Lyrics and Minor Poems
Author: Percy Bysshe Shelley
Publisher:
Published: 1886
Total Pages: 300
ISBN-13:
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Author: Percy Bysshe Shelley
Publisher:
Published: 1886
Total Pages: 300
ISBN-13:
DOWNLOAD EBOOKAuthor: Percy Bysshe Shelley
Publisher:
Published: 1887
Total Pages: 312
ISBN-13:
DOWNLOAD EBOOKAuthor: Percy Bysshe Shelley
Publisher:
Published: 1884
Total Pages: 304
ISBN-13:
DOWNLOAD EBOOKAuthor: Jonathan Culler
Publisher: Harvard University Press
Published: 2015-06-08
Total Pages: 406
ISBN-13: 0674425804
DOWNLOAD EBOOKWhat sort of thing is a lyric poem? An intense expression of subjective experience? The fictive speech of a specifiable persona? Theory of the Lyric reveals the limitations of these two conceptions of the lyric—the older Romantic model and the modern conception that has come to dominate the study of poetry—both of which neglect what is most striking and compelling in the lyric and falsify the long and rich tradition of the lyric in the West. Jonathan Culler explores alternative conceptions offered by this tradition, such as public discourse made authoritative by its rhythmical structures, and he constructs a more capacious model of the lyric that will help readers appreciate its range of possibilities. “Theory of the Lyric brings Culler’s own earlier, more scattered interventions together with an eclectic selection from others’ work in service to what he identifies as a dominant need of the critical and pedagogical present: turning readers’ attention to lyric poems as verbal events, not fictions of impersonated speech. His fine, nuanced readings of particular poems and kinds of poems are crucial to his arguments. His observations on the workings of aspects of lyric across multiple different structures are the real strength of the book. It is a work of practical criticism that opens speculative vistas for poetics but always returns to poems.” —Elizabeth Helsinger, Critical Theory
Author: Rosemary Greentree
Publisher: Boydell & Brewer
Published: 2001
Total Pages: 610
ISBN-13: 9780859916219
DOWNLOAD EBOOKThis Bibliography assembles annotation of collections and criticism of lyrics of religious and secular love, carols and songs, and rhymes of everyday life. The Middle English lyrics and short poems form a varied group that ranges over most aspects of life to include lyrics of religious and secular love, carols and songs, and mundane rhymes of everyday life. Thus there are expressionsof devotion, ethereal or earthly, theological expositions, and knowledge needed for life. The poems are disparate and generally anonymous, and their survival owes much to chance. The bibliography assembles neutral annotation of collections and criticism of the works, arranged chronologically to show the course of criticism and the growing appreciation of these poems and all they can tell us. The introduction considers these matters, problems of definitionof the genre, and the isolable lyrics, and seeks to reconcile some first impressions of the poems, as disparate and slight, with the rewards of close study. ROSEMARY GREENTREE is currently Visiting Research Fellow, Dept of English, University of Adelaide.
Author: Robert Southey
Publisher:
Published: 1865
Total Pages: 534
ISBN-13:
DOWNLOAD EBOOKAuthor: John Milton
Publisher:
Published: 1919
Total Pages: 200
ISBN-13:
DOWNLOAD EBOOKAuthor: Laura Minor
Publisher:
Published: 2021
Total Pages: 74
ISBN-13: 9781943491308
DOWNLOAD EBOOK"These poems, which range across rural Florida and Georgia as well as Los Angeles and New York City, include considerations of homesickness, memory, music, alcohol, love, and loss. Winner of the John Ciardi Prize for Poetry, selected by John Hodgen"--
Author: William Allan Neilson
Publisher:
Published: 1919
Total Pages: 204
ISBN-13:
DOWNLOAD EBOOKAuthor: Mutlu Blasing
Publisher: Princeton University Press
Published: 2009-01-10
Total Pages: 226
ISBN-13: 1400827418
DOWNLOAD EBOOKLyric poetry has long been regarded as the intensely private, emotional expression of individuals, powerful precisely because it draws readers into personal worlds. But who, exactly, is the "I" in a lyric poem, and how is it created? In Lyric Poetry, Mutlu Blasing argues that the individual in a lyric is only a virtual entity and that lyric poetry takes its power from the public, emotional power of language itself. In the first major new theory of the lyric to be put forward in decades, Blasing proposes that lyric poetry is a public discourse deeply rooted in the mother tongue. She looks to poetic, linguistic, and psychoanalytic theory to help unravel the intricate historical processes that generate speaking subjects, and concludes that lyric forms convey both personal and communal emotional histories in language. Focusing on the work of such diverse twentieth-century American poets as T. S. Eliot, Ezra Pound, Wallace Stevens, and Anne Sexton, Blasing demonstrates the ways that the lyric "I" speaks, from first to last, as a creation of poetic language.