Picking up where Rhode Island's Founders left off Dr. Patrick T. Conley, Rhode Island's preeminent historian and president of the Rhode Island Heritage Hall of Fame, takes us through the Ocean State's history from 1790 to 1860. Learn how Samuel Slater, the Father of the Factory System, pioneered the making of modern Rhode Island, how Elizabeth Buffum Chace founded the Rhode Island Women's Suffrage Association and what political circumstances led Governor Thomas Wilson Dorr to the Dorr War in 1842. This newly revised and updated edition includes colorful biographical sketches of fifty-six influential Rhode Islanders who helped shape the state's urban and industrial development into the modern Rhode Island of today, including some lesser-known Rhode Islanders, including Eliza Jumel and Adin Ballou.
Picking up where The Makers of Modern Rhode Island left off, Dr. Patrick T. Conley, president of the Rhode Island Heritage Hall of Fame, takes us through the golden age of the state's history, from 1861 to 1900. It was during this period that Rhode Island played a leadership role in the Industrial Revolution. From military leaders like General Ambrose Burnside to social reformers such as Sarah Elizabeth Doyle and architects Charles F. McKim and Stanford White, they ensured that the state's contributions to the nation would never be forgotten. This volume includes more than one hundred biographical sketches of influential Rhode Islanders who helped make this brief span of time the greatest in the state's history.
This is a fascinating and intellectually honest work about a remarkable family that has played a major role in the history of Providence and Rhode Island. Sylvia Brown has made a tremendous contribution in writing this wonderful book. It is clearly a labor of love, and we should all be grateful to her for it. Vartan Gregorian, President of Carnegie Corporation of New York, former President of Brown University A splendid work of history---an honest, clearly written, and solidly based account of the private and public lives through four centuries of one of Americas most important and fascinating families. Gordon Wood, Pulitzer Prize for History, Alva O. Way University Professor and Professor of History Emeritus at Brown University What fuels a familys compulsion for philanthropy? Self-interest? A feeling of guilt? A sense of genuine altruism? Charitable giving is such an intrinsic part of American culture that its story deserves to be told, not in a dry, academic tome but through the tale of a colorful, multifaceted family. Since 1638, the Browns of Rhode Island have provided community leaders in one of the nations most idiosyncratic states. In the 18th century, they excelled at maritime commerce, were pioneers of the American industrial revolution, and adorned their hometown of Providence with public buildings, churches, and a university. In the 19th century, they pioneered the modern notion that universities can be forces for social good. And, in the 20th century, they sought to transform the human experience through great art and architecture. Over three hundred years, the Browns also wrestled with societys toughest issuesslavery, immigration, child labor, the dispossessedand with their own internal family tensions. Author Sylvia Brown tells the story of the ten generations of Browns that came before her with warmth and lucidity. Today, in an era of wealth creation and philanthropic innovation not seen since the Gilded Age, Grappling with Legacy provides fascinating insights into a unique aspect of Americas heritage.
The stately Westminster Arcade was built in 1828, and this landmark building has been a part of Providence ever since. Now known as the Arcade Providence, it is the oldest surviving shopping mall in the United States, and it was recognized from the beginning as an innovative and beautiful structure. It has survived near-demolition, fires, hurricanes, consumer trends, city planners and commercial developers. Within its walls are fascinating stories of the people who made their livelihood between its double façades. Through archival records, interviews and personal accounts, author Janet Mansfield Soares reveals the challenges faced by its tenants from its beginnings as a competitor to Cheapside to its many transformations that mirror Providence's own volatile history.
What was American welfare like in George Washington's day? It was expensive, extensive, and run by local governments. Known as "poor relief," it included what we would now call welfare and social work. Unlike other aspects of government, poor relief remained consistent in structure between the establishment of the British colonies in the 1600s and the New Deal of the 1930s. In this book, Gabriel J. Loiacono follows the lives of five people in Rhode Island between the Revolutionary War and 1850: a long-serving overseer of the poor, a Continental Army veteran who was repeatedly banished from town, a nurse who was paid by the government to care for the poor, an unwed mother who cared for the elderly, and a paralyzed young man who attempted to become a Christian missionary from inside of a poorhouse. Of Native, African, and English descent, these five Rhode Islanders utilized poor relief in various ways. Tracing their involvement with these programs, Loiacono explains the importance of welfare through the first few generations of United States history. In Washington's day, poor relief was both generous and controlling. Two centuries ago, Americans paid for--and many relied on--an astonishing governmental system that provided food, housing, and medical care to those in need. This poor relief system also shaped American households and dictated where Americans could live and work. Recent generations have assumed that welfare is a new development in the United States. This book shows how old welfare is in the United States of America through five little-known, but compelling, life stories.
In 1840s Rhode Island, the state’s seventeenth-century colonial charter remained in force and restricted suffrage to property owners, effectively disenfranchising 60 percent of potential voters. Thomas Wilson Dorr’s failed attempt to rectify that situation through constitutional reform ultimately led to an armed insurrection that was quickly quashed—and to a stiff sentence for Dorr himself. Nevertheless, as Erik Chaput shows, the Dorr Rebellion stands as a critical moment of American history during the two decades of fractious sectional politics leading up to the Civil War. This uprising was the only revolutionary republican movement in the antebellum period that claimed the people’s sovereignty as the basis for the right to alter or abolish a form of government. Equally important, it influenced the outcomes of important elections throughout northern states in the early 1840s and foreshadowed the breakup of the national Democratic Party in 1860. Through his spellbinding and engaging narrative, Chaput sets the rebellion in the context of national affairs—especially the abolitionist movement. While Dorr supported the rights of African Americans, a majority of delegates to the “People’s Convention” favored a whites-only clause to ensure the proposed constitution’s passage, which brought abolitionists such as Frederick Douglass, Parker Pillsbury, and Abby Kelley to Rhode Island to protest. Meanwhile, Dorr’s ideology of the people’s sovereignty sparked profound fears among Southern politicians regarding its potential to trigger slave insurrections. Drawing upon years of extensive archival research, Chaput’s book provides the first scholarly biography of Dorr, as well as the most detailed account of the rebellion yet published. In it, Chaput tackles issues of race and gender and carries the story forward into the 1850s to examine the transformation of Dorr’s ideology into the more familiar refrain of popular sovereignty. Chaput demonstrates how the rebellion’s real aims and significance were far broader than have been supposed, encompassing seemingly conflicting issues including popular sovereignty, antislavery, land reform, and states’ rights. The People’s Martyr is a definitive look at a key event in our history that further defined the nature of American democracy and the form of constitutionalism we now hold as inviolable.
Readers of Implication will come away convinced that all art—regardless of historical period, context, genre, or medium—has an ecological connection to the world in which it was created Ecocriticism is an interdisciplinary mode of inquiry that examines the environmental significance of art, literature, and other creative endeavors. In Implication: An Ecocritical Dictionary for Art History, Alan C. Braddock, a pioneer in art historical ecocriticism, presents a fascinating group of key terms and case studies to demonstrate that all art is ecological in its interconnectedness with the world. The book adopts a dictionary-style format, although not in a conventional sense. Drawing inspiration from French surrealist writer Georges Bataille, this dictionary presents carefully selected words that link art history to the environmental humanities—not only ecocriticism, but also environmental history, science, politics, and critical animal studies. A wide array of creative works from different cultures and time periods reveal the import of these terms and the inescapable entanglement of art with ecology. Ancient Roman mosaics, Song dynasty Taihu rocks, a Tlaxcalan lienzo, early modern European engravings and altarpieces, a Kongo dibondo, nineteenth-century landscape paintings by African American artist Edward Mitchell Bannister, French Impressionist urban scenes, and contemporary activist art, among other works, here disclose the intrinsic ecological conditions of art.
Maury Klein is one of America's most acclaimed historians of business and society. In The Power Makers, he offers an epic narrative of his greatest subject yet - the "power revolution" that transformed American life in the course of the nineteenth century. The steam engine; the incandescent bulb; the electric motor-inventions such as these replaced backbreaking toil with machine labor and changed every aspect of daily life in the span of a few generations. The cast of characters includes inventors like James Watt, Elihu Thomson, and Nikola Tesla; entrepreneurs like George Westinghouse; savvy businessmen like J.P. Morgan, Samuel Insull, and Charles Coffin of General Electric. Striding among them like a colossus is the figure of Thomas Edison, who was creative genius and business visionary at once. With consummate skill, Klein recreates their discoveries, their stunning triumphs and frequent failures, and their unceasing, bare-knuckled battles in the marketplace. In Klein's hands, their personalities and discoveries leap off the page. The Power Makers is a dazzling saga of inspired invention, dogged persistence, and business competition at its most naked and cutthroat--a biography of America in its most astonishing decades.
Here is the first comprehensive survey of modern craft in the United States. Makers follows the development of studio craft--objects in fiber, clay, glass, wood, and metal--from its roots in nineteenth-century reform movements to the rich diversity of expression at the end of the twentieth century. More than four hundred illustrations complement this chronological exploration of the American craft tradition. Keeping as their main focus the objects and the makers, Janet Koplos and Bruce Metcalf offer a detailed analysis of seminal works and discussions of education, institutional support, and the philosophical underpinnings of craft. In a vivid and accessible narrative, they highlight the value of physical skill, examine craft as a force for moral reform, and consider the role of craft as an aesthetic alternative. Exploring craft's relationship to fine arts and design, Koplos and Metcalf foster a critical understanding of the field and help explain craft's place in contemporary culture. Makers will be an indispensable volume for craftspeople, curators, collectors, critics, historians, students, and anyone who is interested in American craft.
