From literary cult hero Dennis Cooper comes his most haunting work to date. “An American master…. Cooper is the most important transgressive literary artist since Burroughs.” --Salon In secret passageways, hidden rooms, and the troubled mind of our narrator, a mystery perpetually takes shape—and the most compelling clue to its final nature is “the marbled swarm” itself, a complex amalgam of language passed down from father to son. Cooper ensnares the reader in a world of appearances, where the trappings of high art, old money, and haute cuisine obscure an unspeakable system of coercion and surrender. And as the narrator stalks an elusive truth, traveling from the French countryside to Paris and back again, the reader will be seduced by a voice only Dennis Cooper could create.
In this title, Ziggy, the adopted teenaged son of two sexually abusive fathers, turns to his uncle, who sells pornographic videos, and his best friend, a junkie, in a complex tale of sexuality, abuse, and attraction.
“I started writing books about and for my friend George Miles because whenever I would speak about him honestly like I am doing now I felt a complicated agony beneath my words that talking openly can’t handle.” For most of his life, Dennis Cooper believed the person he had loved the most and would always love above all others was George Miles. In his first novel in ten years, Dennis Cooper writes about George Miles, love, loss, addiction, suicide, and how fiction can capture these things, and how it fails to capture them. Candid and powerful, I Wished is a radical work of shifting forms. It includes appearances by Santa Claus, land artist James Turrell, sentient prairie dogs, John Wayne Gacy, Nick Drake, and George, the muse for Cooper’s acclaimed novels Closer, Frisk, Try, Guide, and Period, collectively known as “The George Miles Cycle.” In revisiting the inspiration for the Cycle, Dennis has written a masterwork: the most raw, personal, and haunted book of his career.
Dennis Cooper is one of the most inventive and prolific artists of our time. Working in a variety of forms and media since he first exploded onto the scene in the early 1970s, he has been a punk poet, a queercore novelist, a transgressive blogger, an indie filmmaker—each successive incarnation more ingenious and surprising than the last. Cooper’s unflinching determination to probe the obscure, often violent recesses of the human psyche have seen him compared with literary outlaws like Rimbaud, Genet, and the Marquis de Sade. In this, the first book-length study of Cooper’s life and work, Diarmuid Hester shows that such comparisons hardly scratch the surface. A lively retrospective appraisal of Cooper’s fifty-year career, Wrong tracks the emergence of Cooper’s singular style alongside his participation in a number of American subcultural movements like New York School poetry, punk rock, and radical queercore music and zines. Using extensive archival research, close readings of texts, and new interviews with Cooper and his contemporaries, Hester weaves a complex and often thrilling biographical narrative that attests to Cooper’s status as a leading figure of the American post–War avant-garde.
The final novel in the award-winning George Miles Cycle. “A triumphant finale to one of the most intense series of novels ever written” (Mondo). The stunning conclusion to Dennis Cooper’s five-book cycle, Period earned its author the accolade “a disquieting genius” by Vanity Fair and praise for his “elegant prose and literary lawlessness” from The New York Times. Breathtaking and mesmerizing, it is the culmination of Cooper’s explorations into sex and death, youth culture, and the search for the ineffable object of desire. Cooper has taken his familiar themes—strangely irresistible and interchangeable young men, passion that crosses into murder, the lure of drugs, the culpabilities of authorship, and the inexact, haunting communication of feeling—and melded them into a novel of flawless form and immense power. Set in a spare, smoke-and-mirror-filled world of secret websites, Goth bands, Satanism, pornography, and outsider art, Period is a literary disappearing act as mysterious as it is logical. Obsessive, beautiful, and darkly comic, Period is a stunning achievement from one of America’s finest writers. “A fascinating, intricately crafted jewel of a book . . . It’s a book one could read over and over and never exhaust.” —San Francisco Chronicle Book Review “To read Period (a book so intricate, it comes with its own strategy guide) is to witness the idea of the novel itself imploding; to glimpse the end of language; to become aware of literature’s dizzying possibilities.” —The Guardian “An elegy to the nature of obsessive love, the need to feel . . . [Cooper] is a profoundly original American visionary, and the most important transgressive literary artist since Burroughs.” —Salon “Haunting.” —Details
New York Times Bestseller Named one of the Best Gift Books of the Year by Entertainment Weekly, InStyle, House Beautiful, T: The New York Times Style Magazine, Better Homes & Gardens, Luxe Interiors + Design, People StyleWatch, Garden & Gun, The Los Angeles Times, The Chicago Tribune, New York Magazine, and more John Derian’s home goods empire reaches far and wide—in addition to the four John Derian stores he owns in New York and Massachussetts, his products are sold by more than 600 retailers worldwide, including Neiman Marcus, ABC, and Gump’s in the United States; Conran and Liberty in the UK; and Astier de Villatte in Paris. It all started with his now-iconic collectible plates decoupaged with 19th-century artwork sourced from old and rare books, a process that credited him with elevating the decoupage technique into fine art. Over the past 25 years, the brand has expanded greatly to include home and general design gifts and products. Now, for the first time ever, comes the book John Derian fans have been waiting for. Culled from the thousands of images that have appeared in his biannual collections, here is an astoundingly beautiful assortment of nearly 300 full-bleed images in their original form. From intensely colored flowers and birds to curious portraits, hand-drawn letters, and breathtaking landscapes, the best of John Derian is here. The result is an oversized object of desire, a work of art in and of itself, that brilliantly walks the line between commerce and art, and that is destined to become the gift book of the season.
“[A] brilliant, triumphantly lurid writer as well as a supremely talented, elegant stylist whose prose is smart and nervy. He might also be the last literary outlaw in mainstream American fiction.” —Bret Easton Ellis Internationally acclaimed writer Dennis Cooper continues to study the material he's always explored honestly, but does so now—in stories—with a sense of awareness and a satirical touch that exploits and winks at his mastery of this world. As it has done for decades, Cooper’s taut, controlled prose lays bare the compulsions and troubling emptiness of the human soul.
The author of Closer “transcends the formulaic with exquisite writing on the level of Rimbaud’s Illuminations . . . an American masterpiece” (James McCourt, Los Angeles Times). God Jr. is the story of Jim, a father who survived the car crash that killed his teenage son Tommy. Tommy was distant, transfixed by video games and pop culture, and a mystery to the man who raised him. Now, disabled by the accident, yearning somehow to absolve his own guilt over the crash, Jim becomes obsessed with a mysterious building Tommy drew repetitively in a notebook before he died. As the fixation grows, Jim starts to take on elements of his son—at the expense of his job and marriage—but is he connecting with who Tommy truly was? A tender, wrenching look at guilt, grief, and the tenuous bonds of family, God Jr. is unlike anything Dennis Cooper has yet written. It is a triumphant achievement from one of our finest writers. “This beautiful book is a first-person narration of how grief grows and morphs after a death, and its style and naked pain make the reader feel like he has suffered a concussion . . . Carefully wrought in Cooper’s trademark short, clipped sentences. There’s no room for the pain to hide, and Cooper lays it bare with humor and striking honesty.” —Time Out Chicago “God Jr. is probably Cooper’s richest, most philosophical novel to date. If the cycle were a video game, this would be its Easter egg.” —SF Gate “Absorbing . . . carefully spare, pop-cultures prose that has earned him a cult following.” —Entertainment Weekly
Second in the award-winning George Miles Cycle, “as intense a dissection of human relationships and obsession that modern literature has ever attempted” (The Guardian). When Dennis is thirteen, he sees a series of photographs of a boy apparently unimaginably mutilated. Dennis is not shocked but stunned by their mystery and their power; their glimpse at the reality of death. Some years later, Dennis meets the boy who posed for the photographs. He did it for love. Surrounded by images of violence, the celebrity of horror, news of disease, a wasteland of sex, Dennis flies to Europe, having discovered some clues about the photographs: “I see these criminals on the news who’ve killed someone methodically, and they’re free. They know something amazing. You can just tell.” An isolated windmill in Holland provides the perfect setting for Dennis to find out more about bodies—of which there are many—and what is inside them. In Frisk, as in the award-winning Closer, Dennis Cooper explores the limits of our knowledge and the dividing line between the body and the spirit. Frisk is a novel about the power of fantasy and faith, about the ecstasy and horror of being human. “A significant work of fiction. Cooper . . . wants to lead us into the wormy heart of the murderous impulse.” —Michael Cunningham, Pulitzer Prize–winning author of The Hours “Destined to classic status.” —Los Angeles Times Book Review “Dennis Cooper, a disturbing and transcendent artist, enters the mind of a killer and comes out with genuine revelation.” —Michael Silverblatt, host of Bookworm “An electrifying study in carnage.” —The Sunday Times
Now a CW Original Series The Der Spiegel number #1 blockbuster bestseller about an intelligent life force that takes over the oceans and exacts revenge on mankind! Whales begin sinking ships. Toxic eyeless crabs poison Long Island’s water supply. Around the world, countries are beginning to feel the effects of the ocean’s revenge. In this riveting novel, full of twists, turns, and cliffhangers, a team of scientists discovers a strange, intelligent life force called the Yrr that takes form in marine animals in order to wreak havoc on man for his abuses. The Day After Tomorrow meets The Abyss in his gripping, scientifically realist, utterly imaginative thriller. With the compellingly creepy and vivid skill of this author to evoke story, character, and place, Frank Schatzing’s book are certain to find a home with fans of Michael Crichton.
