What do you do when your garden statue comes alive and goes on the rampage? That's the challenge facing two teenagers, Scott and Brandon, when they're left alone in an island cottage during their half-term holiday. Scott Buchanan is English; Brandon Donnelly, American. They're best friends. But their friendship is tested to the limit and their holiday plans thrown into chaos when a magic statue bursts into their lives. The statue, who's called Alexander, comes from Ancient Greece. Alexander finds it difficult to adjust to the modern world. Everywhere he goes he brings bad luck. What should have been a fun holiday turns into a nightmare and a battle for survival as Alexander blunders and stirs up trouble. To make matters worse Scott and Brandon find themselves fighting a gang of school bullies. They also have to complete a holiday task set by their history teacher, or they're in trouble. And all the time Scott's guardian Uncle Henry, who's away on business, keeps phoning and nagging them to get on with their homework. How can the teenagers cope with the pressure and solve all their problems?
For young fans of wizardry everywhere, this exciting series of six books will follow the adventures of the wizard apprentice as he takes on the forces of darkness and learns more about his growing powers. Ages 8+.
Now the littlest readers can learn about how the Statue of Liberty came to be—and what it means to people all over the world. In this engaging book, preschoolers will learn the fascinating story behind the creation of the Statue of Liberty. Simple words and bright artwork bring to life the story of the people—a professor, a sculptor, a poet, a newspaperman—who helped establish this famous landmark. Little ones will learn that the torch was created first, in time for America's 100th birthday, and displayed in a park. And they'll gain a clear understanding of what the Statue of Liberty has always meant to people around the world. Fun facts, such as how schoolchildren gave their pennies to help pay for the base of the statue, complete this charming nonfiction Little Golden Book.
The fantasy of a sculpture that moves, speaks;or responds, a statue that comes to life as an oracle, lover, avenger, mocker, or monster—few images are more familiar or seductive. The living statue appears in ancient creation narratives, the myths of Pygmalion and Don Juan, lyric poetry from the Greek Anthology to Rilke, and romantic fairy tales; it is a recurrent theme in ballet and opera, in philosophy, psychoanalysis, and film. What does it mean for the statue that stands immobile in gallery or square to step down from its pedestal or speak out of its silence? What is it in this fantasy that animates us? Kenneth Gross explores the implications of fictive statues in biblical and romantic narrative; in the poetry of Ovid, Michelangelo, Blake, Rilke, and Stevens; in the drama of Shakespeare; in the writings of Freud and Wittgenstein. He also considers their place in the poetry of such contemporaries as Richard Howard and the films of Charlie Chaplin, Frarn;ois Truffaut, and Peter Greenaway. In the motif of the moving statue, we can see how the reciprocal ambitions of writing and sculpture play off each other, often producing deeply paradoxical figures of life and voice, Stories of the living statue point to the uncertain ways in which our desires, fantasies, and memories are bound to the realm of unliving objects. Clarifying the sources of our fascination with real and imaginary statues, this book asks us to reconsider some of our most basic assumptions about the uses of fantasy and fiction. Eloquent and evocative, The Dream of the Moving Statue will capture and hold a wide audience.
This collection of papers explores the sacred and magical aspects of ethno-medicine. The subject area is marked out by the points of connection between religious anthropology, ethno-medicine and medical anthropology, focusing on topics such as magical and religious concepts of health and disease, causes of disease, religious and magical averting and healing rites, healing gods, saints and, last but not least, the role that these play in the society, religion, mentality and everyday life of a community, as well as their various representations in folklore, literature or art. This volume includes, without restrictions of a methodological, temporal or geographical nature, works from the fields of folklore studies, anthropology, cultural history, comparative historical and textual philology, as well as research findings using the latest methods of analysis in textual folklore or based on archival research or fieldwork in or outside of Europe. This book will appeal to researchers and students of religion, folklore, and medical anthropology, as well as general readers interested in the humanities and cultural history.
Hit the road and see America with the Statue of Liberty! The Statue of Liberty is feeling a little blue, despite being green. As much as she loves welcoming people to America, standing still for over a hundred years has left her with a stiff neck, aching arms, and a cramp in her leg. This lady could use a vacation! With some encouragement from her friend Moe the pigeon, Lady Liberty takes off to see the rest of America! She explores the sandy beaches of Cape Cod, the waving wheat fields of Kansas, the breathtaking grandeur of the Grand Canyon, and the cozy sunshine of the California coastline. But will Lady Liberty make it back to New York City for the Fourth of July? And will she even want to? "Lady Liberty's journey [is] lighthearted and fun."--Publishers Weekly "A fun and fabulous read for a Fourth of July storytime."--School Library Journal
The monumental statues of Easter Island, both so magisterial and so forlorn, gazing out in their imposing rows over the island’s barren landscape, have been the source of great mystery ever since the island was first discovered by Europeans on Easter Sunday 1722. How could the ancient people who inhabited this tiny speck of land, the most remote in the vast expanse of the Pacific islands, have built such monumental works? No such astonishing numbers of massive statues are found anywhere else in the Pacific. How could the islanders possibly have moved so many multi-ton monoliths from the quarry inland, where they were carved, to their posts along the coastline? And most intriguing and vexing of all, if the island once boasted a culture developed and sophisticated enough to have produced such marvelous edifices, what happened to that culture? Why was the island the Europeans encountered a sparsely populated wasteland? The prevailing accounts of the island’s history tell a story of self-inflicted devastation: a glaring case of eco-suicide. The island was dominated by a powerful chiefdom that promulgated a cult of statue making, exercising a ruthless hold on the island’s people and rapaciously destroying the environment, cutting down a lush palm forest that once blanketed the island in order to construct contraptions for moving more and more statues, which grew larger and larger. As the population swelled in order to sustain the statue cult, growing well beyond the island’s agricultural capacity, a vicious cycle of warfare broke out between opposing groups, and the culture ultimately suffered a dramatic collapse. When Terry Hunt and Carl Lipo began carrying out archaeological studies on the island in 2001, they fully expected to find evidence supporting these accounts. Instead, revelation after revelation uncovered a very different truth. In this lively and fascinating account of Hunt and Lipo’s definitive solution to the mystery of what really happened on the island, they introduce the striking series of archaeological discoveries they made, and the path-breaking findings of others, which led them to compelling new answers to the most perplexing questions about the history of the island. Far from irresponsible environmental destroyers, they show, the Easter Islanders were remarkably inventive environmental stewards, devising ingenious methods to enhance the island’s agricultural capacity. They did not devastate the palm forest, and the culture did not descend into brutal violence. Perhaps most surprising of all, the making and moving of their enormous statutes did not require a bloated population or tax their precious resources; their statue building was actually integral to their ability to achieve a delicate balance of sustainability. The Easter Islanders, it turns out, offer us an impressive record of masterful environmental management rich with lessons for confronting the daunting environmental challenges of our own time. Shattering the conventional wisdom, Hunt and Lipo’s ironclad case for a radically different understanding of the story of this most mysterious place is scientific discovery at its very best.
