"A gorgeous, hilarious and beguiling artists book by Katherine Bernhardt. Bernhardt excels at vivid imagery with, as The New Yorker noted "slashing brushstrokes and dripping, vivid color ... used to depict images of women". Bernhardt herself compiled this volume as a collection of her work about fashion models and celebrities. Her paintings sit next to their inspirations: a vivacious but cutting portrait of Kate Moss sits across from its source photograph, and the stuff of fashion magazines - Bernhardt's main source - is treated with as much care as Bernhardt's own paintings. Both the body of work and its roots are explored in detail. Also included is a photo-tour of Bernhardt's studio, candid snapshots, and two revealing essays by Nick Stillman and Lisa Ruyter."--BOOK JACKET.
RANSOM presents the first major UK exhibition of the New York artist Katherine Bernhardt, to coincide with the launch of the new 10,000 square foot gallery space. Katherine Bernhardt's work has been described as -a fashion shoot orgy of legs, eyeliner, red lips, big hair and more legs-. Jerry Saltz, New York Magazine. Following her highly acclaimed solo shows in Paris and New York, Bernhard's show -Greeky- consists of over 70 new paintings, including new work produced at her recent residency The Bikini Factory, Mykonos, Greece. The new 20 x 24 inch portraits combine Bernhardt's wry commentary on popular culture with Greek mythological imagery; thus, Agyness Deyn becomes Hermes, the messenger and god of trickery.
This book juxtaposes three distinct agents in the art world - the critics, curators and artists of its title - adopting the conversational form of three large-scale symposia that took place at Witte de With, Center for Contemporary Art, in the fall of 2008 and the spring of 2009. In addition to transcripts from selected dialogues and the outcomes of three guest-led workshops, it also contains spirited contributions that arrived from many of the participants in the months that followed the 'Rotterdam dialogues' opening another dimension of the discussions held in front of a large audience. At stake here are questions of cultural agency, audience and production, ranging from the concrete to the speculative.
Spanning 25 years of serious writing on hip-hop by noted scholars and mainstream journalists, this comprehensive anthology includes observations and critiques on groundbreaking hip-hop recordings.
This inspiring book tells the story of a photographer's journey to find the mysterious black leopard. There are few creatures as gorgeous and elusive as the black leopard. In Africa, these magnificent cats are so rare as to be the stuff of legend. Will Burrard-Lucas's love for leopards began during his childhood in Tanzania and propelled him into a career as a wildlife photographer. In his quest to create intimate portraits of animals, he developed innovative technology, including a remotely controlled camera buggy and a high quality camera trap system for photographing nocturnal creatures. Then, one day in 2018, he heard about sightings of a young African black leopard in Kenya and with the help of people from the local community, he succeeded in capturing a series of high-quality photographs of the elusive cat. In this compelling and visually stunning book, Burrard-Lucas tells his story of creativity, entrepreneurship, and passion for wild animals, alongside awe-inspiring images of lions, elephants, and the black leopard itself. • STAR WILDLIFE PHOTOGRAPHER: Will Burrard-Lucas's passion for nature and expertise in camera technology have earned him coverage from National Geographic, The New York Times, and the BBC—and over 1 million fans enjoy his breathtaking work online. • NATURE'S HIDDEN WONDERS: Black leopards are individual animals in whom a gene mutation results in excess melanin and an elegant black coat. Most are found in Southeast Asia, where lush vegetation offers them camouflage. In the semiarid shrub lands of Africa, black leopards are extraordinarily rare. Burrard-Lucas's images—showing these beautiful creatures prowling their territory under cover of night—are vivid reminders of nature's hidden wonders. • INCREDIBLE STORY: This is an adventure story that takes place in remote and wild corners of Africa. It reveals Burrard-Lucas's devotion, vision, and innovation that led to him capturing photos that are not only incredibly rare, but also breathtakingly beautiful. Perfect for: • Aspiring and professional photographers • Photography buffs • Nature and animal lovers • Big cat enthusiasts • Conservationists • National Geographic readers • Fans of memoir and adventure stories • Travelers to Eastern and Southern Africa
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Avoiding the easy definitions and caricatures that tend to celebrate or condemn the "hip hop generation," Hip Hop Matters focuses on fierce and far-reaching battles being waged in politics, pop culture, and academe to assert control over the movement. At stake, Watkins argues, is the impact hip hop has on the lives of the young people who live and breathe the culture. He presents incisive analysis of the corporate takeover of hip hop and the rampant misogyny that undermines the movement's progressive claims. Ultimately, we see how hip hop struggles reverberate in the larger world: global media consolidation; racial and demographic flux; generational cleavages; the reinvention of the pop music industry; and the ongoing struggle to enrich the lives of ordinary youth.
Pulitzer prize–winner Chris Hedges charts the dramatic and disturbing rise of a post-literate society that craves fantasy, ecstasy and illusion. Chris Hedges argues that we now live in two societies: One, the minority, functions in a print-based, literate world, that can cope with complexity and can separate illusion from truth. The other, a growing majority, is retreating from a reality-based world into one of false certainty and magic. In this “other society,” serious film and theatre, as well as newspapers and books, are being pushed to the margins. In the tradition of Christopher Lasch’s The Culture of Narcissism and Neil Postman’s Amusing Ourselves to Death, Hedges navigates this culture — attending WWF contests as well as Ivy League graduation ceremonies — exposing an age of terrifying decline and heightened self-delusion.
