A NEW YORK TIMES BESTSELLER In this unforgettable debut novel, an Indian-American Muslim teen copes with Islamophobia, cultural divides among peers and parents, and a reality she can neither explain nor escape. Seventeen-year-old Maya Aziz is torn between worlds. There’s the proper one her parents expect for their good Indian daughter: attending a college close to their suburban Chicago home and being paired off with an older Muslim boy her mom deems “suitable.” And then there is the world of her dreams: going to film school and living in New York City—and pursuing a boy she’s known from afar since grade school. But in the aftermath of a horrific crime perpetrated hundreds of miles away, her life is turned upside down. The community she’s known since birth becomes unrecognizable; neighbors and classmates are consumed with fear, bigotry, and hatred. Ultimately, Maya must find the strength within to determine where she truly belongs.
“If you love a good enemies-to-lovers trope, run—don’t walk—to the nearest bookstore or library near you.” —BuzzFeed "I couldn’t put it down!” —New York Times bestselling author Simone Elkeles When Tyson Trice finds himself tossed into the wealthy community of Pacific Hills, he expects not to belong. Not that he cares. After recovering from being shot and surviving the rough streets of Lindenwood, he doesn’t care about anyone or anything. Golden girl Nandy Smith has spent most of her life building the pristine image it takes to make it in Pacific Hills. After learning that her parents are taking in a troubled teen boy, Nandy fears her summer plans and her reputation will go up in flames. The wall between their bedrooms feels as thin as the line between love and hate. But their growing attraction won't be denied. Soon Trice is bringing Nandy out of her shell and Nandy's trying to melt the ice around Trice's heart. But with the ever-present pull back to Lindenwood, it’ll be a wonder if Trice makes it through this summer at all. Also by Whitney D. Grandison: The Right Side of Reckless
Kaia and Gwinn, unknowingly head out for the adventure of their lifetime. They get lost in the dark forest, avoid creatures who try to charm them to their death, and fight the most evil being on Earth. Or is he? And then, in the midst of things, Gwinn is taken. Who will save her? Who are their friends? Who are their foes? Can they trust the ones they love, or are they leading them to heartbreak and misery? Is this all just a gory, beautiful, LoveHate quest?
"Most girls would be powerful vain to have the Squire even notice 'em," the mother continued, in a more persuasive tone, as a sort of balm offering to the girl's wounded feelings. She placed her cup and saucer in her plate and put back a small piece of unused butter on the side of the butter dish, then slowly arose from the table. "It's seldom a po' gyurl has such a good chance to better her condition, if she was only willin' to do so," she continued argumentatively, for the subject was a favorite theme with her, and she had rung its changes for the listener's benefit on more than one occasion. She gave her daughter a sidelong glanceÑpartly of inquiry, partly of reproachÑand turned to her work. Sally, with something like an impatient jerk, lifted from the stove the steaming kettle and poured a part of the hot contents into the dish-pan on the table, but she made no answer, though soon the clatter of tins and dishesÑperhaps they rattled a little louder than usualÑmingled as a sort of accompaniment to the reminiscent monologue that Mrs. Brown carried on at intervals during her work. "It's all owin' to the Squire's kindness an' interest in us that we're fixed this comfortable, for, dear knows I'd never got the toll-gate in the first place if it hadn't been for his influence, an' now, if you'd only give him any encouragement at all, you might be a grand sight better off. Such chances don't grow as thick as blackberries in summer, I can tell you." Sally had the dishes all washed and laid in a row on the table to drain, and now she caught them up, one by one, and began to polish away vigorously, as if the effort afforded a certain relief to her feelings, since she had chosen to take refuge in silence. "S'posin' he is old an' ugly," soliloquized Mrs. Brown, abruptly breaking into speech again, and seemingly addressing her remarks to the skillet she was then cleaning, and which she held up before her and gazed into intently, as a lady of fashion might do a hand glass at her toilet. "What o' that? Beauty's only skin deep, an' old age is likely to come to us all sooner or later. It's all the better if he is along in years," she added, with a sudden chuckle and a second furtive glance over the top of the skillet toward the girl, to see if she was listening. "Then he ain't so likely to live forever, an' a trim young widow, with property of her own an' money in bank, can mighty soon find a chance to marry ag'in, if she's a mind to."
A hero's life means death. Claire never wanted to be a hero. The Aspect Guardians protect the last cities of Earth from the creatures that were left there by their alien ancestors. Remnants of a forgotten civil war. Claire is all too familiar with the alien creatures. They killed her mother, leaving her all alone. But those chosen can't refuse. The Aspect powers embody emotions, and those most in tune with those emotions are called to take the mantle. And they're lucky to survive more than two years. Some Aspects aren't even that lucky, however, and the Aspect of Love is notorious for only having a few months at best. So, when the Aspect of Love dies and Claire is chosen as her successor, all of her nightmares are made real. She must face the monsters of her childhood. And they will likely kill her. But strength comes in unlikely places, and finding the means to survive may mean Love turning to Hate. You'll love this F/F YA sci-fi superhero book because the fast-paced writing will keep you hooked until the end. Get it now!
Love/Hate By Dorothy Stoder Boekemeier Love/Hate began when author Dorothy Stoder Boekemeier was listening to local and national television news. It seemed to her there was a surprising number of murders and suicides. What prompted a person to kill one’s partner? Then, facing either no parole, life imprisonment, or a lethal needle, turn the gun on themselves? We know love can turn to hate – but, does hate ever turn to love? Boekemeier does not think so; hate is too corrosive and too controlling.
This multivolume work is still proving to be as fundamental to Old Testament studies as its companion set, the Kittel-Friedrich Theological Dictionary of the New Testament, has been to New Testament studies. Beginning with father, and continuing through the alphabet, the TDOT volumes present in-depth discussions of the key Hebrew and Aramaic words in the Old Testament. Leading scholars of various religious traditions (including Roman Catholic, Lutheran, Reformed, Anglican, Greek Orthodox, and Jewish) and from many parts of the world (Denmark, France, Germany, Great Britain, Greece, Israel, Italy, the Netherlands, Norway, Sweden, Switzerland, and the United States) have been carefully selected for each article by editors Botterweck, Ringgren, and Fabry and their consultants, George W. Anderson, Henri Cazelles, David Noel Freedman, Shemaryahu Talmon, and Gerhard Wallis. The intention of the writers is to concentrate on meaning, starting from the more general, everyday senses and building to an understanding of theologically significant concepts. To avoid artificially restricting the focus of the articles, TDOT considers under each keyword the larger groups of words that are related linguistically or semantically. The lexical work includes detailed surveys of a word s occurrences, not only in biblical material but also in other ancient Near Eastern writings. Sumerian, Akkadian, Egyptian, Ethiopic, Ugaritic, and Northwest Semitic sources are surveyed, among others, as well as the Qumran texts and the Septuagint; and in cultures where no cognate word exists, the authors often consider cognate ideas. TDOT s emphasis, though, is on Hebrew terminology and on biblical usage. The contributors employ philology as well as form-critical and traditio-historical methods, with the aim of understanding the religious statements in the Old Testament. Extensive bibliographical information adds to the value of this reference work. This English edition attempts to serve the needs of Old Testament students without the linguistic background of more advanced scholars; it does so, however, without sacrificing the needs of the latter. Ancient scripts (Hebrew, Greek, etc.) are regularly transliterated in a readable way, and meanings of foreign words are given in many cases where the meanings might be obvious to advanced scholars. Where the Hebrew text versification differs from that of English Bibles, the English verse appears in parentheses. Such features will help all earnest students of the Bible to avail themselves of the manifold theological insights contained in this monumental work.
Love, Hate, and the Law in Tudor England reconstructs the life of Ralph Rishton, a member of the sixteenth-century Lancashire gentry who was a child bridegroom and a serial wife-discarder, who bribed church officials to obtain a forged annulment, defrauded a kinsman out of his inheritance, and adroitly manipulated his own and other people's land. The dozens of lawsuits in which the Rishtons were involved, in many different courts, elucidate one family's engagement with law in Tudor England: how they used and misused law, how it shaped their perceptions of rights and mutual obligations, and how it framed litigants' and witnesses' language. Drawing upon trial and estate records, the core of this study is the central narrative of Ralph Rishton's three wives, of litigiousness and violence, marriage and property, and the pursuit of equitable resolutions to disputes, along with countless smaller narratives that vividly capture a culture in its time and place. Alongside that central narrative, L. R. Poos uses the Rishton stories as a starting-point to analyse child marriage, the construction of memory, and the development of local historical identity through antiquarians and the Victorian and Edwardian local press, demonstrating how - from the time of the Rishtons into the twentieth century - historical narratives were continually reshaped and repurposed.
Yan Leng, a ghost from the Modern World. She yearned for kinship, but in the blink of an eye, the family that doted on her disappeared. Along the way, affection, friendship, and love came one after another. Among them, there were a few traces of sincerity, but no one was able to find it. In order to get revenge, she had experienced a few setbacks along the way. He, who was originally her enemy, had experienced life and death with her. He, who was originally her lover, had allowed her experience the mortal world. In this road of revenge, she had experienced all the love and hate in the mortal world. What choice would she make after being loved? Would the person she was destined to be with would accompany her? Or just pass by?
