Let me take you back to the earliest childhood memory that I have of my father. Growing up in the province of Pampanga, just outside of the city of Porac, we didnt have a lot of money. We lived in a small village just south of the province in a small hut. Like many families back then, we made do with what we had and struggled just to get by like everyone else at that time. My father was in the Philippine Army, and he would be gone for weeks at a time, sometimes months at a time. But I always knew when he returned home because I would awake to a bunch of grapes on my pillow. I would smile as I awoke and whisper, Daddys home.
Let me take you back to the earliest childhood memory I have of my father. Growing up in the province of Pampanga, just outside the city of Porac, we didn't have a lot of money. We lived in a small village just south of the province in a small hut. Like many families back then, we made do with what we had and struggled to get by, just like everyone else at that time. My father was in the Philippine Army, and he would be gone for weeks at a time, sometimes months at a time. But I always knew when he returned home because I would wake up to a bunch of grapes on my pillow. I would smile as I awoke and whisper, "Daddy's home."
World War II tore apart an unprecedented number of families. This is the heartbreaking story of the humanitarian organizations, governments, and refugees that tried to rehabilitate Europe’s lost children from the trauma of war, and in the process shaped Cold War ideology, ideals of democracy and human rights, and modern visions of the family.
In 1990, Ann Mix began a search to find out about her father, who had been killed in World War II. She eventually met others whose fathers had been killed and discovered that, like her, they had little information about their fathers. As a result, Ann founded the American WWII Orphans Network to locate war orphans and become a despository for sources of information about WWII servicemen who were fathers.
Stolen from her family by the Nazis, Nadia is a young girl who tries to make sense of her confusing memories and haunting dreams. Bit by bit she starts to uncover the truth—that the German family she grew up with, the woman who calls herself Nadia's mother, are not who they say they are. Beyond her privileged German childhood, Nadia unearths memories of a woman singing her a lullaby, while the taste of gingersnap cookies brings her back to a strangely familiar, yet unknown, past. Piece by piece, Nadia comes to realize who her real family was. But where are they now? What became of them? And what is her real name? This story of a Lebensborn girl—a child kidnapped for her "Aryan looks" by the Nazis in their frenzy to build a master race—reveals one child's fierce determination to uncover her past against incredible odds.
Nearly forgotten by history, this is the story of the Wereth Eleven, African-American soldiers who fought courageously for freedom in WWII—only to be ruthlessly executed by Nazi troops during the Battle of the Bulge. Their story was almost forgotten by history. Now known as the Wereth Eleven, these brave African-American soldiers left their homes to join the Allied effort on the front lines of WWII. As members of the 333rd Field Artillery Battalion, they provided crucial fire support at the Siege of Bastogne. Among the few who managed to escape the Nazi’s devastating Ardennes Offensive, they found refuge in the small village of Wereth, Belgium. A farmer and supporter of the Allies took the exhausted and half-starved men into his home. When Nazi authorities learned of their whereabouts, they did not take the soldiers prisoner, but subjected them to torture and execution in a nearby field. Despite their bravery and sacrifice, these eleven soldiers were omitted from the final Congressional War Crimes report of 1949. For seventy years, their files—marked secret—gathered dust in the National Archive. But in 1994, at the site of their execution, a memorial was dedicated to the Wereth Eleven and all African-American soldiers who fought in Europe. Drawing on firsthand interviews with family members and fellow soldiers, The Lost Eleven tells the complete story of these nearly forgotten soldiers, their valor in battle and their tragic end. INCLUDES PHOTOS
From award-winning author Deborah Heiligman comes Torpedoed, a true account of the attack and sinking of the passenger ship SS City of Benares, which was evacuating children from England during WWII. Amid the constant rain of German bombs and the escalating violence of World War II, British parents by the thousands chose to send their children out of the country: the wealthy, independently; the poor, through a government relocation program called CORB. In September 1940, passenger liner SS City of Benares set sail for Canada with one hundred children on board. When the war ships escorting the Benares departed, a German submarine torpedoed what became known as the Children's Ship. Out of tragedy, ordinary people became heroes. This is their story. This title has Common Core connections.
“A masterpiece” (The Guardian) from the Nobel Prize–winning writer, an oral history of children’s experiences in World War II across Russia NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST For more than three decades, Svetlana Alexievich has been the memory and conscience of the twentieth century. When the Swedish Academy awarded her the Nobel Prize, it cited her for inventing “a new kind of literary genre,” describing her work as “a history of emotions . . . a history of the soul.” Bringing together dozens of voices in her distinctive style, Last Witnesses is Alexievich’s collection of the memories of those who were children during World War II. They had sometimes been soldiers as well as witnesses, and their generation grew up with the trauma of the war deeply embedded—a trauma that would change the course of the Russian nation. Collectively, this symphony of children’s stories, filled with the everyday details of life in combat, reveals an altogether unprecedented view of the war. Alexievich gives voice to those whose memories have been lost in the official narratives, uncovering a powerful, hidden history from the personal and private experiences of individuals. Translated by the renowned Richard Pevear and Larissa Volokhonsky, Last Witnesses is a powerful and poignant account of the central conflict of the twentieth century, a kaleidoscopic portrait of the human side of war. Praise for Last Witnesses “There is a special sort of clear-eyed humility to [Alexievich’s] reporting.”—The Guardian “A bracing reminder of the enduring power of the written word to testify to pain like no other medium. . . . Children survive, they grow up, and they do not forget. They are the first and last witnesses.”—The New Republic “A profound triumph.”—The Big Issue “[Alexievich] excavates and briefly gives prominence to demolished lives and eradicated communities. . . . It is impossible not to turn the page, impossible not to wonder whom we next might meet, impossible not to think differently about children caught in conflict.”—The Washington Post
Describes six years in the life of a daring and resourceful Polish Jewish boy and his family, who survived the Holocaust by using false papers and posing as Catholics.
