"The Mahabharata Vol. 4: Book 13" is an exceptional literary work translated by Kisari Mohan Ganguli. This volume delves into the profound and epic tale of the Mahabharata, one of the most revered and enduring mythological texts of ancient India. Within the pages of this volume, readers will find themselves immersed in the captivating world of gods, heroes, and intricate human dramas. "Book 13" explores the climactic events leading up to the great Kurukshetra war, a colossal conflict between two royal families, the Pandavas and the Kauravas. Kisari Mohan Ganguli's translation of the Mahabharata beautifully captures the essence of the original Sanskrit epic, allowing readers to experience the intricate plotlines, ethical dilemmas, and timeless wisdom embedded within the narrative. "The Mahabharata Vol. 4: Book 13" presents a treasure trove of cultural and spiritual knowledge that continues to inspire and enlighten readers to this day. Whether one is well-versed in Hindu mythology or new to this ancient epic, this volume offers an immersive experience, providing a glimpse into a bygone era and a deep exploration of timeless human truths. Kisari Mohan Ganguli's translation of the Mahabharata invites readers to embark on a transformative journey, leaving an indelible impression on their hearts and minds.
Description: The Mahabharata in its present form is equal to about eight times as much as the Illiad and Odyssey put together. The nucleus of the Mahabharata is the great war of eighteen days fought between the Kauravas, the hundred sons of Dhritarashtra and Pandavas, the five sons of Pandu. The epic entails all the circumstances leading upto the war. In this great Kurukshetra battle were involved almost all the kings of India joining either of the two parties. The result of this war was the total annihilation of Kauravas and their party, and Yudhisthira, the head of the Pandavas, became the sovereign monarch of Hastinapura, symbolizing the victory of good over evil. But with the progress of years new matters and episodes relating to the various aspects of human life, social, economic, political, moral and religious as also fragments of other heroic legends came to be added to the aforesaid nucleus and this phenomenon continued for centuries until it acquired the present shape. This very fact that the Mahabharata represents a whole literature rather than one single and unified work, and contains so many and so multifarious things, makes it more suited than any other book to afford us an insight into the deepest depths of the soul of Indian people. In the world of classical literature the Mahabharata is unique in many respects. As an epic, it is the greatest-seven times as great as the Illiad and the Odyssey combined, and the grandest-animating the heart of India over two thousand years in future. It is the mightiest single endeavour of literary creation of any culture in human history. The effort is to conceive the mind that conceived it is itself a liberal education and a walk through its table of contents is more than a Sabbath day's journey.
The Mahabharata is one of the two major Sanskrit epics of ancient India. It is an epic narrative of the Kurukshetra War and the fates of the Kauravas and the Pandava princes as well as containing philosophical and devotional material, such as a discussion of the four goals of life. Here we have Karna Parva, the eighth, in which the battle continues with Karna as commander. Vyasa is a revered figure in Hindu traditions. He is a kala-Avatar or part-incarnation of God Vishnu. Vyasa is sometimes conflated by some Vaishnavas with Badarayana, the compiler of the Vedanta Sutras and considered to be one of the seven Chiranjivins. He is also the fourth member of the Rishi Parampara of the Advaita Guru Parampar of which Adi Shankara is the chief proponent.
"The Mahabharata Vol. 4: Books 16, 17, and 18" translated by Kisari Mohan Ganguli offer a comprehensive exploration of the epic Mahabharata, one of the most revered texts in Indian mythology. This collection of books covers the latter portion of the great epic, delving into significant events, intricate narratives, and profound teachings. Within these volumes, readers are taken on a transformative journey through the final chapters of the Mahabharata, witnessing the aftermath of the Kurukshetra war and the subsequent resolution of the epic saga. Kisari Mohan Ganguli's expert translation captures the essence of the original Sanskrit text, allowing readers to fully immerse themselves in the profound wisdom, ethical dilemmas, and divine interventions depicted in these books. In Books 16, 17, and 18, readers encounter pivotal moments, including the coronation of Yudhishthira as the king, the renunciation of worldly attachments by various characters, and the final journey of the Pandavas towards the heavenly abode. These books delve into philosophical discourses, moral teachings, and reflections on the nature of life, death, and the ultimate purpose of human existence. "The Mahabharata Vol. 4: Books 16, 17, and 18" provides a captivating conclusion to the epic tale, offering readers timeless wisdom and moral teachings that continue to resonate across generations.
The present book is a translation of original Mahabharata written by Vyasa in sanskrit prose. This translation has been carried out in the form of prose in the English language.
Argument and Design features fifteen essays by leading scholars of the Sanskrit epics, the Mahābhārata and the Rāmāyaṇa, discussing the Mahābhārata’s upākhyānas, subtales that branch off from the central storyline and provide vantage points for reflecting on it. Contributors include: Vishwa Adluri, Joydeep Bagchee, Greg Bailey, Adam Bowles, Simon Brodbeck, Nicolas Dejenne, Sally J. Sutherland Goldman, Robert P. Goldman, Alf Hiltebeitel, Thennilapuram Mahadevan, Adheesh Sathaye, Bruce M. Sullivan, and Fernando Wulff Alonso.
"At a time when each Society had its own medium of propogation of its researches ... in the form of Transactions, Proceedings, Journals, etc., a need was strongly felt for bringing out a journal devoted exclusively to the study and advancement of Indian culture in all its aspects. [This] encouraged Jas Burgess to launch the 'Indian antiquary' in 1872. The scope ... was in his own words 'as wide as possible' incorporating manners and customs, arts, mythology, feasts, festivals and rites, antiquities and the history of India ... Another laudable aim was to present the readers abstracts of the most recent researches of scholars in India and the West ... 'Indian antiquary' also dealt with local legends, folklore, proverbs, etc. In short 'Indian antiquary' was ...entirely devoted to the study of MAN - the Indian - in all spheres ... " -- introduction to facsimile volumes, published 1985.
In one of the most famous passages in Maha·bhárata, Dur·yódhana, the heroic but flawed king of the Káuravas, meets his end when he is dishonorably defeated in battle by his arch-enemy, Bhima. Framing a fascinating account of the sacred sites along the river Sarásvati, the duel poignantly portrays the downfall of a once great hero in the face of a new order governed by Krishna, in which the warrior code is brushed aside in order to ensure the predestined triumph of the Pándavas. Co-published by New York University Press and the JJC Foundation For more on this title and other titles in the Clay Sanskrit series, please visit http://www.claysanskritlibrary.org