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Inuit Art

Author: Richard C. Crandall

Publisher: McFarland

Published: 2000

Total Pages: 432

ISBN-13: 9780786407118

Inuit--sometimes referred to as Eskimo--art is the primary art form of Canada and has a large international following, particularly in the United States, Japan, and Germany. Despite its popularity, the complete history of Inuit art has never been presented. This is the first chronological synthesis of Inuit art, following its development from prehistory, through early American and European exploration, to the recognition of Inuit art as a commercial possibility, and up to the present. There is a particular emphasis on contemporary art and artists, and the years 1950 through 1997 are each given separate, detailed treatment in regard to important shows and events. This history is appropriate both for the beginning admirer of Inuit art and for those already well immersed in it.

An Annotated Bibliography of Inuit Art

Author: Richard C. Crandall

Publisher: McFarland

Published: 2015-07-25

Total Pages: 465

ISBN-13: 1476607435

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Archaeological digs have turned up sculptures in Inuit lands that are thousands of years old, but "Inuit art" as it is known today only dates back to the beginning of the 1900s. Early art was traditionally produced from soft materials such as whalebone, and tools and objects were also fashioned out of stone, bone, and ivory because these materials were readily available. The Inuit people are known not just for their sculpture but for their graphic art as well, the most prominent forms being lithographs and stonecuts. This work affords easy access to information to those interested in any type of Inuit art. There are annotated entries on over 3,761 articles, books, catalogues, government documents, and other publications.

Stories in a New Skin

Author: Keavy Martin

Publisher: Univ. of Manitoba Press

Published: 2012-12-15

Total Pages: 195

ISBN-13: 0887554288

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In an age where southern power-holders look north and see only vacant polar landscapes, isolated communities, and exploitable resources, it is important to note that the Inuit homeland encompasses extensive philosophical, political, and literary traditions. Stories in a New Skin is a seminal text that explores these Arctic literary traditions and, in the process, reveals a pathway into Inuit literary criticism. Author Keavy Martin considers writing, storytelling, and performance from a range of genres and historical periods—the classic stories and songs of Inuit oral traditions, life writing, oral histories, and contemporary fiction, poetry and film—and discusses the ways in which these texts constitute an autonomous literary tradition. She draws attention to the interconnection between language, form and context and illustrates the capacity of Inuit writers, singers and storytellers to instruct diverse audiences in the appreciation of Inuit texts. Although Eurowestern academic contexts and literary terminology are a relatively foreign presence in Inuit territory, Martin builds on the inherent adaptability and resilience of Inuit genres in order to foster greater southern awareness of a tradition whose audience has remained primarily northern.

Changing Women, Changing History

Author: Diana Pederson

Publisher: McGill-Queen's Press - MQUP

Published: 1996-10-15

Total Pages: 269

ISBN-13: 077357400X

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Changing Women, Changing History is a bibliographic guide to the scholarship, both English and French, on Canadian's women's history. Organized under broad subject headings, and accompanied by author and subject indices it is accessible and comprehensive.

The Manitoba Medical Review

Author:

Publisher:

Published: 1961

Total Pages: 686

ISBN-13:

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Educated Imagination and Other Writings on Critical Theory, 1933-1962

Author: Northrop Frye

Publisher: University of Toronto Press

Published: 2006-01-01

Total Pages: 608

ISBN-13: 0802092098

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In 1933, Northrop Frye was a recent university graduate, beginning to learn his craft as a literary essayist. By 1963, with the publication of The Educated Imagination, he had become an international academic celebrity. In the intervening three decades, Frye wrote widely and prodigiously, but it is in the papers and lectures collected in this installment of the Collected Works of Northrop Frye, that the genesis of a distinguished literary critic can be seen. Here is Frye tracing the first outlines of a literary cosmology that would culminate in The Anatomy of Criticism (1958) and shapeThe Great Code (1982) and Words with Power (1990). At the same time that Frye garnered such international acclaim, he was also a working university teacher, lecturing in the University of Toronto's English Language and Literature program. In her lively introduction, Germaine Warkentin links Frye's evolution as a critic with his love of music, his passionate concern for his students, and his growing professional ambition. The writings included in this volume show how Frye integrated ideas into the work that would consolidate the fame that Fearful Symmetry (1947) had first established.

Canadian Painters in a Modern World, 1925–1955

Author: Lora Senechal Carney

Publisher: McGill-Queen's Press - MQUP

Published: 2017-09-27

Total Pages: 322

ISBN-13: 0773551921

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From the Roaring Twenties and the Group of Seven to the Automatistes and the early Cold War, Canadian artists lived through and embodied an era of global tumult and change. With an interweaving of historical narrative, lavish illustrations, and writings by many of Canada's most revered cultural figures, Lora Senechal Carney illuminates the lives, perspectives, and works of the era's painters and provides glimpses of the sculptors, poets, dancers, critics, and filmmakers with whom they associated. Canadian Painters in a Modern World gives readers direct access to a carefully curated selection of writings, artworks, photos, and other documents that help to reconstruct the public spheres in which artists including Paul-Émile Borduas, Emily Carr, Alex Colville, Lawren Harris, David Milne, and Pegi Nicol MacLeod circulated. Each of the book’s eight chapters consists of a narrative about a key issue or debate, focusing on the relationship of art to politics and society, and on how these are negotiated in an individual's life. Relating artistic engagement with and responses to the Spanish Civil War, the Second World War, and the Cold War, Senechal Carney discovers a common desire for new connections between art and life. Revealing continuities, ruptures, and watershed moments, Canadian Painters in a Modern World showcases artistic production within specific socio-political contexts to shed new light on Canadian art during three decades of conflict and crisis.

W.A. Mackintosh

Author: Hugh Grant

Publisher: McGill-Queen's Press - MQUP

Published: 2015-11-01

Total Pages: 545

ISBN-13: 0773597638

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W.A. Mackintosh (1895-1970) was an exemplary public intellectual and a modest person of rare abilities. In the first biography of this influential economist, Hugh Grant addresses how Mackintosh's commitment to public service and to the principles of reason and tolerance shaped his contribution to economic scholarship, government policy, and university governance. In the 1920s and '30s, Mackintosh emerged as the country's leading economist. His most notable contribution was through his "co-discovery" with Harold Innis of the staple thesis of Canadian economic development, which informed research in the field for a generation. During the Second World War Mackintosh joined the Department of Finance, where he played a central role in the successful management of the wartime economy and in Canada's adoption of Keynesian economic policy. As the author of the federal government's 1945 White Paper, Mackintosh laid out the broad strokes of Canada's adherence to Keynesianism in the post-war period. After his return to Queen's, Mackintosh would become the university's fifteenth principal and guide the institution as it prepared for the transformation of Canadian universities. A remarkable man who had a profound influence on the development of modern Canada, this definitive biography restores the record on his important contributions to Canadian economic thought and national and international finance.