When a family moves into a remote high-tech mansion equipped with next-generation artificial intelligence that can control the house’s every function—a buried secret leads to terrifying and catastrophic consequences. Nellie is programmed to be the perfect digital assistant. But something sinister lurks in her source code—and now she’s the perfect killer. When Billy Stafford and his wife move into their house designed with every comfort in mind, he thinks it will be the perfect chance to work on their marriage and to restart his career. A brilliant computer engineer fallen on hard times, Billy’s been hired by his former business partner to test out Nellie: a cutting-edge artificial intelligence program hardwired into the house. All Billy has to do is fix a few bugs in the system, which sounds easy enough. But as winter settles in and Billy and his wife are left alone in the woods, a dark reality begins to emerge. Nellie’s problems are much worse than a few technology glitches. Infused with the sinister history of the mansion and her own creator’s sins, she has, in fact, become a killing machine. And the only way to escape is to give her what she wants… A gripping technothriller about AI gone rogue, The Mansion is “a thrilling story that combines modern technology with old fears” (Shelf Awareness).
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Designed by Atlanta architect A. Thomas Bradbury and opened in 1968, the mansion has been home to eight first families and houses a distinguished collection of American art and antiques. Often called “the people’s house,” the mansion is always on display, always serving the public. Memories of the Mansion tells the story of the Georgia Governor’s Mansion—what preceded it and how it came to be as well as the stories of the people who have lived and worked here since its opening in 1968. The authors worked closely with the former first families (Maddox, Carter, Busbee, Harris, Miller, Barnes, Perdue, and Deal) to capture behind-the-scenes anecdotes of what life was like in the state’s most public house. This richly illustrated book not only documents this extraordinary place and the people who have lived and worked here, but it will also help ensure the preservation of this historic resource so that it may continue to serve the state and its people.
Beatrix Potter meets I Spy in this detailed and charming storybook adventure Best friends Julia and Sam are mice who live in the Mouse Mansion. When they’re together they find all sorts of adventures—and all kinds of trouble! Come with them as they discover a secret hiding place, greet the ragman, and learn to make pancakes. There is a shop that sells everything and a box full of treasure. And—oh no!—there might even be a rat! The Mouse Mansion is always full of surprises. Author and artist Karina Schaapman spent years building and furnishing the Mouse Mansion in which this collection of stories takes place. The elaborate dollhouse is made of cardboard boxes and papier-mâché and contains more than one hundred rooms to explore.
When Lady Grizzly’s priceless antiques go missing, the Bear Detectives are on the case! When Papa Bear is invited to Grizzly Mansion to talk business with Squire Grizzly, the richest bear in Bear Country, Brother and Sister Bear beg to come along. The butler answers the door, announcing the arrival of Papa, Brother, Sister, and the cubs’ visiting cousin, Freddy. The disappearance of Lady Grizzly’s priceless antiques soon throws the household into chaos. Papa, who thinks he’s an expert on everything, vows to solve the case with the assistance of Freddy’s sniffer hound, Snuff. But the biggest vanishing act is yet to come. Can the Bear Family solve the case and restore harmony to Grizzly Mansion?
Welcoming its first executive in 1842, the Mississippi Governor’s Mansion is the second-oldest continuously occupied governor’s residence in the United States. The Mansion is both a public building open for tours and the private residence of the governor and his family. In this unique book, readers are invited to explore the entirety of the building, from the attic to the garage and everything in between. The Mississippi Governor’s Mansion: Memories of the People’s Home is the first book of its kind dedicated to images and stories about the Governor’s Mansion. The volume reveals Governor Phil Bryant’s profound respect for the office he holds and his deep appreciation for the National Historic Landmark in which he resides. Through his personal, often touching reflections, Governor Bryant pays tribute to former governors, their families, and the many public servants who have dedicated their lives to taking care of this beautiful Greek Revival masterpiece. More than sixty elegant watercolor paintings by noted Mississippi artist Bill Wilson accompany the governor’s stories. Wilson captures the beauty and majesty of the home, its furnishings, and the restored historic grounds. The volume also features a personal foreword by First Lady Deborah Bryant inviting readers into her home, an artist’s statement by Wilson, and a brief historical essay written by Mansion curator Megan Bankston.
Nominated for the 2020 Stoker Award for Superior Achievement in a First Novel. One of The Millions's Most Anticipated Books of the Second-Half of 2020, one of Library Journal's 35 Standout Summer/Fall 2020 Debut Novels, and one of Shondaland's 11 New Books That Will Change How You Think About the Climate Crisis From the author of the story collections Heartbreaker and Rag comes a powerful and propulsive debut novel that examines activism, love, and purpose When fifteen-year-old Xie moves from California to a rural Southern town to live with his father he makes just two friends, Jo and Leni, both budding environmental and animal activists. One night, the three friends decide to free captive mink from a local farm. But when Xie is the only one caught his small world gets smaller: Kicked out of high school, he becomes increasingly connected with nature, spending his time in the birch woods behind his house, attending extremist activist meetings, and serving as a custodian for what others ignore, abuse, and discard. Exploring the woods alone one night, Xie discovers the relic of a Catholic saint—the martyred Pancratius—in a nearby church. Regal and dressed in ornate armor, the skeleton captivates him. After weeks of visits, Xie steals the skeleton, hides it in his attic bedroom, and develops a complex and passionate relationship with the bones and spirit of the saint, whom he calls P. As Xie’s relationship deepens with P., so too does his relationship with the woods—private property that will soon be overrun with loggers. As Xie enacts a plan to save his beloved woods, he must also find a way to balance his conflicting—and increasingly extreme—ideals of purity, sacrifice, and responsibility in order to live in this world. Maryse Meijer's The Seventh Mansion is a deeply moving and profoundly original debut novel—both an urgent literary call to arms and an unforgettable coming-of-age story about finding love and selfhood in the face of mass extinction and environmental destruction.
#1 NEW YORK TIMES BESTSELLER NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Janet Maslin, The New York Times • St. Louis Post-Dispatch When Pulitzer Prize–winning journalist Bill Dedman noticed in 2009 a grand home for sale, unoccupied for nearly sixty years, he stumbled through a surprising portal into American history. Empty Mansions is a rich mystery of wealth and loss, connecting the Gilded Age opulence of the nineteenth century with a twenty-first-century battle over a $300 million inheritance. At its heart is a reclusive heiress named Huguette Clark, a woman so secretive that, at the time of her death at age 104, no new photograph of her had been seen in decades. Though she owned palatial homes in California, New York, and Connecticut, why had she lived for twenty years in a simple hospital room, despite being in excellent health? Why were her valuables being sold off? Was she in control of her fortune, or controlled by those managing her money? Dedman has collaborated with Huguette Clark’s cousin, Paul Clark Newell, Jr., one of the few relatives to have frequent conversations with her. Dedman and Newell tell a fairy tale in reverse: the bright, talented daughter, born into a family of extreme wealth and privilege, who secrets herself away from the outside world. Huguette was the daughter of self-made copper industrialist W. A. Clark, nearly as rich as Rockefeller in his day, a controversial senator, railroad builder, and founder of Las Vegas. She grew up in the largest house in New York City, a remarkable dwelling with 121 rooms for a family of four. She owned paintings by Degas and Renoir, a world-renowned Stradivarius violin, a vast collection of antique dolls. But wanting more than treasures, she devoted her wealth to buying gifts for friends and strangers alike, to quietly pursuing her own work as an artist, and to guarding the privacy she valued above all else. The Clark family story spans nearly all of American history in three generations, from a log cabin in Pennsylvania to mining camps in the Montana gold rush, from backdoor politics in Washington to a distress call from an elegant Fifth Avenue apartment. The same Huguette who was touched by the terror attacks of 9/11 held a ticket nine decades earlier for a first-class stateroom on the second voyage of the Titanic. Empty Mansions reveals a complex portrait of the mysterious Huguette and her intimate circle. We meet her extravagant father, her publicity-shy mother, her star-crossed sister, her French boyfriend, her nurse who received more than $30 million in gifts, and the relatives fighting to inherit Huguette’s copper fortune. Richly illustrated with more than seventy photographs, Empty Mansions is an enthralling story of an eccentric of the highest order, a last jewel of the Gilded Age who lived life on her own terms. Praise for Empty Mansions “An amazing story of profligate wealth . . . an outsized tale of rags-to-riches prosperity.”—The New York Times “An evocative and rollicking read, part social history, part hothouse mystery, part grand guignol.”—The Daily Beast “Fascinating . . . [a] haunting true-life tale.”—People “One of those incredible stories that you didn’t even know existed. It filled a void.”—Jon Stewart, The Daily Show “Thrilling . . . deliciously scandalous.”—Publishers Weekly (starred review)
