Woody Allen made the glamour of Paris in the twenties magical in Midnight In Paris--but was that really the case? This anthologies of Lost Generation writers, shows you the work that made the movement. A short book on the history of the movement is also included in the work. Authors and works included in this anthology: E.E. Cummings The Enormous Room Hilda Doolittle Sea Garden T. S. Eliot The Love Song of J. Alfred Prufrock F. Scott Fitzgerald Flappers and Philosophers Ford Madox Ford The Good Soldier James Joyce A Portrait of the Artist as a Young Man John Dos Passos Rosinante to the Road Again Ezra Pound Poems Alan Seeger Selected Works Gertrude Stein Three Lives
Woody Allen made the glamour of Paris in the twenties magical in Midnight In Paris-but was that really the case? This anthologies of Lost Generation writers, shows you the work that made the movement. A short book on the history of the movement is also included in the work.Authors and works included in this anthology:E.E. CUMMINGSThe Enormous RoomT. S. ELIOTThe Love Song of J. Alfred PrufrockF. SCOTT FITZGERALDFlappers and PhilosophersJAMES JOYCEA Portrait of the Artist as a Young ManEZRA POUNDPoemsGERTRUDE STEINThree Lives
How he could now be forgotten seems unfathomable. Lewis Galantie¿re guided Hemingway through his first years in Paris, when the author was unknown and desperate for recognition. He helped James Joyce and Sylvia Beach launch Ulysses; started John Houseman in his theatrical career; and saw Antoine de Saint-Exupe¿ry through his wartime exile in America, as his friend and as his collaborator and translator in life and in print. He was a playwright, a literary and cultural critic and an author, Federal Reserve Bank economist throughout the Great Depression, director of the French Branch of the Office of War Information at the onset of World War II, ACLU Director during the McCarthyism-fraught 1950s, Counselor to Radio Free Europe and, at a crucial time in its history, president of PEN America, the writers advocacy organization.Yet, today, few know his name and, to those who do, he is a cipher...And that was precisely his intent. The son of Jewish Latvian immigrants at a time of rampant anti-semitism, Lewis spent his first thirteen years in Chicago's tenements and did not complete grade school. Yet, by his early twenties, Lewis had convinced the world that he was the apostate son of French Catholic parents, and had earned degrees from French and German universities.Galantière, The Lost Generation¿s Forgotten Man, is both a historical chronicle providing rare insights into the lives of leading twentieth century figures (with previously unpublished personal correspondence from Hadley Hemingway and Alfred Knopf), and a meticulously researched biography. Galantière presents, for the first time, the seemingly magical story of the self-fabricated and fully-realized man, Lewis Galantie¿re.
Reading is a revolutionary act, an act of engagement in a culture that wants us to disengage. In The Lost Art of Reading, David L. Ulin asks a number of timely questions - why is literature important? What does it offer, especially now? Blending commentary with memoir, Ulin addresses the importance of the simple act of reading in an increasingly digital culture. Reading a book, flipping through hard pages, or shuffling them on screen - it doesn't matter. The key is the act of reading, and it's seriousness and depth. Ulin emphasizes the importance of reflection and pause allowed by stopping to read a book, and the accompanying focus required to let the mind run free in a world that is not one's own. Are we willing to risk our collective interest in contemplation, nuanced thinking, and empathy? Far from preaching to the choir, The Lost Art of Reading is a call to arms, or rather, to pages.
Noel Riley Fitch has written a perfect book, full to the brim with literary history, correct and whole-hearted both in statement and in implication. She makes me feel and remember a good many things that happened before and after my time. I'm glad to have lived long enough to read it. --Glenway Wescott
Often, the decade of the 1920s has been stereotyped with such labels as "The Roaring Twenties," "The Jazz Age," or "The Lost Generation." Historical perspective has forced reevaluation of this decade. Articles in this collection are presented in the most definitive anthology dealing with 1920s America. The contributors have put aside stereotypes to offer a valuable critique of the American dream during a time of major crises. Dancing Fools and Weary Blues also presents its readers a picture of the continual redemption and revitalization of that dream, and reasserts its basic democratic values.
An anthology of the best of the beats edited by Anne Waldman (who should know) and containing a chronology of the movement from Kerouac to Snyder. The emphasis is on the the poetry and prose excerpts; However, the volume includes brief biographical sketches, an introduction by Ginsberg, a recommended beat vacation guide of the places where the gang passed out or recovered, and more scholarly references. The writers selected for inclusion represent the core of beat: Corso, Kerouac, Ginsberg, Orlovsky, di Prima, Burroughs, Baraka, Ferlinghetti, Kyger, Kandel, Kaufman, Whalen, McClure, and Snyder. Annotation copyright by Book News, Inc., Portland, OR
This is a collection of interviews with 26 writers of China's "zhiqing" generation, relatively young artists who participated in the Cultural Revolution as teen-age Red Guards, suffered through the subsequent rustication of intellectual youth, and eventually returned to relatively normal lives, but always with a tragic hiatus haunting their formative years. While one goal of Professor Leung is to introduce to the West an important group of writers little-known outside China, she also aims to succeed, through the interviews, in providing a special perspective on the devastating political history of China since the 1970s years through the eyes of its keenest observers and in offering a perspective on the social, political and cultural milieu of the period.
A selection of poetry written during World War I. In the introduction Jon Silkin traces the changing mood of the poets - from patriotism through anger and compassion to an active desire for social change. The book includes work by Sassoon, Owen, Blunden, Rosenberg, Hardy and Lawrence.
"In the summer of 1977, Allen Ginsberg decided it was time to teach a course on the literary history of the Beat Generation. This was twenty years after the publication of his landmark poem "Howl," and Jack Kerouac's seminal book On the Road. Through the creation of this course, which he ended up teaching five times, first at the Naropa Institute and later at Brooklyn College, Ginsberg saw an opportunity to make a record of the history of Beat Literature. Compiled and edited by renowned Beat scholar Bill Morgan, and with an introduction by Anne Waldman, The Best Minds of My Generation presents the lectures in edited form, complete with notes, and paints a portrait of the Beats as Ginsberg knew them: friends, confidantes, literary mentors, and fellow revolutionaries. Ginsberg was seminal to the creation of a public perception of Beat writers and knew all of the major figures personally, making him uniquely qualified to be the historian of the movement. In The Best Minds of My Generation, Ginsberg shares anecdotes of meeting Kerouac, Burroughs, and other writers for the first time, explains his own poetics, elucidates the importance of music to Beat writing, discusses visual influences and the cut-up method, and paints a portrait of a group who were leading a literary revolution. For academics and Beat neophytes alike, The Best Minds of My Generation is a personal and yet critical look at one of the most important literary movements of the twentieth century"--
