A politically -charged homicide centered around the mayor, a stripper and a raunchy party at the mayor's Manoogian mansion. Strawbelly is hot, voluptous and regal. A superstar erotic dancer addicted to the drama of the streets, with a penchant for powerful and violent men. Black Jack, the charismatic newly elected mayor brings to office an era of youthful exuberance. His dedication and determination is fueled by his intoxication with power. He uses the mayor's office to run the city as a criminal enterprise that's styled after the Mafia. At the turn of the 21st Century, the city of Detroit is no longer a vibrant metropolis, city of champions and Mecca to the automobile industry. Motown is in dire straights, trapped in a road construction quagmire of never-ending orange barrells and urban blight. A corrupt police force and wayward city council births a mass exodus of the residents. Will Detroit lose control over its water supply? Will the spirit of Detroit survife Black Jack's corrupt administration, and breathe new life into the body of the once resilient Motor City?
In Being Oscar,one of America’s most celebrated criminal defense attorneys recounts the stories and cases of his epic life. The Mafia’s go-to defender, he has tried an estimated 300 criminal cases, and won most of them. His roster of clients reads like a history of organized crime: Meyer Lansky, Nicky Scarfo, and “Lefty” Rosenthal, as well as Mike Tyson and boxing promoter Don King, along with a midget, a dentist, and a federal judge. After thirty-five years as a defender, he ran for mayor of Las Vegas, and America’s greatest Mob lawyer became the mayor of its sexiest city. He was so popular his image appeared on the 5, 25, and 100 chips. While mayor of Vegas, he starred on the screen in Rush Hour 2 and CSI. He is as large a character in the history of organized crime as any of his clients and as legendary a figure in the history of Las Vegas as the entrepreneurs (his friends and clients) who built the city. This is his astonishing story—the truth, the whole truth, and nothing but the truth.
Life is good for Oscar Westerwit. He's the mayor of Central Park -- the greatest place on earth for the squirrels, chipmunks, mice, and other animals who live there. He's the shortstop and manager of his baseball team. What could be bad? Plenty! Big Daddy Duds, jewel thief, all-around thug, and leader of rats, is about to take over the park. And when he does, the other animals who live there will be turned out of their homes. Everyone looks to Oscar to save the day, but he may not even be able to save himself. . . .
To European explorers, it was Eden, a paradise of waist-high grasses, towering stands of walnut, maple, chestnut, and oak, and forests that teemed with bears, wolves, raccoons, beavers, otters, and foxes. Today, it is the site of Broadway and Wall Street, the Empire State Building and the Statue of Liberty, and the home of millions of people, who have come from every corner of the nation and the globe. In Gotham, Edwin G. Burrows and Mike Wallace have produced a monumental work of history, one that ranges from the Indian tribes that settled in and around the island of Manna-hata, to the consolidation of the five boroughs into Greater New York in 1898. It is an epic narrative, a story as vast and as varied as the city it chronicles, and it underscores that the history of New York is the story of our nation. Readers will relive the tumultuous early years of New Amsterdam under the Dutch West India Company, Peter Stuyvesant's despotic regime, Indian wars, slave resistance and revolt, the Revolutionary War and the defeat of Washington's army on Brooklyn Heights, the destructive seven years of British occupation, New York as the nation's first capital, the duel between Aaron Burr and Alexander Hamilton, the Erie Canal and the coming of the railroads, the growth of the city as a port and financial center, the infamous draft riots of the Civil War, the great flood of immigrants, the rise of mass entertainment such as vaudeville and Coney Island, the building of the Brooklyn Bridge and the birth of the skyscraper. Here too is a cast of thousands--the rebel Jacob Leisler and the reformer Joanna Bethune; Clement Moore, who saved Greenwich Village from the city's street-grid plan; Herman Melville, who painted disillusioned portraits of city life; and Walt Whitman, who happily celebrated that same life. We meet the rebel Jacob Leisler and the reformer Joanna Bethune; Boss Tweed and his nemesis, cartoonist Thomas Nast; Emma Goldman and Nellie Bly; Jacob Riis and Horace Greeley; police commissioner Theodore Roosevelt; Colonel Waring and his "white angels" (who revolutionized the sanitation department); millionaires John Jacob Astor, Cornelius Vanderbilt, August Belmont, and William Randolph Hearst; and hundreds more who left their mark on this great city. The events and people who crowd these pages guarantee that this is no mere local history. It is in fact a portrait of the heart and soul of America, and a book that will mesmerize everyone interested in the peaks and valleys of American life as found in the greatest city on earth. Gotham is a dazzling read, a fast-paced, brilliant narrative that carries the reader along as it threads hundreds of stories into one great blockbuster of a book.
This is the story of a Mayor who would be King, The Mob that would demand its share of the spoils, and a man caught in the middle. A story so unique, so endemic to the Providence, so uniquely Rhode Island, that it casts a spell even to this day.DIVINE PROVIDENCE: THE MAYOR, THE MOB, AND THE MAN IN THE MIDDLE. BY JOE BROADMEADOWIn Rhode Island during the 1970s and 80s, and in particular in certain cities like Providence and a few others, the cost of business faced certain taxes. There was the ST (state tax), the CT (city tax), and the FIM (Figure me in tax.)Of all the taxes, the only one that mattered was the Figure Me in Tax, everything else was negotiable.
COP: “Buddy, I think this is a whorehouse.” BUDDY CIANCI: “Now I know why they made you a detective.” Welcome to Providence, Rhode Island, where corruption is entertainment and Mayor Buddy Cianci presided over the longest-running lounge act in American politics. In The Prince of Providence, Pulitzer Prize–winning journalist Mike Stanton tells a classic story of wiseguys, feds, and politicians on a carousel of crime and redemption. Buddy Cianci was part urban visionary, part Tony Soprano—a flawed political genius in the mold of Huey Long and James Michael Curley. His lust for power cost him his marriage, his family, and close friendships. Yet he also revitalized the city of Providence, where ethnic factions jostle with old-moneyed New Englanders and black-clad artists from the Rhode Island School of Design rub shoulders with scam artists from City Hall. For nearly a quarter of a century, Cianci dominated this uneasy melting pot. During his first administration, twenty-two political insiders were convicted of corruption. In 1984, Cianci resigned after pleading guilty to felony assault, for torturing a man he suspected of sleeping with his estranged wife. In 1990, in a remarkable comeback, Cianci was elected mayor once again; he went on to win national acclaim for transforming a dying industrial city into a trendy arts and tourism mecca. But in 2001, a federal corruption probe dubbed Operation Plunder Dome threatened to bring the curtain down on Cianci once and for all. Mike Stanton takes readers on a remarkable journey through the underside of city life, into the bizarre world of the mayor and his supporting cast, including: • “Buckles” Melise, the city official in charge of vermin control, who bought Providence twice as much rat poison as the city of Cleveland, which was at the time four times as large, and wound up increasing Providence’s rat population. During a garbage strike, Buckles sledgehammered one city employee and stuck his thumb in another’s eye. Cianci would later describe this as “great public policy.” • Anthony “the Saint” St. Laurent, a major Rhode Island bookmaker and loan shark, who tried to avoid prison by citing his medical need for forty bowel irrigations a day, thus earning himself the nickname “Public Enema Number One.” • Dennis Aiken, a celebrated FBI agent and public corruption expert, who asked to be sent to “the Louisiana of the North,” where he enlisted an undercover businessman to expose the corrupt secrets of Cianci’s City Hall. The Prince of Providence is a colorful and engrossing account of one of the most tragicomic figures in modern American life—and the city he transformed.
MONEY, MURDER, AND MACHIAVELLIAN MAYHEM . . . CONTAINS A NEW EPILOGUE Mafia Prince is the first person account of one of the most brutal eras in Mafia history -- "Little Nicky" Scarfo's reign as boss of the Philadelphia family in the 1980s -- written by Scarfo's underboss and nephew, "Crazy Phil" Leonetti. The youngest-ever underboss at the age of 33, Leonetti was at the crux of the violent breakup of the traditional American Mafia in the 1980s when he infiltrated Atlantic City after gambling was legalized, and later turned state's evidence against his own. His testimony led directly to the convictions of dozens of high-ranking men including John Gotti, Vincent Gigante, and the downfall of his own uncle, Nick Scarfo -- sparking the beginning of the end of La Cosa Nostra (the insiders' term for the Mafia, translated as "This Thing of Ours").
Vincent Cannato takes us back to the time when John Lindsay stunned New York with his liberal Republican agenda, WASP sensibility, and movie-star good looks. With peerless authority, Cannato explores how Lindsay Liberalism failed to save New York, and, in the opinion of many, left it worse off than it was in the mid-1960's.
Growing up in an aristocratic family that seems almost to have stepped out of the pages of The Leopard, Leoluca Orlando entered law and politics in the late 1970s as one of the young idealists identified with the Catholic Church who were challenging the Mafia’s control of Sicilian life. At about the same moment, life in Sicily was becoming more perilous. As if the “old” Mafia had not been bad enough, a new and particularly vicious Mafia sect based in the town of Corleone was murdering its way to power. Fueled by profits from the international heroin trade, this mafia gansteristica made Sicily into an Italian Lebanon and filled the international press with pictures of bloody bodies—those of Mafia rivals as well as police and government law enforcement officials. One of the figures most prominently identified with Italy’s offensive against the Mafia, Orlando has endured repeated assassination attempts and even today travels with a bodyguard. Fighting the Mafia is his dramatic tale of witness and survival, of his effort to expose Mafia infiltration into the highest levels of Italian life and politics, and of the movements he helped to build—in schools and churches and at the ballot box—to recapture Sicilian culture and inspire a renaissance of democracy.
