Nicholas Crane's new book brilliantly describes the evolution of Britain's countryside and cities. It is part journey, part history, and it concludes with awkward questions about the future of Britain's landscapes. Nick Crane's story begins with the melting tongues of glaciers and the emergence of a gigantic game-park tentatively being explored by a vanguard of Mesolithic adventurers who have taken the long, northward hike across the land bridge from the continent. The Iron Age develops into a pre-Roman 'Golden Era' and Crane looks at what the Romans did (and didn't) contribute to the British landscape. Major landscape 'events' (Black Death, enclosures, urbanisation, recreation, etc.) are fully described and explored, and he weaves in the role played by geology in shaping our cities, industry and recreation, the effect of climate (and the Gulf Stream), and of global economics (the Lancashire valleys were formed by overseas markets). The co-presenter of BBC's COAST also covers the extraordinary benefits bestowed by a 6,000-mile coastline. The 12,000-year story of the British landscape culminates in the twenty-first century, which is set to be one of the most extreme centuries of change since the Ice Age.
The only compact yet comprehensive survey of environmental and cultural forces that have shaped the visual character and geographical diversity of the settled American landscape. The book examines the large-scale historical influences that have molded the varied human adaptation of the continent’s physical topography to its needs over more than 500 years. It presents a synoptic view of myriad historical processes working together or in conflict, and illustrates them through their survival in or disappearance from the everyday landscapes of today.
For centuries, the English Lake District has been renowned as an important cultural, sacred and literary landscape. It is therefore surprising that there has so far been no in-depth critical examination of the Lake District from a tourism and heritage perspective. Bringing together leading writers from a wide range of disciplines, this book explores the tourism history and heritage of the Lake District and its construction as a cultural landscape from the mid eighteenth century to the present day. It critically analyses the relationships between history, heritage, landscape, culture and policy that underlie the activities of the National Park, Cumbria Tourism and the proposals to recognise the Lake District as a UNESCO World Heritage Site. It examines all aspects of the Lake District's history and identity, brings the story up to date and looks at current issues in conservation, policy and tourism marketing. In doing so, it not only provides a unique and valuable analysis of this region, but offers insights into the history of cultural and heritage tourism in Britain and beyond.
An atlas of English archaeology covering the period from the middle Bronze Age (c. 1500 BC) to Domesday Book (AD 1086), encompassing the Bronze and Iron Ages, the Roman period, and the early medieval (Anglo-Saxon) age.
This is the changing story of Britain as it has been preserved in our fields, roads, buildings, towns and villages, mountains, forests and islands. From our suburban streets that still trace out the boundaries of long vanished farms to the Norfolk Broads, formed when medieval peat pits flooded, from the ceremonial landscapes of Stonehenge to the spread of the railways - evidence of how man's effect on Britain is everywhere. In The Making of the British Landscape, eminent historian, archaeologist and farmer, Francis Pryor explains how to read these clues to understand the fascinating history of our land and of how people have lived on it throughout time. Covering both the urban and rural and packed with pictures, maps and drawings showing everything from how we can still pick out Bronze Age fields on Bodmin Moor to how the Industrial Revolution really changed our landscape, this book makes us look afresh at our surroundings and really see them for the first time.
This book provides an overview of the extent to which the 18th-century English Landscape Garden spread through Europe and Russia. While this type of garden acted widely as an inspiration, it was not slavishly copied but adapted to local conditions, circumstances and agendas. A garden 'in the English style' is commonly used to denote a landscape garden in Europe, while the term 'landscape garden' is used for layouts that are naturalistic in plan and resemble natural scenery, though they might be highly contrived and usually large in scale. The landscape garden took hold in mainland Europe from about 1760. Due to the differing geopolitical character of several of the countries, and a distinct division between Catholic and Protestant, the notion of the landscape garden held different significance and was interpreted and applied variously in those countries: in other words, they found it a very flexible medium. Each country is considered individually, with a special chapter devoted to 'Le Jardin Anglo-Chinois', since that constitutes a major issue of its own. The gardens have been chosen to illustrate the range and variety of applications of the landscape garden, though they are also those about which most is known in English.
Sprawling Piedmont cities, ghost towns on the plains, earth-toned placitas set against the Sangre de Cristo Mountains, mining camps transformed into ski resorts--these are some of the diverse regions in Colorado explored in this fascinating book. Historical geographer William Wyckoff traces the evolution of the state during its formative years from 1860 to 1940, chronicling its changing cultural landscapes, social communities, and connections to a larger America and showing that Colorado has exemplified the unfolding of a complex western environment. Wyckoff discusses how nature, capitalism, a growing federal political presence, and national cultural influences came together to produce a new human geography in Colorado. He explains the ways in which the state's distinctive settlement geographies each took on a special character that persists to the present. He leads the reader through the transformation of the state from wilderness to a distinct region capable of accommodating the diverse needs of ranchers, miners, merchants, farmers, and city dwellers. And he describes how a state created out of cartographic necessity has been given uniqueness and meaning by the people who live there.
From country lanes to thatch roofs, a stroll through the enduring appeal of the nineteenth-century trope of rural English bliss. A Sweet View explores how writers and artists in the nineteenth century shaped the English countryside as a partly imaginary idyll, with its distinctive repertoire of idealized scenery: the village green, the old country churchyard, hedgerows and cottages, scenic variety concentrated into a small compass, snugness and comfort. The book draws on a very wide range of contemporary sources and features some of the key makers of the “South Country” rural idyll, including Samuel Palmer, Myles Birket Foster, and Richard Jefferies. The legacy of the idyll still influences popular perceptions of the essential character of a certain kind of English landscape—indeed for Henry James that imagery constituted “the very essence of England” itself. As A Sweet View makes clear, the countryside idyll forged over a century ago is still with us today.
This is the first book to help the visitor understand Crete's remarkable landscape, which is just as spectacular as the island's rich archaeological heritage. Crete is a wonderful and dramatic island, a miniature continent with precipitous mountains, a hundred gorges, unique plants, extinct animals and lost civilisations, as well as the characteristic agricultural landscape of olive groves, vines and goats, Jennifer Moody and Oliver Rackham explain how the island's peculiar and extraordinary features, moulded and modified by centuries of human activity, have come together to create the landscape we see today. They also explain the formation and ecology of Crete's beautiful mountains and coastline, and the contemporary threats to the island's fragile natural beauty.