish Paintings

Author: Bernhard Ridderbos

Publisher: Amsterdam University Press

Published: 2005

Total Pages: 506

ISBN-13: 9789053566145

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An illustrated scholarly analysis of the art and the cultural interpretations of the Flemish Primitives.


Making Copies in European Art 1400-1600

Making Copies in European Art 1400-1600

Author:

Publisher: BRILL

Published: 2018-11-26

Total Pages: 541

ISBN-13: 9004379592

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Making Copies in European Art 1400-1600 comprises sixteen essays that explore the form and function, manner and meaning of copies after Renaissance works of art. The authors construe copying as a method of exchange based in the theory and practice of imitation, and they investigate the artistic techniques that enabled and facilitated the production of copies. They also ask what patrons and collectors wanted from a copy, which characteristics of an artwork were considered copyable, and where and how copies were stored, studied, displayed, and circulated. Making Copies in European Art, in addition to studying many unfamiliar pictures, incorporates previously unpublished documentary materials.


Anonymous Art at Auction

Anonymous Art at Auction

Author: Anne-Sophie V. Radermecker

Publisher: BRILL

Published: 2021-05-25

Total Pages: 340

ISBN-13: 9004460209

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In Anonymous Art at Auction, Anne-Sophie V. Radermecker takes the opposing view of the superstar economy by examining contemporary sales of Early Flemish paintings with unknown authorship and the effects of various substitutes for real names on price formation.