A mixed-blood American Indian woman, divorcTe Edith Lewis travels to Oklahoma to teach children the art and custom of mask-making and discovers new meaning in her life. (General Fiction)
Christmastime 2017, and the only thing the psychotic, but born with once-in-a-lifetime genius, ALBERT JOHNSON, wants is JILL PHILLIPS, the woman fueling his erotomania. The man screaming in the trunk of the Aston Martin heading into the Appalachian Mountains is how he plans to get her. When mutilated remains are discovered in an abandoned warehouse in Baltimore New Year's Day, DETECTIVES GARY ANDERSON and his partner, ANGELA OBONAUCH, are assigned the case. Gary believes it's the work of CARLOS DEGA, a gang leader who recently escaped from jail. Having spent his childhood abused and locked away in a shack of a home in rural Maryland, Albert's life completely derails when at eleven his father murders his mother in front of him. At sixteen, his dad's poor health forces the dysfunctional teen to seek employment, finding a janitorial position in Baltimore. Years later, he's staffed at a biopharmaceutical company where he fortuitously discovers research on advanced face transplants, allowing him to learn to perform them, even on himself, all the while scheming to kill Jill's husband and take his place. VICTOR ORTEGA, second in command of a gang named the Scorpions, taunted and mistreated Albert for years while working with him as a custodian at the same company as a means to cover up his criminal involvement. He pushes Albert to a breaking point and he kills Victor and his brother in ghastly fashion. When Carlos doesn't hear from Victor, he sends out a party of his men who go missing, too. Shortly thereafter, Albert transplants Jill's husband's face onto his own and shows up at her house, insisting the lights remain off while speaking little. The flustered and surprised Jill ultimately gives into the strangeness of the night despite feeling something's amiss because she'd been under the impression her husband was away on business. Hours later, she confirms her suspicions and sneaks off to the hospital where she learns her husband's been murdered and the imposter who raped her is related to her. Albert, upon returning home after his night with Jill, finds other gang members waiting for him and summarily kills them, too. He goes on the lam and sets up camp and a makeshift lab in the Appalachian Mountains where he transplants an officer's face onto his in order to kidnap Gary's girlfriend, GABBY MICHAELS, believing she's the bargaining chip to get Jill and gain safe passage. But Albert's scheme goes awry because he's too preoccupied with the persistent Carlos to notice Gary isn't following instructions. Unbeknownst to anyone, Angela's husband, CIA operative, DAVID OBONAUCH, has been tracking Carlos since locating him sometime after he escapes from prison. The inevitable confrontation on a dreary, blustery day between Gary, Carlos, David and Albert ultimately ends in Albert being shot and plunging from atop Blackwater Falls-the body's not immediately found, and Jill who lost so much, particularly her identity, leaves her family and life in Baltimore to go somewhere and try to make sense of it all.
Jamie Wave is an ordinary boy, not particularly big or brave or clever. He knows a lot of jokes and he's good at making masks. But he will need all the talent he can muster when a sinister Maskmaker forces him to enter a dangerous faraway world. Suggested level: primary, intermediate.
"This book explores the motivations and challenges of artists working to bring the traditional methods and conventions of mask making. Topics include the ways in which mask artists and performers maintain a sense of universality despite varying customs; and the ways in which traditional approaches in mask artistry continue to influence commercial mask performance ventures"--Provided by publisher.
"The mask - as object, symbol, character, theatrical practice, even spectacle - is the central metaphor around which Fava builds his discussion of structure, themes, characters, and methods. His book combines historical fact, personal experience, philosophical speculation, and passionate opinion. Including period drawings, prints, and color photographs of leather masks made by Fava himself, The Comic Mask in the Commedia dell'Arte is a rich work of singular insight into one of the world's most venerable forms of theater." --Book Jacket.
In the Mexican states of Puebla and Veracruz, old masked dances have survived in isolated mountain regions. These dances include wonderful masks of humans and animals, masks with beautiful, comic, or wicked faces. Created by Indigenous master carvers, mascareros, these masks and puppets appear during religious fiestas. Over 700 vivid color photos reveal these masks and puppets in all their glory. The thoroughly researched text answers the questions about who made these beautiful works of art, who these dance characters are, and the nature of the religion they represent. The Spanish conquerors strove to convert the Indian inhabitants of Mexico to Christianity. However, these converts secretly retained important deities from earlier times to accompany Christian elements, creating a poetic blend of beliefs. Given that these indigenous peoples have suffered many injustices, the masks, puppets, and dance dramas reflect many unresolved societal tensions along with veiled wishes for divine justice.
An enchanting tale of magic, friendship and adventure for readers aged 9 and up - from bestselling author, Holly Webb. Colette lives with her mother, making beautiful dresses for the rich women of Venice. She's never known her father, and her mother won't speak of him - but Colette's embroidery moves and dances, and she's sure that there's magic in her blood . . . And then Colette discovers the truth: her father is a famous maskmaker and a powerful magician. But when he's ordered to create a mask that will bend others to its will, the magic becomes too strong for him to resist. Can Colette, with the help of a talking alley cat called Max, save him? The Magical Venice books are all share the same beautiful setting, but can be read as standalone stories. The series includes: The Water Horse, The Mermaid's Sister, The Maskmasker's Daughter, and The Girl of Glass. Discover more by Holly Webb with her Rose and Lily series - also filled with magical adventures.
This book is a wonderfully accessible introduction to a fresh and innovative acting technique for actors, theatre-makers and teachers to use in training and rehearsal. A mask releases the actor to be playful, and playfulness generates ideas, finds meaning, develops characterisation - and is infinitely more fun than traditional training.Rather than a dry guide to making masked theatre, it is about, for instance, playing Lady Macbeth in Red Nose, or Hamlet in the mask of The Victim, The Ogre or The Fool, or even Romeo and Juliet in grotesque half-masks... All in the name of liberating your creativity and, ultimately, improving your performance.Extensively illustrated with a rich variety of masks, this inventive and pragmatic book is full of invaluable games and exercises drawn from the author's own workshops, his experience as co-founder of both Trestle and Told by an Idiot, and his pioneering mask and clown work in many professional productions.
'We Japanese', is a collection of answers to questions that the author as a hotel manager in Japan has answered for hotel guests over the years. He was the manager for over 28 years at the Fujiya Hotel at Miyanoshita. These are naturally questions concerning those things which are different in Japan from the countries from which the visitors come. First published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.
Profiling 30 mask makers from around the world, this book explores the motivations and challenges of contemporary artists working to bring the traditional methods and conventions of mask making to an evolving global theatre. There are 181 photographs--including two sections of color plates--which illustrate how the mythic iconography of masks is used in the modern fields of dance, mime, theatre and storytelling. Topics include the ways in which mask artists and performers maintain a sense of universality despite varying local customs; the legacies of Italian mask makers Amleto and Donato Sartori and of the California-based Dell'Arte International School of Physical Theatre; and the ways in which traditional approaches in mask artistry continue to influence commercial mask performance ventures in film, on Broadway, and in touring companies.