Growing up on an island surrounded by the capricious and brooding waters of the River Thames should have been the dream childhood that every parent would wish for their daughter. However, even the most perfect of dreams can have nightmarish qualities that leaves the dreamer bewildered and confused. The Lock-House Haunting tracks the first twenty-four years of my life and in particular documents my early experiences with the paranormal. It tells of my many, some terrifying encounters with something that haunted our home and seemed to attach itself to me. As a child, if there was ever one lie that I was innocently told it was, that there are no such things as ghosts.
Felix Allsey is a travel writer with a keen eye for the paranormal, and he’s carved out a unique, if only slightly lucrative, niche for himself in nonfiction; he writes travelogues of the country’s most haunted places, after haunting them himself. When he convinces the owner of the infamous Rotterdam Mansion to let him stay on the premises for 13 nights, he believes he’s finally found the location that will bring him a bestseller. As with his other gigs, he sets rules for himself: no leaving the house for any reason, refrain from outside contact, and sleep during the day. When Thomas Ruth, Felix's oldest friend and fellow horror film obsessive, joins him on the project, the two dance around a recent and unspeakably painful rough-patch in their friendship, but eventually fall into their old rhythms of dark humor and movie trivia. That’s when things start going wrong: screams from upstairs, figures in the thresholds, and more than what should be in any basement. Felix realizes the book he’s writing, and his very state of mind, is tilting from nonfiction into all out horror, and the shocking climax answers a question that’s been staring these men in the face all along: In Rotter House, who’s haunting who?
Ghost story master Mary Downing Hahn unrolls the suspenseful, spine-chilling yarn of a girl imprisoned for more than a century, the terrifying events that put her there, and a friendship that crosses the boundary between past and present. A family moves into an old, abandoned house. Jules's parents love the house, but Jules is frightened and feels a sense of foreboding. When she sees a pale face in an upstairs window, though, she can't stop wondering about the eerie presence on the top floor—in a room with a locked door. Could it be someone who lived in the house a century earlier? Her fear replaced by fascination, Jules is determined to make contact with the mysterious figure and help unlock the door. Past and present intersect as she and her ghostly friend discover—and change—the fate of the family who lived in the house all those many years ago. A thrilling and unputdownable spinetingling ghost story from a bestselling master of the genre!
In this book Tiya Miles explores the popular yet troubling phenomenon of "ghost tours," frequently promoted and experienced at plantations, urban manor homes, and cemeteries throughout the South. As a staple of the tours, guides entertain paying customers by routinely relying on stories of enslaved black specters. But who are these ghosts? Examining popular sites and stories from these tours, Miles shows that haunted tales routinely appropriate and skew African American history to produce representations of slavery for commercial gain. "Dark tourism" often highlights the most sensationalist and macabre aspects of slavery, from salacious sexual ties between white masters and black women slaves to the physical abuse and torture of black bodies to the supposedly exotic nature of African spiritual practices. Because the realities of slavery are largely absent from these tours, Miles reveals how they continue to feed problematic "Old South" narratives and erase the hard truths of the Civil War era. In an incisive and engaging work, Miles uses these troubling cases to shine light on how we feel about the Civil War and race, and how the ghosts of the past are still with us.
Alice Muriel Williamson was an American-British novelist. She was born in America, the daughter of Mark Livingston of Poughkeepsie. She came to England when young. In 1894, soon after arrival in England, she married the magazine editor Charles Norris Williamson (1859-1920), "the first editor to whom she presented an introduction." Many of her books were jointly written with her husband. After her marriage she introduced herself as Mrs. C. N. Williamson. A number of their novels cover the early days of motoring and can also be read as travelogues. Alice apparently said of her husband "Charlie Williamson could do anything in the world except write stories" she said of herself "I can't do anything else." She continued to write after her husband's death in 1920.
ONE OF ENTERTAINMENT WEEKLY'S "BIGGEST AND BEST YA BOOKS OF THE SUMMER" From Danielle Vega, YA's answer to Stephen King, comes a new paranormal novel about dark family secrets, deep-seated vengeance, and the horrifying truth that evil often lurks in the unlikeliest of places. Clean slate. That's what Hendricks Becker-O'Malley's parents said when they moved their family to the tiny town of Drearfield, New York. Hendricks wants to lay low and forget her dark, traumatic past. Forget him. But things don't go as planned. Hendricks learns from new friends at school that Steele House--the fixer upper her parents are so excited about--is notorious in town. Local legend says it's haunted. But Hendricks isn't sure if it's the demons of her past haunting her ...or of the present. Voices whisper in her ear as she lays in bed. Doors lock on their own. And, then, one night, things take a violent turn. With help from the mysterious boy next door, Hendricks makes it her mission to take down the ghosts . . . if they don't take her first.
· What unspeakable horror glimpsed in the basement of a private library in West Yorkshire drove a man to madness and an early grave? · What led to an underground echo chamber in a Manchester recording studio being sealed up for good? · What creature walks the endless sands of Lancashire's Fleetwood Bay, and what connects it to an unmanned craft washed ashore in Port Elizabeth, nearly six thousand miles away? In 2009 Jeremy Dyson was contacted by a journalist wanting help bringing together accounts of true life ghost stories from across the British Isles. The Haunted Book chronicles the journey Dyson, formerly a hardened sceptic, went on to uncover the truth behind these tales.
"What's wrong, Mommy?" Even a five-year-old could tell something was wrong. There she was-the same little girl I had seen years ago. She was standing at the front window of Duncan's nursery, holding the rag doll from the old toy box in the attic, silently saying, "It's me, it's me..." A true ghost story that will give you chills and warm your heart In 1971, Kathleen McConnell and her family moved into a historic home known as the Fontaine Manse. Two days after moving in, she and her husband had an extraordinary experience that left them with no doubt that unseen residents occupied the house, too. This is the true story of how Kathleen McConnell came to know and care for the spirit children who lived in the attic of the mansion-Angel Girl, Buddy, and The Baby. From playing ball with Kathleen, to saving her son Duncan from drowning, the spirit children became part of the McConnell family in ways big and small. Finally, a heart-wrenching decision triggered an unexpected and dramatic resolution to the spirit children's plight. Don't Call Them Ghosts is the inspiring story of the transcendent and lasting power of a mother's love.
'Haunting, vivid and urgent' Stacey Halls 'Absorbing, beautifully written' Rosie Andrews 'An ingenious page turner' The Times -------------- Inside lies a secret that won't stay hidden . . . The Great War is ending, but it has taken Ivy's son. Ivy is consumed by discovering what happened to her boy out there in the trenches, while her husband only wants to forget. Then a man comes back into Ivy's life who can help her find out. A man who once stole Ivy's heart. A man who also lost his son to a tragedy. A man whose name she hasn't spoken in thirty years. As Ivy questions her part in the fire at Polneath House, she unlocks a secret that's been burning ever since. But will the truth destroy her - or set her free? -------------- 'It will recruit fans of Du Maurier and Waters' Patrick Gale 'A story of smouldering secrets, lingering guilt and hidden love' Daily Express 'The perfect gothic novel' Stuart Turton 'This is a novel of true elegance, deftly and satisfyingly plotted' Imogen Hermes Gowar 'Atmospheric and rich with evocative detail' Harriet Tyce 'An intriguing, elegantly constructed gothic mystery' Sunday Times 'A smouldering gothic mystery that slowly envelopes you' Joseph Knox
INSTANT NEW YORK TIMES BESTSELLER “A superb suspense writer…Brava, Ruth Ware. I daresay even Henry James would be impressed.” —Maureen Corrigan, author of So We Read On “This appropriately twisty Turn of the Screw update finds the Woman in Cabin 10 author in her most menacing mode, unfurling a shocking saga of murder and deception.” —Entertainment Weekly From the #1 New York Times bestselling author of The Lying Game and The Death of Mrs. Westaway comes this thrilling novel that explores the dark side of technology. When she stumbles across the ad, she’s looking for something else completely. But it seems like too good an opportunity to miss—a live-in nannying post, with a staggeringly generous salary. And when Rowan Caine arrives at Heatherbrae House, she is smitten—by the luxurious “smart” home fitted out with all modern conveniences, by the beautiful Scottish Highlands, and by this picture-perfect family. What she doesn’t know is that she’s stepping into a nightmare—one that will end with a child dead and herself in prison awaiting trial for murder. Writing to her lawyer from prison, she struggles to explain the events that led to her incarceration. It wasn’t just the constant surveillance from the home’s cameras, or the malfunctioning technology that woke the household with booming music, or turned the lights off at the worst possible time. It wasn’t just the girls, who turned out to be a far cry from the immaculately behaved model children she met at her interview. It wasn’t even the way she was left alone for weeks at a time, with no adults around apart from the enigmatic handyman. It was everything. She knows she’s made mistakes. She admits that she lied to obtain the post, and that her behavior toward the children wasn’t always ideal. She’s not innocent, by any means. But, she maintains, she’s not guilty—at least not of murder—but somebody is. Full of spellbinding menace and told in Ruth Ware’s signature suspenseful style, The Turn of the Key is an unputdownable thriller from the Agatha Christie of our time.
