How do we make ourselves a Whiteheadian proposition? This question exposes the multivalent connections between postmodern thought and Whitehead’s philosophy, with particular attention to his understanding of propositions. Edited by Roland Faber, Michael Halewood, and Andrew M. Davis, Propositions in the Making articulates the newest reaches of Whiteheadian propositions for a postmodern world. It does so by activating interdisciplinary lures of feeling, living, and co-creating the world anew. Rather than a “logical assertion,” Whitehead described a proposition as a “lure for feeling” for a collectivity to come. It cannot be reduced to the verbal content of logical justifications, but rather the feeling content of aesthetic valuations. In creatively expressing these propositions in wide relevance to existential, ethical, educational, theological, aesthetic, technological, and societal concerns, the contributors to this volume enact nothing short of “a Whiteheadian Laboratory.”
One of the major philosophical texts of the 20th century, Process and Reality is based on Alfred North Whitehead’s influential lectures that he delivered at the University of Edinburgh in the 1920s on process philosophy. Whitehead’s master work in philsophy, Process and Reality propounds a system of speculative philosophy, known as process philosophy, in which the various elements of reality into a consistent relation to each other. It is also an exploration of some of the preeminent thinkers of the seventeenth and eighteenth centuries, such as Descartes, Newton, Locke, and Kant. The ultimate edition of Whitehead’s magnum opus, Process and Reality is a standard reference for scholars of all backgrounds.
You no longer have to choose between what you know and what you believe—an accessible introduction to a theological game-changer. "I wrote this book for you if you want to be able to locate your life in a single, encompassing story, one that includes everything from the first moment the universe began until yesterday, a narrative that embraces deepest personal meaning, a yearning to love and be loved, a quest for social justice and compassion." —from the Introduction Much of what you were told you should believe when you were younger forces you to choose between your spirit and your intellect, between science and religion, between morality and dogma: unchanging laws of nature vs. miracles that sound magical; a good God vs. the tragedies that strike all living creatures; a God who knows the future absolutely vs. an open future that you help to shape through your choices. This fascinating introduction to Process Theology from a Jewish perspective shows that these are false choices. Inspiring speaker, spiritual leader and philosopher Rabbi Bradley Shavit Artson presents an overview of what Process Theology is and what it can mean for your spiritual life. He explains how Process Theology can break you free from the strictures of ancient Greek and medieval European philosophy, allowing you to see all creation not as this or that, us or them, but as related patterns of energy through which we connect to everything. Armed with Process insights and tools, you can break free from outdated religious dichotomies and affirm that your religiosity, your spirit, your mind and your ethics all strengthen and refine each other.
We have entered a new era of nature. What remains of the frontiers of modern thought that divided the living from the inert, subjectivity from objectivity, the apparent from the real, value from fact, and the human from the nonhuman? Can the great oppositions that presided over the modern invention of nature still claim any cogency? In Nature as Event, Didier Debaise shows how new narratives and cosmologies are necessary to rearticulate that which until now had been separated. Following William James and Alfred North Whitehead, Debaise presents a pluralistic approach to nature. What would happen if we attributed subjectivity and potential to all beings, human and nonhuman? Why should we not consider aesthetics and affect as the fabric that binds all existence? And what if the senses of importance and value were no longer understood to be exclusively limited to the human?
The attraction of a wink, a nod, a discarded snapshot—such feelings permeate our lives, yet we usually dismiss them as insubstantial or meaningless. With The Logic of the Lure, John Paul Ricco argues that it is precisely such fleeting, erotic, and even perverse experiences that will help us create a truly queer notion of ethics and aesthetics, one that recasts sociality and sexuality, place and finitude in ways suggested by the anonymity and itinerant lures of cruising. Shifting our attention from artworks to the work that art does, from subjectivity to becoming, and from static space to taking place, Ricco considers a variety of issues, including the work of Doug Ischar, Tom Burr, and Derek Jarman and the minor architecture of sex clubs, public restrooms, and alleyways.
From bestselling author Lynne Ewing comes a gritty, sexy novel perfect for fans of books like Perfect Chemistry—about a teen forced to become a "lure," a beautiful girl used by her street gang to seduce and entrap rival gang members. The Lure tells the story of fifteen-year-old Blaise Montgomery, who lives on the dangerous outskirts of Washington, DC, where a stray bullet can steal a life on the way to school and death lurks around every corner. Drugs and violence are the only ways to survive, so Blaise and her friends turn to gangs for safety, money, and love. And when Blaise is accepted into one of the toughest gangs in the city, she's finally part of a crew. A family. But as Blaise is put in increasingly dangerous situations, particularly as her gang's newest lure, she begins to see there's more to lose than she ever realized. Should Blaise continue to follow the only path she's ever known, or cut and run?
Understanding consciousness by taking the stream of consciousness seriously; a general characterization of experience and a detailed description of experience from within, drawing on theories of William James, Alfred North Whitehead, John Searle, and Gerald Edelman. In Onflow, Ralph Pred supplies an account of the nature of consciousness that grapples with "the raw unverbalized stream of experience." Unlike other recent philosophical accounts of consciousness, Pred's analysis deals with the elusive and commonly neglected continuities in the stream of consciousness. Pred offers a general characterization and analysis of experience as well as a highly detailed interpretation of experience from within. Determined to make "conceptual contact" with the immediacy of actual experience, Pred carries forward the radical empiricism pioneered by William James (who coined the term "stream of consciousness") and draws on the process philosophy of Alfred North Whitehead. To help readers apprehend the formation of conscious thoughts, the intertwining of perception and action, and the working of consciousness in onflowing experience, Pred applies methods of analysis developed in John Searle's theory of intentionality to James's views, thereby showing how intentional states are embedded in the stream of consciousness. Then, calling on Whitehead's treatment of lived moments as acts of experience, Pred provides an account of consciousness that at once deals with conscious thoughts as they emerge from and function in embodied, socialized experience and illustrates how language distorts our understanding of experience and subjectivity. Finally, he details striking parallels between this account and Gerald Edelman's biological theory of consciousness, and, in contrasting the two, argues for a revitalized version of the experiental monism originally formulated by James.
In CIA parlance, those who knew were “witting.” Everyone else was among the “unwitting.” On a bright November day in 1963, President Kennedy is shot. That same day, Nell Benjamin receives a phone call with news about her husband, the influential young editor of a literary magazine. As the nation mourns its public loss, Nell has her private grief to reckon with, as well as a revelation about Charlie that turns her understanding of her marriage on its head, along with the world she thought she knew. With the Cold War looming ominously over the lives of American citizens in a battle of the Free World against the Communist powers, the blurry lines between what is true, what is good, and what is right tangle with issues of loyalty and love. As the truths Nell discovers about her beloved husband upend the narrative of her life, she must question her own allegiance: to her career as a journalist, to her country, but most of all to the people she loves. Set in the literary Manhattan of the 1950s, at a journal much like the Paris Review, The Unwitting evokes a bygone era of burgeoning sexual awareness and intrigue and an exuberance of ideas that had the power to change the world. Resonant, illuminating, and utterly absorbing, The Unwitting is about the lies we tell, the secrets we keep, and the power of love in the face of both. Praise for The Unwitting “Much of the fun comes from the literary cameos (think: Mary McCarthy, Richard Wright and Robert Lowell), but it’s [Ellen Feldman’s] haunting portrait of a marriage that make this Cold War novel so resonant for readers of any time period, including our own.”—O: The Oprah Magazine “The first notable thing about this book is the narrator’s voice: it is snappish, confident, argumentative, literate. I fell for it from the beginning. . . . The Unwitting is vibrant, sassy, informative, a page-turner, absorbing, and swift. I am a woman, so maybe it is a women’s book, but I seriously doubt it, and hope that male readers will give it a shot. Surely they too will appreciate the research that went into it. Surely they too will be fascinated by its bold and thorough review of the American twentieth century.”—Kelly Cherry, The Los Angeles Review of Books “Compelling enough to take its place with the best of crime fiction, Feldman’s language is loving, bright and sharp while her storytelling abilities are unquestionable. . . . The Unwitting cuts us into an interesting time, then ramps things up. . . . Feldman is clearly a writer who is going places, [and] The Unwitting brings that home: it’s a terrific book.”—January Magazine “A story of love and intrigue during the Cold War, The Unwitting plumbs not only the secrets of spies, but those of the human heart. Moving, witty, and thoroughly intelligent, it is an absorbing and deeply satisfying read.”—Kevin Baker, author of The Big Crowd “Unforgettable . . . The Unwitting compelled me from the first page and through every unexpected twist and turn. This look into the dark places in human nature cries out to be read, re-ead, and discussed.”—Lynn Cullen, author of the national bestseller Mrs. Poe “Through the lens of a passionate, complex marriage, Ellen Feldman brings the Cold War back to life. The Unwitting is a wise and irresistible portrait of fascinating people in a tumultuous time.”—Roger Straus III, former managing director, Farrar, Straus and Giroux
