The must-have annual anthology for every crime fiction fan - the year's top new British short stories selected by leading crime critic Maxim Jakubowski. This great annual covers the full range of mystery fiction, from noir and hardboiled crime to ingenious puzzles and amateur sleuthing. Packed with top names like Colin Dexter, Christopher Fowler, Alexander McCall Smith, Robert Barnard, Peter James, Natasha Cooper, Sophie Hannah, and many more
122 fantastic stories from Britain's best crime writers For ten years the Mammoth Best British Crime series has been publishing an annual volume of the most outstanding crime and mystery short fiction published in the UK. Over 400 stories by the very best writers in the field have been published. Contributors have included, among many others, Mark Billingham, Liza Cody, Roger Jon Ellory, Reginald Hill, Peter James, Simon Kernick, Alexander McCall Smith, Val McDermid, John Mortimer, Anne Perry, Ian Rankin, Derek Raymond and Andrew Taylor. On several occasions, stories published in The Mammoth Book of Best British Crime have won some of the most prestigious awards in the field, including the Crime Writers Association Short Story Dagger, The Mystery Writers of America Edgar award and the Anthony award, while countless others have featured on the respective shortlists. This truly bumper collection of over 120 stories, an omnibus edition of Volumes 7, 8 and 9, showcases as ever the impressive breadth of crime writing, from cosy tales of detection to noir mayhem and psychological suspense and terror. There are puzzles to solve, nagging questions about the nature of the society in which we live, but, above all, there is an abundance of first-class entertainment. Over 1600 pages of outstanding crime fiction by: Lin Anderson, Kate Atkinson, Ian Ayris, Ray Banks, Robert Barnard, Colin Bateman, Mark Billingham, Nigel Bird, Tony Black, Stephen Booth, Paul D. Brazill, Simon Brett, Gerard Brennan, Christopher Brookmyre, Alison Bruce, Ken Bruen, Declan Burke, Col Bury, Tom Cain, Ann Cleeves, Liza Cody, Natasha Cooper, Bernie Crosthwaite, Judith Cutler, Colin Dexter, Martin Edwards, Matthew J. Elliott, Kate Ellis, R. J. Ellory, Chris Ewan, Christopher Fowler, Simon R. Green, Jon Courtenay Grimwood, Allan Guthrie, Sophie Hannah, John Harvey, Mick Herron, David Hewson, Reginald Hill, Matt Hilton, Kate Horsley, Peter James, Paul Johnston, L. Kennedy, Bill Kirton, John Lawton, Simon Levack, Michael Z. Lewin, Toby Litt, Peter Lovesey, Phil Lovesey, Stuart MacBride, Adrian Magson, Barry Maitland, Alexander McCall Smith, Keith McCarthy, Val McDermid, Brian McGilloway, Denise Mina, Steve Mosby, Edward Marston, Amy Myers, Barbara Nadel, Stuart Neville, Christine Poulson, Ian Rankin, Sarah Rayne, Peter Robinson, Nicholas Royle, Zoë Sharp, Roz Southey, Sally Spedding, Jay Stringer, Andrew Taylor, Marilyn Todd, Peter Turnbull, L. C. Tyler, Simon Kernick, Nick Quantrill, Sheila Quigley, Louise Welsh, Marc Werner and Kevin Wignall.
Leading crime critic Maxim Jakubowski presents this year's must-have collection of British mystery fiction. This latest volume of the acclaimed annual collection presents 35 short stories of murder mystery, selected from the very cream of new British crime fiction. Contributors include John Mortimer, Alexander McCall Smith, Colin Dexter, Christopher Fowler, Robert Barnard, Anne Perry, Peter Lovesey, Ken Bruen, and many more. It's ideal for anyone who has ever enjoyed a good murder-mystery. A page-turning compendium of British talent to capture the imagination of readers around the world.
A humorous collection of hundreds of funny news stories, whacky phenomena, and hilarious blunders and gaffes from around the world, such as: the woman who smuggled 75 live snakes in her bra; the man who held a funeral for his amputated foot; the radioactive cat which got mistaken for a bomb; the human tongue that got served up in a hospital; the X-ray that revealed E.T.'s face in a duck; the youth who woke to find a bullet in his tongue; the tortoise that set a house on fire; and many more.
42 fantastic stories from Britain's best crime writers. A superb collection of the year's most outstanding short crime fiction published in the UK. Jakubowski has succeeded, as ever, in showcasing the impressive breadth of crime writing, from cosy tales of detection to noir mayhem and psychological suspense and terror. There are puzzles to solve, nagging questions about the nature of the society in which we live, but, above all, there is an abundance of first-class entertainment. Last year saw a sixth Crime Writers Association Dagger award for the series - shared between Margaret Murphy and Cath Staincliffe - and an Edgar award for Peter Turnbull. All three award-winning stories are included in this volume. Lee Child makes his debut and there is a first story from Neil Gaiman, too, in Sherlockian rather than fantastical mode. Return offenders include Ann Cleeves, Phil Lovesey and Ruth Rendell, among many other familiar names. There are a number of newcomers to the series, too, including Nina Allan, Joel Lane and Lisa Tuttle.
CWA Gold and Steel Dagger-winner Mick Herron's short fiction, collected for the first time. Mick Herron, author of the Slough House novels, is on his way to becoming one of the most critically acclaimed and culturally important crime fiction writers of the twenty-first century. He has been awarded both the Gold and Steel Daggers by the Crime Writers’ Association and has been called “the John Le Carré of the future” (BBC). But Mick Herron does more than “just” write flawlessly suspenseful spy thrillers. He is a craftist of the highest order, irrepressibly versatile in form (novels, novellas, short fiction) and mood (witty, taut, spooky, laugh-out-loud funny), whose “efficient, darkly witty, tipped-with-imagery sentences . . . feel purpose-built to perforate [our] private daze of illiteracy” (The Atlantic). Now, for the first time, Herron’s short fiction has been collected into one volume. In Dolphin Junction, devoted fans and future converts alike will find much to amuse, delight, and terrify them. Five standalone nerve-rackingly thrilling crime fiction stories are complemented by four mystery stories featuring the Oxford wife-and-husband detective team of shrewd Zoë Boehm and hapless Joe Silvermann. The collection also includes a peek into the past of Jackson Lamb, irascible top agent at Slough House.
A reference and overview of the genre of crime fiction, primarily covering the 1950s onwards, although major earlier writers, such as Agatha Christie and Raymond Chandler, also have entries.
Pulp fiction has been looked down on as a guilty pleasure, but it offers the perfect form of entertainment: the very best storytelling filled with action, surprises, sound and fury. In short, all the exhiliration of a roller-coaster ride. The 1920s in America saw the proliferation of hundreds of dubiously named but thrillingly entertaining pulp magazines in America – Black Mask, Amazing, Astounding, Spicy Stories, Ace-High, Detective Magazine, Dare-Devil Aces. It was in these luridly-coloured publications, printed on the cheapest pulp paper, that the first gems began to appear. The one golden rule for writers of pulp fiction was to adhere to the art of storytelling. Each story had to have a beginning, an end, economically-etched characters, but plenty going on, both in terms of action and emotions. Pulp magazines were the TV of their day, plucking readers from drab lives and planting them firmly in thrilling make-believe, successors to the Victorian penny dreadfuls of writers such as Sir Arthur Conan Doyle and Charles Dickens. These stories exemplify the best of crime and mystery pulp fiction – its zest, speed, rhythm, verve and commitment to straightforward storytelling – spanning seven decades of popular writing.
