In the midst of the remarkable revival of interest and belief in angels comes this handsomely illustrated reference work--the fruit of 16 years of research in Talmudic, gnostic, cabalistic, apocalyptic, patristic, and legendary texts. "A wacky and wonderful compendium of angelic lore".--Time. Illustrations.
Offering comprehensive coverage of classical music, this guide surveys more than eleven thousand albums and presents biographies of five hundred composers and eight hundred performers, as well as twenty-three essays on forms, eras, and genres of classical music. Original.
"The Pulitzer-winning American composer Dominick Argento is known for the care with which he selects the subjects for his works and for the personal involvement that shines through his music. Each chapter of this memoir is based on a particular composition, surrounded by Argento's reflections on the period in his life when the piece was written and its opening performance. Songs about Spring stirs memories of his instructor Nicholas Nabokov (friend of Stravinsky and cousin to Vladimir), with whom he learned to drink martinis, and also of his first collaboration with Carolyn Bailey, the soprano who would later become his wife. In the chapter on Casa Guidi, the 2004 Grammy-winning piece based on letters from Elizabeth Barrett Browning to her sister Henrietta, Argento reveals that the physical Casa Guidi, where Browning lived, was a few blocks from his own apartment in Florence. Providing insight into his compositional process, he also shares the private diary he kept while composing The Voyage of Edgar Allan Poe."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
“The indelible imprint of sacred music drama throughout history is undeniable . . . and its resurgence in the twentieth and twentieth-first centuries stirs the curiosity.” Carl Gerbrandt, in pursuing these issues, has brought to our fingertips a stimulating historical perspective on sacred music drama as well as an extensively annotated list of repertoire. Years of research have gone into providing information on centuries of sacred music dramas/operas which for the most part have been known to very few. Included in these pages of his Second Edition are over 330 sacred music dramas/operas, each with scholarly and practical information that will be of interest and great value to the opera director, the performer, the scholar, the conductor and the church musician. Gerbrandt's SETTING THE STAGE section is an enlightening overview of sacred music history. The repertoire selected includes works from the Middle Ages to works being written today. Each work is reviewed with regard to the source of libretto, the style and difficulty of its musical content, the date and location of the first performance, the number of acts and scenes, and the performance length of the work. Additionally, each role is listed by name and voicing, and in most cases, the vocal range is indicated. The choral demands, orchestrations and dance requirements are identified. A thorough plot synopsis as well as the location of scores and parts is given. Ten appendices cross-reference textual sources and topical content while assisting in the selection of works for worship services or theatrical performances. Select contact information of publishers and composers in also included. Sacred Music Drama: The Producer’s Guide fills a long standing void by acquainting directors, students, performers and interested readers with the numerous sacred music dramas which are available.