The Making of Contemporary Africa eamines the complex events in Sub- Saharan Africa since the eighteenth century, in the light of scholarly appraisal in recent years. The themes of class and labour are highlighted. It enables the reader to come to grips with contemporary problems instead of falling into the easy trap of looking on independence as a 'happy ending'.
Religions in Contemporary Africa is an accessible and comprehensive introduction to the three main religious traditions on the African continent, African indigenous religions, Christianity and Islam. The book provides a historical overview of these important traditions and focuses on the roles they play in African societies today. It includes social, cultural and political case studies from across the continent on the following topical issues: Witchcraft and modernity Power and politics Conflict and peace Media and popular culture Development Human rights Illness and health Gender and sexuality With suggestions for further reading, discussion questions, illustrations and a list of glossary terms this is the ideal textbook for students in religion, African studies and adjacent fields approaching this subject area for the first time.
The new, fully-updated edition of the acclaimed textbook covering 200 years of African history A History of Modern Africa explores two centuries of the continent’s political, economic, and social history. This thorough yet accessible text help readers to understand key concepts, recognize significant themes, and identify the processes that shaped the modern history of Africa. Emphasis is placed on the consequences of colonial rule, and the links between the precolonial and postcolonial eras. Author Richard Reid, a prominent scholar and historian on the subject, argues that Africa’s struggle for economic and political stability in the nineteenth century escalated and intensified through the twentieth century, the effects of which are still felt in the present day. The new third edition offers substantial updates and revisions that consider recent events and historiography. Greater emphasis is placed on African agency, particularly during the colonial period, and the importance of the long-term militarization of African political culture. Discussions of the postcolonial period have been updated to reflect recent developments, including those in North Africa. Adopting a long-term approach to current African issues, this text: Explores the legacies of the nineteenth century and the colonial period in the context of the contemporary era Highlights the role of nineteenth century and long-term internal dynamics in Africa’s modern challenges Combines recent scholarship with concise and effective narrative Features maps, illustrations, expanded references, and comprehensive endnotes A History of Modern Africa: 1800 to the Present, 3rd Edition is an excellent introduction to the subject for undergraduate students in relevant courses, and for general readers with interest in modern African history and current affairs.
This book examines the various factors that have influenced the growth and development process of contemporary Africa. After discussing and weighing the schools of thought that have attempted to explain the paradox of Africa’s reduced growth and development in the midst of abundant resources, this volume comes up with comprehensive and detailed suggestions and recommendations to address this painful experience. This book consistently states that the average Africans, forming the overwhelming majority of the African population, are the least, if at all, to be blamed for the paradox; but rather the African leadership and its external cronies are to be fully blamed. Contemporary Africa’s Growth and Development seeks a solution to the African growth and development puzzle in proper allocation and oversight of resources, vision, perseverance, courage, corruption-free and good governance, as well as concrete, provable, solid, and genuine unity.
A critical history of the major themes and accomplishments of well-known and obscure African art over the past fifty years examines artists and the new avenues of creative expression in post-colonial Africa.
In examining the intellectual history in contemporary South Africa, Eze engages with the emergence of ubuntu as one discourse that has become a mirror and aftermath of South Africa s overall historical narrative. This book interrogates a triple socio-political representation of ubuntu as a displacement narrative for South Africa s colonial consciousness; as offering a new national imaginary through its inclusive consciousness, in which different, competing, and often antagonistic memories and histories are accommodated; and as offering a historicity in which the past is transformed as a symbol of hope for the present and the future. This book offers a model for African intellectual history indignant to polemics but constitutive of creative historicism and healthy humanism.
The social enterprise Africa Fashion Guide has compiled the ultimate fashion guide from Africa. The book 'FASHION AFRICA' features the must-haves from just a handful of the creme de la creme of emerging and established designers who have taken their core inspiration from all corners of Africa 'FASHION AFRICA' proudly showcases 48 designers who have been influenced by the heartbeat, the many facets of history, culture, and people of Africa to bring about an aesthetic beauty which has been artistically illustrated. Featured in the book are designers such as Jewel by Lisa, Tiffany Amber, SUNO NY, Oliberte, NKWO, Loin Cloth and Ashes, Chichia London as well as ethical manufacturers such as Mantisworld and Kibotrade. You will also find fantastic modern illustrations, stunning photography and great analysis. This book - or visual guide - is the first of its kind that provides a contemporary, informative and visual overview of the African fashion and textiles industry with an ethical perspective.
Langan reclaims neo-colonialism as an analytical force for making sense of the failure of ‘development’ strategies in many African states in an era of free market globalisation. Eschewing polemics and critically engaging the work of Ghana’s first President – Kwame Nkrumah – the book offers a rigorous assessment of the concept of neo-colonialism. It then demonstrates how neo-colonialism remains an impediment to genuine empirical sovereignty and poverty reduction in Africa today. It does this through examination of corporate interventions; Western aid-giving; the emergence of ‘new’ donors such as China; EU-Africa trade regimes; the securitisation of development; and the UN Sustainable Development Goals. Throughout the chapters, it becomes clear that the current challenges of African development cannot be solely pinned on so-called neo-patrimonial elites. Instead it becomes imperative to fully acknowledge, and interrogate, corporate and donor interventions which lock many poorer countries into neo-colonial patterns of trade and production. The book provides an original contribution to studies of African political economy, demonstrating the on-going relevance of the concept of neo-colonialism, and reclaiming it for scholarly analysis in a global era.
African and notably sub-Saharan African film’s relative eclipse on the international scene in the early twenty-first century does not transcend the growth within the African genre. This time period has seen African cinema forging a new relationship with the real and implementing new aesthetic strategies, as well as the emergence of a post-colonial popular cinema. Drawing on more than 1,500 articles, reviews, and interviews written over the past fifteen years, Olivier Barlet identifies the critical questions brought about by the evolution of African cinema. In the process, he offers us a personal and passionate vision, making this book an indispensable sum of thought that challenges preconceived ideas and enriches an approach to cinema as a critical art.
Making Africa« takes a fresh look at African design. For the first time, we have a book that focuses on creative accomplishments on the continent, without being obsessed with the usual tropes of recycling, humanitarian design or traditional crafts. Instead, »Making Africa« shows a new generation of designers who use their work as a tool for economic, political and social change and therefore also to create a new future for the continent. Their creative output defies all definitions of genres - crossing over classical fields such as furniture design, product design and typography to encompass digital media, art, photography, architecture and film. A large section of the catalogue is dedicated to documenting work by over 120 protagonists of Africa's new creative epoch - including Cyrus Kabiru, Cheick Diallo, Mário Macilau, Francis Kéré, David Adjaye, Kunlé Adeyemi, Bodys Isek Kingelez, Robin Rhode, Alaforu Sikoki, Selly Raby Kan and many more. The historical and theoretical background is explored in essays and discussions with Okwui Enwezor, Koyo Kouoh, Edgar Pieterse and Amelie Klein, among others. These are complemented by statements from around 70 other experts from Africa, who met at interviews and think tanks in cities such as Cape Town, Johannesburg, Lagos, Dakar, Nairobi and Cairo. This is a book about the future of Africa and about a new, more open way of understanding design - which means it is also a book about what design can achieve in the 21st century.
