The Lost Pre-Raphaelite

The Lost Pre-Raphaelite

Author: Nigel Daly

Publisher: Bitter Lemon Press

Published: 2014-08-11

Total Pages: 408

ISBN-13: 1908524391

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When the author bought a falling down fortified house on the Staffordshire moorlands, he had no reason to anticipate the astonishing tale that would unfold as it was restored. A mysterious set of relationships emerged amongst its former owners, revolving round the almost forgotten artist, Robert Bateman, a prominent Pre-Raphaelite and friend of Burne Jones. He was to marry the granddaughter of the Earl of Carlisle, and to be associated with Benjamin Disraeli, William Gladstone, and other prominent political and artistic figures. But he had abandoned his life as an artist in mid-career to live as a recluse, and his rich and glamorous wife-to-be had married the local vicar, already in his sixties and shortly to die. The discovery of two clearly autobiographical paintings led to an utterly absorbing forensic investigation into Bateman's life. The story moves from Staffordshire to Lahore, to Canada, Wyoming, and then, via Buffalo Bill, to Peru and back to England. It leads to the improbable respectability of Imperial Tobacco in Bristol, and then, less respectably, to a car park in Stoke-on-Trent. En route the author pieces together an astonishing and deeply moving story of love and loss, of art and politics, of morality and hypocrisy, of family secrets concealed but never quite completely obscured. The result is a page-turning combination of detective story and tale of human frailty, endeavor, and love. It is also a portrait of a significant artist, a reassessment of whose work is long overdue. Nigel Daly is an antique dealer and house restorer.


The Pre-Raphaelites and Science

The Pre-Raphaelites and Science

Author: John Holmes

Publisher: Paul Mellon Centre

Published: 2018

Total Pages: 0

ISBN-13: 9780300232066

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This revelatory book traces how the Pre-Raphaelite Brotherhood and their close associates put scientific principles into practice across their painting, poetry, sculpture, and architecture. In their manifesto, The Germ, the Pre-Raphaelites committed themselves to creating a new kind of art modeled on science, in which precise observation could lead to discoveries about nature and humanity. In Oxford and London, Victorian scientists and Pre-Raphaelite artists worked together to design and decorate natural history museums as temples to God's creation. At the same time, journals like Nature and the Fortnightly Review combined natural science with Pre-Raphaelite art theory and poetry to find meaning and coherence within a worldview turned upside down by Darwin's theory of evolution. Offering reinterpretations of well-known works by John Everett Millais, William Holman Hunt, Dante Gabriel Rossetti, Ford Madox Brown, and William Morris, this major revaluation of the popular Victorian movement also considers less-familiar artists who were no less central to the Pre-Raphaelite project. These include William Michael Rossetti, Walter Deverell, James Collinson, John and Rosa Brett, John Lucas Tupper, and the O'Shea brothers, along with the architects Benjamin Woodward and Alfred Waterhouse. Published in association with the Paul Mellon Centre for Studies in British Art


Truth & Beauty

Truth & Beauty

Author: Melissa E. Buron

Publisher: Prestel

Published: 2018

Total Pages: 0

ISBN-13: 9783791357287

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This catalog was "published by the Fine Arts Museums of San Francisco and DelMonico Books (Prestel) on the occasion of the exhibition of the same name at the Legion of Honor, San Francisco, from June 30 to September 30, 2018."


Holman Hunt and the Pre-Raphaelite Vision

Holman Hunt and the Pre-Raphaelite Vision

Author: Katharine Aileen Lochnan

Publisher: Art Gallery of Ontario

Published: 2008

Total Pages: 228

ISBN-13:

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"This abundantly illustrated book accompanies a major exhibition of William Holman Hunt's work. It explores the artist's vision and its relevance to contemporary audiences. Despite the great interest in Pre-Raphaelitism, it has been nearly forty years since the last exhibition devoted to Holman Hunt, one of the founders of the movement. His vision, which inspired the Pre-Raphaelite Brotherhood, has lost neither its timeliness or significance." "The book illustrates paintings by Hunt and his associates, John Everett Millais, Dante Gabriel Rossetti and Arthur Hughes, and also includes drawings, prints, photographs and textiles. It examines Hunt's work in the context of the Brotherhood, and his ideas in relation to the artistic, spiritual, intellectual, emotional and social issues of his age."--Jacket.


The Pre-Raphaelites

The Pre-Raphaelites

Author: Aurélie Petiot

Publisher: National Geographic Books

Published: 2019-10-08

Total Pages: 0

ISBN-13: 0789213427

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A magnificent new book on the Pre-Raphaelites—oversized, gorgeously illustrated, and packed with insight Dante Gabriel Rossetti, John Everett Millais, and William Holman Hunt. These were among the young British artists who, in the revolutionary year of 1848, set out to return a lost vibrancy to European art. Calling themselves the Pre-Raphaelite Brotherhood, they and their later followers—including Edward Burne-Jones and William Morris—mounted an artistic front against what they saw as the confining standards of the Victorian art world, and the dehumanizing aspects of the industrial age. Their works drew on Shakespeare, Keats, Tennyson, and medieval lore. They also treated religious and contemporary themes with striking realism, bringing viewers into intimate contact with the subject and causing scandal in their time. In this authoritative yet highly readable volume, art historian Aurélie Petiot traces Pre-Raphaelitism from its beginnings as a secret brotherhood to its dissemination in multiple strands of British art and beyond. Petiot offers keen analyses of Pre-Raphaelite painting, drawing, and decorative art alike. She gives particular attention to the role of women in the movement, not only as models and muses, but as pioneering artists in their own right, whose work has only begun to receive its proper recognition. Uniquely, the last chapters of the book are devoted to the enduring (yet often underestimated) Pre-Raphaelite influence on the later course of modern art and on our contemporary culture. More than 300 full-color illustrations reproduce all the great Pre-Raphaelite masterpieces, as well as many fascinating lesser-known works, with all the luminous brilliance and detail for which the Pre-Raphaelites are renowned. This splendid volume is a must-have for any art history lover.


Reading the Pre-Raphaelites

Reading the Pre-Raphaelites

Author: Tim Barringer

Publisher: Yale University Press

Published: 1999-01-01

Total Pages: 182

ISBN-13: 9780300077872

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This illustrated book focuses on the Pre-Raphaelite artists and their radical departure from artistic conventions. Barringer explores the meanings encoded in Pre-Raphaelite paintings and analyses key pictures and their significance within the complex social and cultural matrix of 19th century Britain.


The Last Pre-Raphaelite

The Last Pre-Raphaelite

Author: Fiona MacCarthy

Publisher: Harvard University Press

Published: 2012-03-05

Total Pages: 696

ISBN-13: 0674065565

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In Fiona MacCarthy’s riveting account, Burne-Jones’s exchange of faith for art places him at the intersection of the nineteenth century and the Modern, as he leads us forward from Victorian mores and attitudes to the psychological, sexual, and artistic audacity that would characterize the early twentieth century.


The Pre-Raphaelite Language of Flowers

The Pre-Raphaelite Language of Flowers

Author: Debra N Mancoff

Publisher:

Published: 2024-03-05

Total Pages: 0

ISBN-13: 9783791377353

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This exquisite collection of paintings illustrates just how marvelously the Pre-Raphaelites'focus on the natural world intersected with the Victorian passion for all things botanical. Short-lived but highly influential, the Pre-Raphaelite movement was fueled by a rejection of academic artistic conventions and a longing for the aesthetic simplicity and moral sincerity of medieval and early Renaissance art. But it also coincided with a Victorian obsession with botany, gardening and flower arranging. As a result, painters such as Rosetti, Millais and Hughes populated their works with floral symbols that were steeped in religious and cultural significance. This stunning book examines the greatest of these works, including portraits of Hamlet's Ophelia, the Virgin Mary, and figures from Greek mythology and medieval lore. Each entry features a full-page reproduction of the painting, accompanied by smaller details and an engaging text that offers fascinating background and contextual clues to deepen readers' appreciation of the Pre-Raphaelite language. As lush and colorful as a late summer bouquet, this book is the perfect gift for lovers of flowers as well as for fans of romantic Victorian art.