Filled with reminiscences about Australia since World War Two plus William s own anecdotes and observations, THE MAKING OF MODERN AUSTRALIA touches on the celebrations, sorrows and spirit of the last 70 years. It creates a national picture of our past and present, told through four main themes of romance, religion, family and home. From the stories of service personnel returning home to the multicultural melting pot of postwar migration, to falling in and out of love, to the changes in beliefs and expectations, this book reveals a unique view of our country. Writtten alongside the four-part documentary series, THE MAKING OF MODERN AUSTRALIA, produced by Essential Media and Entertainment and narrated by William McInnes.
WINNER of the 2020 Ernest Scott Prize for History Shortlisted for the 2020 NSW Premier's Literary Awards Douglas Stewart Prize for Non-fiction Australian Book Review's Books of the Year 2019(read more here) In1970 homosexuality was illegal, God Savethe Queen was our national anthem and women pretended to be married to accessthe pill. By the end of the decade conscription was scrapped, tertiaryeducation was free, access to abortion had improved, the White Australia policywas abolished and a woman read the news on the ABC for the first time. TheSeventies was the decade that shaped modern Australia. It was the decade of'It's Time', stagflation and the Dismissal, a tumultuous period of economic andpolitical upheaval. But the Seventies was also the era when the personal becamepolitical, when we had a Royal Commission into Human Relationships and when socialmovements tore down the boundary between public and private life. Women wantedchildcare, equal pay, protection from violence and agency to shape their ownlives. In the process, the reforms they sought - and achieved, at least in part - reshaped Australia's culture and rewrote our expectations of government. Ina lively and engaging style, Michelle Arrow has written a new history of thistransformative decade; one that is more urgent, and more resonant, than ever.'At last, personal politics as national history. In lucid and nimble prose, Michelle Arrow demonstrates that - in the 1970s at least - it was about the relationships, stupid. A revelation.' - Clare Wright
'The changes we have made will remain - like all great Labor legislation - permanent landmarks in our history.' Gough Whitlam. The Whitlam government propelled Australia out of the presumptions and certainties of twenty-three years of conservative government and changed it irrevocably. It passed a record number of bills into law and became the most successful reformist government in Australia's history. This book brings to light aspects of Whitlam's ambitious reform agenda that have been neglected for too long. The Australian Assistance Plan generated networks of regional and community cooperation that remain today. Plans for energy infrastructure and self-sufficiency that would ensure the use of the nation's resources for the common good, appear more and more visionary. The ground-breaking Royal Commission into Human Relationships is clearly a forerunner of the current royal commissions into institutionalised child abuse and family violence. New research shows the extent to which this reforming agenda continued the post-war reconstruction plans of Curtin and Chifley. Finally, this book reassesses the place of the Whitlam government, and its dismissal, in history, in light of new material that continues to emerge from the personal papers of Sir John Kerr, and new analyses that challenge previous assessments. Edited by Jenny Hocking, with contributors including Stuart Macintyre, Michelle Arrow, Nicholas Brown, Eric Eklund, Murray Goot, Carol Johnson, David Lee, Lyndon Magarrity, Greg Mellueish, and more.
This is the story of the people who made the perilous journey to a new land and a new life. In this book we see how every wave of new immigrants had to battle to establish themselves against prejudice, ignorance, official indifference and the hazards of nature.
Unveiling the inside story of how Paul Keating and John Howard changed Australia, this record presents these two personalities as conviction politicians, tribal warriors, and national interest patriots. Divided by belief, temperament, and party, they were united by generation, city, and the challenge to make Australia into a successful nation for the globalized age. The making of policy and the uses of power are explored, capturing the authentic nature of Australian politics as distinct from the polemics advanced by both sides. Focusing on how these prime ministers altered the nation's direction, this study also depicts how they redefined their parties and struggled over Australia's new economic, social, cultural, and foreign policy agendas. A sequel to the author’s bestselling The End of Certainty, this survey is based on more than 100 interviews with the two key players as well as other politicians, advisers, and public servants.
'a funny and clever reminiscence about what happened in Australia over the past 30 years ... Told with a delightful insight and sense of whimsy.' Daily Telegraph In THAT'D BE RIGHT, much loved actor and author William McInnes gives his personal view on the things we love – sport, families, politics and the greatest spectator sport of them all, an election campaign. He takes the momentous landmarks that fascinate us, such as Melbourne Cup Day, Grand Final wins and election night parties, and brings them into our back yards. He also writes about early morning swimming carnivals, lawnmowers and sitting in the stands at the cricket with his son. THAT'D BE RIGHT is a biographical trip through Australian life with lots of yarns along the way.
In 1970 homosexuality was illegal, God Save the Queen was our national anthem and women pretended to be married to access the pill. By the end of the decade conscription was scrapped, tertiary education was free, access to abortion had improved, the White Australia policy was abolished and a woman read the news on the ABC for the first time. The Seventies was the decade that shaped modern Australia. It was the decade of 'It's Time', stagflation and the Dismissal, a tumultuous period of economic and political upheaval. But the Seventies was also the era when the personal became political, when we had a Royal Commission into Human Relationships and when social movements tore down the boundary between public and private life. Women wanted childcare, equal pay, protection from violence and agency to shape their own lives. In the process, the reforms they sought - and achieved, at least in part - reshaped Australia's culture and rewrote our expectations of government. In a lively and engaging style, Michelle Arrow has written a new history of this transformative decade; one that is more urgent, and more resonant, than ever.
Magisterial in vision, sweeping in scope, this monumental work presents a seamless account of Japanese society during the modern era, from 1600 to the present. A distillation of more than fifty years’ engagement with Japan and its history, it is the crowning work of our leading interpreter of the modern Japanese experience. Since 1600 Japan has undergone three periods of wrenching social and institutional change, following the imposition of hegemonic order on feudal society by the Tokugawa shogun; the opening of Japan’s ports by Commodore Perry; and defeat in World War II. The Making of Modern Japan charts these changes: the social engineering begun with the founding of the shogunate in 1600, the emergence of village and castle towns with consumer populations, and the diffusion of samurai values in the culture. Marius Jansen covers the making of the modern state, the adaptation of Western models, growing international trade, the broadening opportunity in Japanese society with industrialization, and the postwar occupation reforms imposed by General MacArthur. Throughout, the book gives voice to the individuals and views that have shaped the actions and beliefs of the Japanese, with writers, artists, and thinkers, as well as political leaders given their due. The story this book tells, though marked by profound changes, is also one of remarkable consistency, in which continuities outweigh upheavals in the development of society, and successive waves of outside influence have only served to strengthen a sense of what is unique and native to Japanese experience. The Making of Modern Japan takes us to the core of this experience as it illuminates one of the contemporary world’s most compelling transformations.
The Making of Modern Liberalism is a deep and wide-ranging exploration of the origins and nature of liberalism from the Enlightenment through its triumphs and setbacks in the twentieth century and beyond. The book is the fruit of the more than four decades during which Alan Ryan, one of the world's leading political thinkers, reflected on the past of the liberal tradition-and worried about its future.This is essential reading for anyone interested in political theory or the history of liberalism.
This collection seeks to explore alternative definitions of bounded identities, facilitating new approaches to spatial and architectural forms. Taking as its starting point the emergence of a new sense of ‘boundary’ emerged from the post-19th century dissolution of large, heterogeneous empires into a mosaic of nation-states in the Islamic world. This new sense of boundaries has not only determined the ways in which we imagine and construct the idea of modern citizenship, but also redefines relationships between the nation, citizenship, cities and architecture. It brings critical perspectives to our understanding of the interrelation between the accumulated flows and the evolving concepts of boundary in predominantly Muslim societies and within the global Muslim diaspora. Essays in this book seeks to investigate how architecture mediates the creation and deployment of boundaries and boundedness that have been devised to define, enable, obstruct, accumulate and/or control flows able to disrupt bounded territories or identities. More generally, the book explores how architecture might be considered as a means to understand the relationship between flows and boundaries and its implication of defining modern self. The essays in this volume collectively address how the construction of self is primarily a spatial event and operated within the crucial nexus of power-knowledge-space. Contributors investigate how architecture mediates the creation and deployment of boundaries and boundedness, how architecture might be considered as a means to understand the relationship between flows and boundaries and its implications for how we define the modern self. Part of the Critical Studies in Architecture of the Middle East series.
