Tauchnitz Edition
Author: Bernhard Tauchnitz Verlag
Publisher:
Published: 1884
Total Pages: 170
ISBN-13:
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Author: Bernhard Tauchnitz Verlag
Publisher:
Published: 1884
Total Pages: 170
ISBN-13:
DOWNLOAD EBOOKAuthor: Nathaniel Hawthorne
Publisher: Independently Published
Published: 2021-01-23
Total Pages: 490
ISBN-13:
DOWNLOAD EBOOKThe Marble Faun: Or, The Romance of Monte Beni, also known by the British title Transformation, was the last of the four major romances by Nathaniel Hawthorne, and was published in 1860. The Marble Faun, written on the eve of the American Civil War, is set in a fantastical Italy. The romance mixes elements of a fable, pastoral, gothic novel, and travel guide.
Author: Nathaniel Hawthorne
Publisher:
Published: 1860
Total Pages: 266
ISBN-13:
DOWNLOAD EBOOKAuthor: Nathaniel Hawthorne
Publisher:
Published: 1800
Total Pages: 266
ISBN-13:
DOWNLOAD EBOOKAuthor: Nathaniel Hawthorne
Publisher:
Published: 1874
Total Pages: 0
ISBN-13:
DOWNLOAD EBOOKAuthor: Nathaniel Hawthorne
Publisher: Boston : Houghton, Mifflin
Published: 1883
Total Pages: 538
ISBN-13:
DOWNLOAD EBOOKAuthor: Nathaniel Hawthorne
Publisher:
Published: 2021-07-10
Total Pages:
ISBN-13: 9781636009544
DOWNLOAD EBOOKThe Marble Faun: Or, The Romance of Monte Beni, also known by the British title Transformation, was the last of the four major romances by Nathaniel Hawthorne. The Marble Faun is set in a fantastical Italy. The romance mixes the elements of a fable, pastoral, gothic novel, and travel guide. This romance focuses on the stories of four main characters: Miriam, Hilda, Kenyon, and Donatello.
Author: Nathaniel Hawthorne
Publisher: BoD – Books on Demand
Published: 2022-11-23
Total Pages: 238
ISBN-13: 3368319140
DOWNLOAD EBOOKReproduction of the original.
Author: Nathaniel Hawthorne
Publisher:
Published: 1895
Total Pages: 380
ISBN-13:
DOWNLOAD EBOOKAuthor: Antoine Traisnel
Publisher: U of Minnesota Press
Published: 2020-09-29
Total Pages: 284
ISBN-13: 1452963916
DOWNLOAD EBOOKReading canonical works of the nineteenth century through the modern transformation of human–animal relations From Audubon’s still-life watercolors to Muybridge’s trip-wire locomotion studies, from Melville’s epic chases to Poe’s detective hunts, the nineteenth century witnessed a surge of artistic, literary, and scientific treatments that sought to “capture” the truth of animals at the historical moment when animals were receding from everyday view. In Capture, Antoine Traisnel reveals how the drive to contain and record disappearing animals was a central feature and organizing pursuit of the nineteenth-century U.S. cultural canon. Capture offers a critical genealogy of the dominant representation of animals as elusive, precarious, and endangered that came to circulate widely in the nineteenth century. Traisnel argues that “capture” is deeply continuous with the projects of white settler colonialism and the biocapitalist management of nonhuman and human populations, demonstrating that the desire to capture animals in representation responded to and normalized the systemic disappearance of animals effected by unprecedented changes in the land, the rise of mass slaughter, and the new awareness of species extinction. Tracking the prototyping of biopolitical governance and capitalist modes of control, Traisnel theorizes capture as a regime of vision by which animals came to be seen, over the course of the nineteenth century, as at once unknowable and yet understood in advance—a frame by which we continue to encounter animals today.