The very best in whimsical and hilarious fantasy writing, this collection features specially commissioned stories by such masters of the fanciful imagination as Rabelais and Swift, Lewis Carroll and Edward Lear, P.G. Wodehouse, and James Thurber.
A new and truly awesome collection of comic fantasy masterpieces! It isn't often you find a posse of Greek goddesses putting down insurrection among unruly classical mortals, stranded aliens escaping earth in a church converted into a rocket, or a light-fingered time-traveller attempting to steal the universe - but here they all are, in another selection of bizarre comic fantasies.
Mike Ashley is back with an all-new edition of one of the bestselling Mammoth Books ever, from the funniest writers in the field, including Neil Gaiman, Tom Holt, and Terry Jones. The thirty- five off-the-wall comic fantasies featured in Ashley's new collection are a mix of specially written stories and hard-to-find gems: a computer salesman in fairyland, a vampire football match, a psychotic Father Christmas, and a wizard allergic to magic. Ashley expertly turns fantasy and horror fiction on its head and magic into mayhem. This is huge fun for all comic fantasy fans.
Here are 25 stories of science fiction that push the envelope, by the biggest names in an emerging new crop of high-tech futuristic SF - including Charles Stross, Robert Reed, Alastair Reynolds, Peter Hamilton and Neal Asher. High-tech SF has made a significant comeback in the last decade, as bestselling authors successfully blend the super-science of 'hard science fiction' with real characters in an understandable scenario. It is perhaps a reflection of how technologically controlled our world is that readers increasingly look for science fiction that considers the fates of mankind as a result of increasing scientific domination. This anthology brings together the most extreme examples of the new high-tech, far-future science fiction, pushing the limits way beyond normal boundaries. The stories include: "A Perpetual War Fought Within a Cosmic String", "A Weapon That Could Destroy the Universe", "A Machine That Detects Alternate Worlds and Creates a Choice of Christs", "An Immortal Dead Man Sent To The End of the Universe", "Murder in Virtual Reality", "A Spaceship So Large That There is An Entire Planetary System Within It", and "An Analytical Engine At The End of Time", and "Encountering the Untouchable."
Here comes the new breed! The first full-length anthology of best new manga, by the brightest young talents in the field. Bursting with energy and imagination, this collection features the most exciting new work by western manga-ka Japanese style comics being produced by western artists. Contributors include promising stars like Michiru Morikawa, winner of the Grand Prize of the International Manga and Anime Festival, Selina Dean and Asia Alfasi, as well as established names such as Andi Watson and Craig Conlan. Over 500 pages long, the anthology showcases more than fifteen new stories, complete and unabridged. Many expand on the limited popular conception of 'big-eyed' manga in original and unexpected ways — home-grown stories that speak directly to western audiences. The collection follows the format of the benchmark annual Mammoth anthologies of science fiction and horror, and includes a brief introduction to each contributor.
A gripping collection which offers for the first time a chronological overview of the popular contemporary sub-genre of body horror, from Edgar Allan Poe to Christopher Fowler, with contributions from leading horror writers, including Stephen King, George Langelaan and Neil Gaiman. The collection includes the stories behind seminal body horror movies, John Carpenter's The Thing, David Cronenberg's The Fly and Stuart Gordon's Re-Animator.
Updated and expanded edition of the fullest ever collective investigation into Jack the Ripper and the Whitechapel Murders. This volume collects not just all the key factual evidence but also 20 different arguments as to the identity of Jack the Ripper, such as that advanced by Patricia Cornwell. Contributions are from the world's leading Ripperologists, including William Beadle, Melvyn Fairclough, Martin Fido, Shirley Harrison, James Tully and Colin Wilson. The identity of Jack the Ripper has plagued professional historians, criminologists, writers and amateur enthusiasts. The many suspects include Montague John Druitt, Walter Sickert, Aaron Kosminski, Michael Ostrog, William Henry Bury, Dr Tumblety and James Maybrick. The only certainty is that Ripperologist have not found an invididual on whom they can all agree. The essays are supported by a detailed chronology, extensive bibliography and filmography.
The Mammoth Book of Great Fantasy offers a wonderful collection - both classic and new - of this ever-popular genre. Mike Ashley brings together the great masters and originators of the form, such as George Macdonald and Lord Dunsany, through the great days of Conan the Barbarian, Elric and Melnibone and, of course, the creations of J.R.R.Tolkien, to today's craftsmen of fantasy such as Terry Pratchett, David Gemmell and Tanith Lee. Stories include: Yesterday was Monday, in which Theodore Sturgeon writes about a man who goes to sleep on Monday and awakes to find the next day is Wednesday - he has slipped out of time. The Wall Around the World, by Theodore Cogswell, tells of a young boy who masters flight in order to escape from a world in which he has become trapped. A Witch Shall be Born, one of Robert E.Howards greatest Conan the Barbarian stories. Aelfwine of England, a rare tale by J R R Tolkien, linking Dark Age Britain to Middle Earth.
Pulp fiction has been looked down on as a guilty pleasure, but it offers the perfect form of entertainment: the very best storytelling filled with action, surprises, sound and fury. In short, all the exhiliration of a roller-coaster ride. The 1920s in America saw the proliferation of hundreds of dubiously named but thrillingly entertaining pulp magazines in America – Black Mask, Amazing, Astounding, Spicy Stories, Ace-High, Detective Magazine, Dare-Devil Aces. It was in these luridly-coloured publications, printed on the cheapest pulp paper, that the first gems began to appear. The one golden rule for writers of pulp fiction was to adhere to the art of storytelling. Each story had to have a beginning, an end, economically-etched characters, but plenty going on, both in terms of action and emotions. Pulp magazines were the TV of their day, plucking readers from drab lives and planting them firmly in thrilling make-believe, successors to the Victorian penny dreadfuls of writers such as Sir Arthur Conan Doyle and Charles Dickens. These stories exemplify the best of crime and mystery pulp fiction – its zest, speed, rhythm, verve and commitment to straightforward storytelling – spanning seven decades of popular writing.