The Lonely Goliath By: OD Siers For years, Jeff Porter has been the victim of his abusive mother. Until one terrible night when Jeff is able to escape. On his own, Jeff tries to create a new life free from his rage and pain. He makes friends who help him overcome his past and build a new life. But is the past ever really gone? Violence continues to surround Jeff. One night, he rescues a young woman from a vicious gang attack. Suddenly the focus of a police investigation and targeted by a private detective searching for a serial killer, Jeff will need all his skill to stay alive.
The Guardian cartoonist relates the daily deadpan adventures of the last policeman living on the moon "Living on the moon...Whatever were we thinking? ...It seems so silly now.” The lunar colony is slowly winding down, like a small town circumvented by a new super highway. As our hero, the Mooncop, makes his daily rounds, his beat grows ever smaller, the population dwindles. A young girl runs away, a dog breaks off his leash, an automaton wanders off from the Museum of the Moon. Each day that the Mooncop goes to work, life gets a little quieter and a little lonelier. As in Goliath, Tom Gauld’s retelling of the Bible story, the focus in Gauld's science fiction is personal—no big explosions or grand reveals, just the incremental dissolution of an abandoned project and a person’s slow awakening to his own uselessness. Depicted in the distinctive, matter-of-fact style of his beloved Guardian strips, Mooncop is equal parts funny and melancholy. Gauld captures essential truths about humanity, making this a story of the past, present, and future, all in one.
Since the 2011 release of Goliath, Tom Gauld has solidified himself as one of the world’s most revered and critically-acclaimed cartoonists working today. From his weekly strips in the Guardian and New Scientist, to his lauded graphic novels You're All Just Jealous of My Jetpack and Mooncop, Gauld’s fascination with the intersection between history, literary criticism, and pop culture has become the crux of his work. Now in paperback, with a new cover and smaller size, Goliath is a retelling of the classic myth, this time from Goliath's side of the Valley of Elah. Goliath of Gath isn't much of a fighter. He would pick admin work over patrolling in a heartbeat, to say nothing of his distaste for engaging in combat. Nonetheless, at the behest of the king, he finds himself issuing a twice-daily challenge to the Israelites: "Choose a man. Let him come to me that we may fight." Quiet moments in Goliath's life as an isolated soldier are accentuated by Gauld's trademark drawing style: minimalist scenery, geometric humans, and densely crosshatched detail. Simultaneously tragic and bleakly funny, Goliath displays a sensitive wit and a bold line--a traditional narrative reworked, remade, and revolutionized into a classic tale of Gauld’s very own.
A New York Times Editors' Choice Pick! A Best Book of the Year for Time | NPR | The Guardian | Gizmodo| Portalist | New York Public Library A Most Anticipated Pick for USA Today | Bustle | Buzzfeed | Goodreads | Nerdist | io9 | WBUR | Polygon | The New Scientist Locus Award Finalist! Connecticut Book Award for Fiction winner! Dragon Award Finalist! Legacy Award Finalist! "In this ambitious novel, dense with perspectives and social commentary, Onyebuchi dreams up disparate lives in a crumbling future America—with gentrifiers returning to Earth from space colonies and laborers trying to make a precarious living—while leaving room for moments of beauty and humor."—The New York Times, Editors' Choice In his adult novel debut, Hugo, Nebula, Locus, and NAACP Image Award finalist and ALA Alex and New England Book Award winner Tochi Onyebuchi delivers a sweeping science fiction epic in the vein of Samuel R. Delany and Station Eleven. In the 2050s, Earth has begun to empty. Those with the means and the privilege have departed the great cities of the United States for the more comfortable confines of space colonies. Those left behind salvage what they can from the collapsing infrastructure. As they eke out an existence, their neighborhoods are being cannibalized. Brick by brick, their houses are sent to the colonies, what was once a home now a quaint reminder for the colonists of the world that they wrecked. A primal biblical epic flung into the future, Goliath weaves together disparate narratives—a space-dweller looking at New Haven, Connecticut as a chance to reconnect with his spiraling lover; a group of laborers attempting to renew the promises of Earth’s crumbling cities; a journalist attempting to capture the violence of the streets; a marshal trying to solve a kidnapping—into a richly urgent mosaic about race, class, gentrification, and who is allowed to be the hero of any history. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
This volume of the collected poetry, non-critical prose, and plays of Robert Duncan gathers all of Duncan's books and magazine publications up to and including 'Letters: Poems 1953-1956'.
The Bible tells us that David was a man after God's own heart, but what does that mean in practice? David, the Old Testament shepherd, king, and psalmist, offers an answer in the shape of his own incredible life. Poet, musician, courageous warrior, and national statesman, David distinguished himself as one of God's greatest men. He modeled invincible confidence in the face of impossible circumstances. He made decisions with wisdom and equity. And he wrote with transparent vulnerability and quiet trust. But how well do we really know David? In Great Lives: David, the first volume in Charles Swindoll's bestselling Great Lives series, Swindoll gives us a closer look at this incredible man who had his fair share of difficulties. Throughout his life, David was gripped by destructive passion, rocked by family chaos and personal tragedy, and motivated by political expediency. Like all of us, David was far from perfect, but Swindoll teaches us that David had the chance to become great when he placed himself at the Lord's disposal. As Swindoll guides us through David's remarkable life and legacy, he asks and answers key questions along the way, including: How did David become the national hero of God's chosen people? Why is he the one character in the Bible described as "a man after God's own heart?" How can modern believers become people after God's own heart? Join Swindoll as he teaches us that we can all endeavor to live a life marked by the humility, dependability, and integrity of David.
There are no scars like those inflicted in childhood, and no love like your first. Timeless couples Diane Hoffmann and Mikey Lund, Roxanne Hart and Jamie Dubois, Cherish Stephenson and Ty Foxx, and Sapphire Stephenson and William Decker seek out the unconditional love and healing of an angel and the scorching heat of unending passion. Heaven's promise, desire's flame.... Mikey Lund has been in love with most of his female friends from afar for years yet never considered any of them truly an option for him. His friend Diane Hoffman learns her boyfriend is married with kids and asks him if he'll help her convince Robert she's over him. But Diane soon discovers that Mike is the perfect "pretend" boyfriend...so perfect, she can't help wondering if their amazingly sweet, sexy, romantic relationship could last in the real world.
Contributions by Ofra Amihay, Madeline Backus, Samantha Baskind, Elizabeth Rae Coody, Scott S. Elliott, Assaf Gamzou, Susan Handelman, Leah Hochman, Leonard V. Kaplan, Ken Koltun-Fromm, Shiamin Kwa, Samantha Langsdale, A. David Lewis, Karline McLain, Ranen Omer-Sherman, Joshua Plencner, and Jeffrey L. Richey Comics and Sacred Texts explores how comics and notions of the sacred interweave new modes of seeing and understanding the sacral. Comics and graphic narratives help readers see religion in the everyday and in depictions of God, in transfigured, heroic selves as much as in the lives of saints and the meters of holy languages. Coeditors Assaf Gamzou and Ken Koltun-Fromm reveal the graphic character of sacred narratives, imagining new vistas for both comics and religious texts. In both visual and linguistic forms, graphic narratives reveal representational strategies to encounter the sacred in all its ambivalence. Through close readings and critical inquiry, these essays contemplate the intersections between religion and comics in ways that critically expand our ability to think about religious landscapes, rhetorical practices, pictorial representation, and the everyday experiences of the uncanny. Organized into four sections—Seeing the Sacred in Comics; Reimagining Sacred Texts through Comics; Transfigured Comic Selves, Monsters, and the Body; and The Everyday Sacred in Comics—the essays explore comics and graphic novels ranging from Craig Thompson’s Habibi and Marvel’s X-Men and Captain America to graphic adaptions of religious texts such as 1 Samuel and the Gospel of Mark. Comics and Sacred Texts shows how claims to the sacred are nourished and concealed in comic narratives. Covering many religions, not only Christianity and Judaism, this rare volume contests the profane/sacred divide and establishes the import of comics and graphic narratives in disclosing the presence of the sacred in everyday human experience.
During the interwar period cinema and literature seemed to be at odds with each other, part of the continuing struggle between mass and elite culture which so worried writers such as Aldous Huxley, T.S. Eliot and the Leavises. And this cultural divide appeared to be sharp evidence of a deeper struggle for control of the nation’s consciousness, not only between dominant and oppositional elements within Britain, but between British and American vales as well. On the one hand, films like Sing As We Go, Proud Valley, and The Stars Look Down consolidated the assumptions about the existence of a national rather than separate class identities. On the other hand, working-class literature such as Love on the Dole articulated working-class experience in a manner intended to bridge the gap between the ‘Two Englands’. This book, originally published in 1987, examines how two of the most significant cultural forms in Britain contributed indirectly to the stability of Britain in the interwar crisis, helping to construct a new class alliance. A major element in the investigation is an analysis of the mechanics of the development of a national cultural identity, alongside separate working-class culture, the development of the lower-middle class and the implications of the intrusion of Hollywood culture. The treatment throughout is thematic rather than text-oriented – works of Graham Greene, George Orwell, Bert Coombes, Evelyn Waugh, the British Documentary Film Movement and Michael Balcon are included in the wide range of material covered.
Saving the world? David Spencer certainly didn’t think that was his destiny. Teenager David sees himself as very ordinary, weak, and shy. He is forced into an unwanted move to a distant coastal town – which plunges him into chaos. This new place is full of surprises. His older brother Richard has somehow turned into a completely different man. He quickly becomes entranced by a wood nymph – the iridescent Daisy. A Magical and ancient woodland is being ripped apart in the name of progress. However, the force stopping the bulldozers and protecting the natural order is a giant – a real-life giant. His incredible new home has a strange brutal history. As bizarre events unfold David discovers he’s been singled out to help – him, and him alone. He doesn’t realise he’s slowly absorbing the madness which is consuming everyone around him. Who would ultimately survive? Goliath’s Eye will appeal to fans of dark fantasy and Paul’s first novel, Acid Bubbles.
