Terror strikes a small, tight-knit mountain community. Was it a homicidal manic? Bigfoot? Or something even more malevolent.... Terror strikes a small, tight-knit mountain community near Mt. Saint Helens. It begins with a string of horrific occurrences that echo local superstition, including missing hikers and a vicious attack on a local logger–who insists his assailant was none other than Bigfoot. After exhausting all conventional law enforcement methods, the sheriff reluctantly hires the services of Dr. Ian McDermott, Ph.D., a former cryptozoologist who at one time had attained some notoriety in his unconventional field. More questions and mysterious events surface as tensions mount. Homicidal maniac? Bigfoot? Or perhaps something lycanthropically malevolent…more maniacally evil than anyone could possibly imagine.
In this dark fantasy of sexual obsession, Doug Hailey, a banged-up ex-cop from LA, leaves his family to seek a fresh start in peaceful, family-friendly Salt Lake City. If things work out, Rachel and Doug Jr can join him. His quiet new life is quickly disrupted when he meets Monique, an exotic dancer with a big secret: She prowls the night as a werewolf. He feels drawn into a torrid affair with her like he has no choice. Then bizarre dreams invade his life. The dreams become more and more real, in spite of the presence of mystical beings. The creatures warn Doug about the shape changer he calls Monique and hint at her sinister intentions. Strange events build up and make him feel torn between Rachel and Monique. This way for loyalty, and that way for lust. He knows all hell will break loose, no matter which path he takes, but it’s time for Doug Hailey to make his choice.
Since before recorded history, werewolves have captivated human imagination. Simultaneously, they represent our deepest fears as well as our desire to connect with our primal ancestry. Today, werewolves are portrayed negatively, associated with violence, cruelty, cannibalism, and general malevolence. However, in ages past, legends depicted them not as monsters, but as a range of neutral to benevolent individuals, such as traveling companions, guardians, and knights. The robust legacy of the werewolf spans from prehistory, through ancient Greece and Rome, to the Middle Ages, into the Early Modern period, and finally into present-day popular culture. Over the ages, the view of the werewolf has become distorted. Media treatment of werewolves is associated with inferior writing, lacking in thought, depth, and meaning. Werewolves as characters or creatures are now generally seen as single-minded and one-dimensional, and they want nothing more than to kill, devour, and possibly violate humans. Hollywood depictions have resulted in the destruction of the true meanings behind werewolf legends that fascinated and terrified humans for so many ages. If these negative trends were reversed, perhaps entertainment might not only discover again some of the true meanings behind the werewolf myth, but also take the first steps toward reversing negative portrayals of wolves themselves, which humans have, for eons, wrongfully stigmatized and portrayed as evil, resulting in wolves receiving crueler treatment than virtually any other animal. To revive the many questions posed by lycanthropy, entertainment must show respect to the rich history of so many cultures all around the world - and rediscover the legend of the werewolf.