This is a collection of darkly comic standalone strips by a cartoonist Herge (Tintin) idolized. Die Laughing, which is executed in stark black and white, takes aim at everyone and everything in its scathing critique of modern life, but is particularly ruthless toward animal abusers, the military industrial complex, and death penalty enthusiasts. Franquin’s loose but meticulous line work features expressionistic shadows and silhouettes that infuse his depressed, repressed, and oppressed characters with a disturbing manic energy. Die Laughing is filled with visual gags and gag-inducing visuals that will haunt you.
Tony Husband is one of the UK's leading cartoonists. In a long career, beginning in 1984, he has created cartoons for many leading publications, including The Spectator, Private Eye, The Times, and Punch. Tony has won more than fifteen major awards, including the prestigious Pont Award. Black humor never goes out of fashion and the truths about human nature revealed by Husband's work never cease to tickle the funny bone, no matter how many times readers leaf through these pages.
From the co-creator of the celebrated Big Book of Jewish Humor comes a laugh-out-loud collection of jokes about growing older that makes fun of memory loss, marriages, medicine, sex, the afterlife, and much more, making this the perfect gift for almost anyone who was born before you were. Growing older can be unsettling and surprising. (How on earth did this happen? Where did the years go?) So what better way to deal with this new stage of life than to laugh about your new reality? Die Laughing includes more than enough jokes (not to mention cartoons!) to let that laughter burst out. Whether it’s dealing with doctors, dating in one’s seventies, or unexpected bodily changes (not to mention funny noises), some things are easier to face with a smile of recognition. That’s why Die Laughing is the perfect gift for your parents, anyone celebrating a significant birthday, or any boomer with a sense of humor whose age begins with a six or higher.
With a mere 5% chance of recovery from cancer, Eyal Eltawil's struggle to survive includes the use of comedy. Diagnosed with stage 4 cancer at the age of 31 and with metastases in his body, Eyal Eltawil was given a mere 5% chance of recovery. Eyal decided to look at his cancer from a humoristic point of view and find laughter in the process. The topic of his life's story was not one he chose, but he did make the choice to create "stand-up comedy" while he struggled to survive. Using a humoristic perspective during the entire process, he turned the C word (Cancer) into one relating to Comedy. This, was Eyal's way of dealing with his illness and enabling recovery. 3 years after his full recovery, he was told that there was a fair chance the cancer had returned. Despite the harsh news, and while waiting anxiously for the lab results, he decided to laugh again and relates his experience in a book. The stand-up comedy kept working and the recovery was there to stay!
Moving away from the explicitly political content of his previous novels, Victor Hugo turns to social commentary in The Man Who Laughs, an 1869 work that was made into a popular film in the 1920s. The plot deals with a band of miscreants who deliberately deform children to make them more effective beggars, as well as the long-lasting emotional and social damage that this abhorrent practice inflicts upon its victims.
The ghostwriting sleuth discovers a rock star’s deadly side in “one of my all-time favorite series” (Harlan Coben). From the first time they played on the Ed Sullivan Show, Us was the hottest band on earth. For more than a decade, the group tore through the charts and indulged in an endless cycle of drugs, women, and violence, until two musicians died—the drummer by drugs, the guitarist by a crazed gunman. Once the band was finished, lead singer Tristam Scarr retreated to the English countryside, hiding from the world until the day he hires an American to ghostwrite his memoirs. Stewart Hoag arrives in London in the company of Lulu, his ever-hungry basset hound, to find the rock idol of his youth reduced to a wheezing, frail fortysomething. The first thing Starr tells him is that their drummer never overdosed—he was murdered. And as their interviews progress, Hoagy learns that working for a rock star is almost as dangerous as being one.
The funeral for Benny Whipple, the 93-year-old veteran of vaudeville, radio, stage and screen, has attracted every comedy superstar in Hollywood. But just as Benny is being laid to rest, Steve Allen and Jayne Meadows discover slapstick king Terry Parker stabbed in the back in a mausoleum. Now, Steve is on the case.
From the team that brought you The Obstacle Is the Way and Ego Is the Enemy, a daily devotional of Stoic meditations—an instant Wall Street Journal and USA Today Bestseller. Why have history's greatest minds—from George Washington to Frederick the Great to Ralph Waldo Emerson, along with today's top performers from Super Bowl-winning football coaches to CEOs and celebrities—embraced the wisdom of the ancient Stoics? Because they realize that the most valuable wisdom is timeless and that philosophy is for living a better life, not a classroom exercise. The Daily Stoic offers 366 days of Stoic insights and exercises, featuring all-new translations from the Emperor Marcus Aurelius, the playwright Seneca, or slave-turned-philosopher Epictetus, as well as lesser-known luminaries like Zeno, Cleanthes, and Musonius Rufus. Every day of the year you'll find one of their pithy, powerful quotations, as well as historical anecdotes, provocative commentary, and a helpful glossary of Greek terms. By following these teachings over the course of a year (and, indeed, for years to come) you'll find the serenity, self-knowledge, and resilience you need to live well.
Laughing Shall I Die explores the Viking fascination with scenes of heroic death. The literature of the Vikings is dominated by famous last stands, famous last words, death songs, and defiant gestures, all presented with grim humor. Much of this mindset is markedly alien to modern sentiment, and academics have accordingly shunned it. And yet, it is this same worldview that has always powered the popular public image of the Vikings—with their berserkers, valkyries, and cults of Valhalla and Ragnarok—and has also been surprisingly corroborated by archaeological discoveries such as the Ridgeway massacre site in Dorset. Was it this mindset that powered the sudden eruption of the Vikings onto the European scene? Was it a belief in heroic death that made them so lastingly successful against so many bellicose opponents? Weighing the evidence of sagas and poems against the accounts of the Vikings’ victims, Tom Shippey considers these questions as he plumbs the complexities of Viking psychology. Along the way, he recounts many of the great bravura scenes of Old Norse literature, including the Fall of the House of the Skjoldungs, the clash between the two great longships Ironbeard and Long Serpent, and the death of Thormod the skald. One of the most exciting books on Vikings for a generation, Laughing Shall I Die presents Vikings for what they were: not peaceful explorers and traders, but warriors, marauders, and storytellers.
The first in a detective series that “immediately joins the No. 1 Ladies’ Detective Agency as representing the best in international cozies” (Booklist, starred review). Meet Vish Puri, India’s most private investigator. Portly, persistent, and unmistakably Punjabi, he cuts a determined swath through modern India’s swindlers, cheats, and murderers. In hot and dusty Delhi, where call centers and malls are changing the ancient fabric of Indian life, Puri’s main work comes from screening prospective marriage partners, a job once the preserve of aunties and family priests. But when an honest public litigator is accused of murdering his maidservant, it takes all of Puri’s resources to investigate. With his team of undercover operatives—Tubelight, Flush, and Facecream—Puri combines modern techniques with principles of detection established in India more than two thousand years ago, and reveals modern India in all its seething complexity.
