It is not the possession of the formula that creates the sorcerer, it is the living sorcerer who makes even a pun thaumaturgical. Count HERMANN VON KEYSERLING. "Almost all my fellow researchers advised me to keep silent, while all the laymen of those so-called 'occult' sciences encouraged me to speak. If I had had to reveal only obscure recipes of the kind to be found in magic books, or secrets already revealed such as those generally published by magazines in their witchcraft columns, of picturesque, or less invented, reports on the manifestations more than invisible forces, I would not have hesitated. My purpose was altogether different, in that I had the intention of making public, of revealing the new techniques capable of enabling anyone to gain access to the marvelous powers, of reproducing in the laboratory, and with far more sure efficacy, all the works that soothsayers boast of accomplishing with or without the help of the devil."
From Bassem Youssef, aka the Jon Stewart of the Arab World, and author Catherine R. Daly comes a hilarious and heartfelt story about prejudice, friendship, empathy, and courage. Nadia loves fun facts. Here are a few about her:• She collects bobbleheads -- she has 77 so far.• She moved from Egypt to America when she was six years old.• The hippo amulet she wears is ancient... as in it's literally from ancient Egypt.• She's going to win the contest to design a new exhibit at the local museum. Because how cool would that be?!(Okay, so that last one isn't a fact just yet, but Nadia has plans to make it one.)But then a new kid shows up and teases Nadia about her Egyptian heritage. It's totally unexpected, and totally throws her off her game.And something else happens that Nadia can't explain: Her amulet starts glowing! She soon discovers that the hippo is holding a helpful -- and hilarious -- secret. Can she use it to confront the new kid and win the contest?From The Daily Show comedian Bassem Youssef and author Catherine R. Daly comes a humorous and heartfelt story about prejudice, friendship, empathy, and courage.Includes sections of black-and-white comics as well as lively black-and-white illustrations throughout.
The author addresses key scientific questions previously explained by rich mythologies, from the evolution of the first humans and the life cycle of stars to the principles of a rainbow and the origins of the universe.
Characterization is a vital issue in creative and imaginative writing for children. Within a communicative framework of systemic functional linguistics, this book reveals how the fantasy characterization is construed in the SL text, and how it is constructed and distorted in the Chinese translation, based on a description and interpretation of the translation shifts, before an explanation is given of the semiotic relationship between those shifts and the characterization. As a work of descriptive translation studies, this book provides approaches to transitivity construal of the characterization of fantasy in both the SL and TL texts. It can also provide empirical evidence for comparative text studies as well as critical discourse analysis. In addition, it will serve to provide implications for the creative writing of fantasy stories, as well as insightful implications for very practical purposes, such as the evaluation of clinical discourse.
Karen Tei Yamashita’s novels, essays, and performance scripts have garnered considerable praise from scholars and reviewers, and are taught not only in the United States but in at least half a dozen countries in Asia, South America, and Europe. Her work has been written about in numerous disciplines in the humanities and social sciences. Karen Tei Yamashita: Fictions of Magic and Memory is the first anthology given over to Yamashita’s writing. It contains newly commissioned essays by established, international scholars; a recent interview with the author; a semiautobiographical keynote address delivered at an international conference that ruminates on her Japanese American heritage; and a full bibliography. The essays offer fresh and in-depth readings of the magic realist canvas of Through the Arc of the Rain Forest (1990); the Japanese emigrant portraiture of Brazil-Maru (1992); Los Angeles as rambunctious geopolitical and transnational fulcrum of the Americas in Tropic of Orange (1997); the fraught relationship of Japanese and Brazilian heritage and labor in Circle K Cycles (2001); Asian American history and politics of the 1960s in I Hotel (2010); and Anime Wong (2014), a gallery of performativity illustrating the contested and inextricable nature of East and West. This essay-collection explores Yamashita’s use of the fantastical, the play of emerging transnational ethnicity, and the narrative tactics of reflexivity and bricolage in storytelling located on a continuum of the unique and the communal, of the past and the present, and that are mapped in various spatial and virtual realities.
Exploration of fairy-tale movies that blur the line between reality and magic. Reality, Magic, and Other Lies: Fairy-Tale Film Truths explores connections and discontinuities between lies and truths in fairy-tale films to directly address the current politics of fairy tale and reality. Since the Enlightenment, notions of magic and wonder have been relegated to the realm of the fanciful, with science and reality understood as objective and true. But the skepticism associated with postmodern thought and critiques from diverse perspectives—including but not limited to anti-racist, decolonial, disability, and feminist theorizing—renders this binary distinction questionable. Further, the precise content of magic and science has shifted through history and across location. Pauline Greenhill offers the idea that fairy tales, particularly through the medium of film, often address those distinctions by making magic real and reality magical. Reality, Magic, and Other Lies consists of an introduction, two sections, and a conclusion, with the first section, "Studio, Director, and Writer Oeuvres," addressing how fairy-tale films engage with and challenge scientific or factual approaches to truth and reality, drawing on films from the stop-motion animation company LAIKA, the independent filmmaker Tarsem, and the storyteller and writer Fred Pellerin. The second section, "Themes and Issues from Three Fairy Tales," shows fairy-tale film magic exploring real-life issues and experiences using the stories of "Hansel and Gretel," "The Juniper Tree," and "Cinderella." The concluding section, "Moving Forward?" suggests that the key to facing the reality of contemporary issues is to invest in fairy tales as a guide, rather than a means of escape, by gathering your community and never forgetting to believe. Reality, Magic, and Other Lies—which will be of interest to film and fairy-tale scholars and students—considers the ways in which fairy tales in their mediated forms deconstruct the world and offer alternative views for peaceful, appropriate, just, and intersectionally multifaceted encounters with humans, non-human animals, and the rest of the environment.
The first full modern English version of Del Río’s treatise, unrivalled in its breadth, detail, and scholarship, on the occult sciences as they were understood, experienced, and combatted at the end of the sixteenth century.
First published in 2002. This is Volume XV of seventeen in the Library of Philosophy series on Metaphysics. Written in 1939, this book looks at Language and Reality and the Philosophy of Language and the Principles of Symbolism and is related to the movement of Logical Positivism, initiated by Wittgenstein's Tractatus Logico-Philosophicus.
