The Making of Victorian Drama

The Making of Victorian Drama

Author: Anthony Jenkins

Publisher: Cambridge University Press

Published: 1991-06-27

Total Pages: 317

ISBN-13: 0521402050

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The drama of Edward Bulwer, Tom Robertson, W. S. Gilbert, W. A. Jones, Arthur Pinero, Oscar Wilde and Bernard Shaw, examined in social and political context. This book will be of interest to students and scholars of theatre history, English literature and social history, and women's studies.


Authentic Victorian Dressmaking Techniques

Authentic Victorian Dressmaking Techniques

Author: Kristina Harris

Publisher: Courier Corporation

Published: 2013-04-22

Total Pages: 146

ISBN-13: 0486320170

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Vintage guide offered turn-of-the-century seamstresses clear instructions for altering patterns and creating shirt-blouses, skirts, wedding gowns, coats, maternity wear, children's clothing, and other apparel.


How to Do Things with Books in Victorian Britain

How to Do Things with Books in Victorian Britain

Author: Leah Price

Publisher: Princeton University Press

Published: 2012-04-09

Total Pages: 361

ISBN-13: 1400842182

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How to Do Things with Books in Victorian Britain asks how our culture came to frown on using books for any purpose other than reading. When did the coffee-table book become an object of scorn? Why did law courts forbid witnesses to kiss the Bible? What made Victorian cartoonists mock commuters who hid behind the newspaper, ladies who matched their books' binding to their dress, and servants who reduced newspapers to fish 'n' chips wrap? Shedding new light on novels by Thackeray, Dickens, the Brontës, Trollope, and Collins, as well as the urban sociology of Henry Mayhew, Leah Price also uncovers the lives and afterlives of anonymous religious tracts and household manuals. From knickknacks to wastepaper, books mattered to the Victorians in ways that cannot be explained by their printed content alone. And whether displayed, defaced, exchanged, or discarded, printed matter participated, and still participates, in a range of transactions that stretches far beyond reading. Supplementing close readings with a sensitive reconstruction of how Victorians thought and felt about books, Price offers a new model for integrating literary theory with cultural history. How to Do Things with Books in Victorian Britain reshapes our understanding of the interplay between words and objects in the nineteenth century and beyond.


A History of Victorian Literature

A History of Victorian Literature

Author: James Eli Adams

Publisher: John Wiley & Sons

Published: 2012-01-17

Total Pages: 481

ISBN-13: 0470672390

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Incorporating a broad range of contemporary scholarship, A History of Victorian Literature presents an overview of the literature produced in Great Britain between 1830 and 1900, with fresh consideration of both major figures and some of the era's less familiar authors. Part of the Blackwell Histories of Literature series, the book describes the development of the Victorian literary movement and places it within its cultural, social and political context. A wide-ranging narrative overview of literature in Great Britain between 1830 and 1900, capturing the extraordinary variety of literary output produced during this era Analyzes the development of all literary forms during this period - the novel, poetry, drama, autobiography and critical prose - in conjunction with major developments in social and intellectual history Considers the ways in which writers engaged with new forms of social responsibility in their work, as Britain transformed into the world's first industrial economy Offers a fresh perspective on the work of both major figures and some of the era’s less familiar authors Winner of a Choice Outstanding Academic Title award, 2009


The Cambridge Companion to Victorian and Edwardian Theatre

The Cambridge Companion to Victorian and Edwardian Theatre

Author: Kerry Powell

Publisher: Cambridge University Press

Published: 2004-02-19

Total Pages: 517

ISBN-13: 1139826425

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This 2004 Companion is designed for readers interested in the creation, production and interpretation of Victorian and Edwardian theatre, both in its own time and on the contemporary stage. The volume opens with a brief overview and introduction surveying the theatre of the time followed by an essay contextualizing the theatre within the frame of Victorian and Edwardian culture as a whole. Succeeding chapters examine specific aspects of performance, production, and theatre, including the music, the actors, stagecraft and the audiences themselves; plays and playwriting and issues of class and gender are also explored. Chapters also deal with comedy, farce and melodrama, while other essays bring forward new topics and approaches that cross the boundaries of traditional investigation, including analysis of the economics of theatre and of the theatricality of personal identity.


Theatre in the Victorian Age

Theatre in the Victorian Age

Author: Michael R. Booth

Publisher: Cambridge University Press

Published: 1991-07-26

Total Pages: 244

ISBN-13: 9780521348379

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A comprehensive survey of the theatre practice and dramatic literature of the Victorian period.


Popular Culture and Performance in the Victorian City

Popular Culture and Performance in the Victorian City

Author: Peter Bailey

Publisher: Cambridge University Press

Published: 2003-10-16

Total Pages: 276

ISBN-13: 9780521543484

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This lively and highly innovative book reconstructs the texture and meaning of popular pleasure in the Victorian entertainment industry. Integrating theories of language and social action with close reading of contemporary sources, Peter Bailey provides a richly detailed study of the pub, music-hall, theatre and comic newspaper. Analysis of the interplay between entrepreneurs, performers, social critics and audience reveals distinctive codes of humour, sociability and glamour that constituted a new populist ideology of consumerism and the good time. Bailey shows how the new leisure world offered a repertoire of roles that enabled its audience to negotiate the unsettling encounters of urban life. Bailey offers challenging interpretations of respectability, sexuality, and the cultural politics of class and gender in a distinctive, personal voice.


The Silent Revolution and the Making of Victorian England

The Silent Revolution and the Making of Victorian England

Author: Herbert Schlossberg

Publisher: Ohio State University Press

Published: 2000

Total Pages: 420

ISBN-13: 9780814208434

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Schlossberg (senior research associate, the Ethics and Public Policy Center) argues that by the time Victoria became queen in 1837, Victorian culture was already in place. Focusing on the period between the 1790s and the 1840s, he shows how the religious revival that took hold of England's culture constituted a "silent revolution" that formed the basis of Victorian culture. He describes various manifestations of the religious revival, focusing on the main renewal movements in the Church of England and the spread of evangelicalism to dissenting religious groups. Annotation copyrighted by Book News, Inc., Portland, OR


Embodied

Embodied

Author: William A. Cohen

Publisher: U of Minnesota Press

Published: 2009

Total Pages: 201

ISBN-13: 0816650128

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"In these elegant engagements with literary works, cultural history, and critical theory, Cohen advances a phenomenological approach to embodiment, proposing that we encounter the world not through our minds or souls but through our senses."--BOOK JACKET.


Victorian Literature and Film Adaptation

Victorian Literature and Film Adaptation

Author: Abigail Burnham Bloom

Publisher:

Published: 2011

Total Pages: 265

ISBN-13: 9781604977868

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Movies began during the Victorian age. Through even the earliest years of filmmaking, Victorian literature provided a ready stock of familiar stories about colorful characters caught up in mystery, fantasy, adventure, sensation, and domestic conflict. Among the earliest films are adaptations of works by Victorian writers like Charles Dickens, Lewis Carroll, Thomas Hardy, and even Alfred, Lord Tennyson. With the proliferation of volumes on adaptation, work is needed that provides theoretical and practical approaches for those who think about literature together with film adaptations whether as scholarship, part of classroom study, or general enjoyment. By bringing together many different approaches to the topic of adaptation, this book provides an important overview of the subject of the adaptation of nineteenth-century British literature, as well as an examination of the constructive and creative use of film adaptations in the classroom. Although a wide range of critical approaches are included, the primary emphasis is on what specific adaptations reveal about the ways in which nineteenth-century British texts are understood, responded to, and analyzed based on particular cultural contexts. This book provides a basis for rethinking adaptation and a template for future discussions and academic courses. They orient the reader within a popular field of study that is currently in need of both greater focus and of practical direction.