The refereed series ZMO-Studien publishes monographs and edited volumes which mirror the interdisciplinary research programme and approach of the Leibniz-Zentrum Moderner Orient.
In The Limits of Autobiography, Leigh Gilmore analyzes texts that depict trauma by combining elements of autobiography, fiction, biography, history, and theory in ways that challenge the constraints of autobiography. Astute and compelling readings of works by Michel Foucault, Louis Althusser, Dorothy Allison, Mikal Gilmore, Jamaica Kincaid, and Jeanette Winterson explore how each poses the questions "How have I lived?" and "How will I live?" in relation to the social and psychic forms within which trauma emerges. First published in 2001, this new edition of one of the foundational texts in trauma studies includes a new preface by the author that assesses the gravitational pull between life writing and trauma in the twenty-first century, a tension that continues to produce innovative and artful means of confronting kinship, violence, and self-representation.
Trauma has become a catchword of our time and a central category in contemporary theory and criticism. In this illuminating and accessible volume, Lucy Bond and Stef Craps: provide an account of the history of the concept of trauma from the late nineteenth century to the present day examine debates around the term in their historical and cultural contexts trace the origins and growth of literary trauma theory introduce the reader to key thinkers in the field explore important issues and tensions in the study of trauma as a cultural phenomenon outline and assess recent critiques and revisions of cultural trauma research Trauma is an essential guide to a rich and vibrant area of literary and cultural inquiry.
Trauma theory has become a burgeoning site of research in recent decades, often demanding interdisciplinary reflections on trauma as a phenomenon that defies disciplinary ownership. While this research has always been challenged by the temporal, affective, and corporeal dimensions of trauma itself, trauma theory now faces theoretical and methodological obstacles given its growing interdisciplinarity. Trauma and Transcendence gathers scholars in philosophy, theology, psychoanalysis, and social theory to engage the limits and prospects of trauma’s transcendence. This volume draws attention to the increasing challenge of deciding whether trauma’s unassimilable quality can be wielded as a defense of traumatic experience against reductionism, or whether it succumbs to a form of obscurantism. Contributors: Eric Boynton, Peter Capretto, Tina Chanter, Vincenzo Di Nicola, Ronald Eyerman, Donna Orange, Shelly Rambo, Mary-Jane Rubenstein, Hilary Jerome Scarsella, Eric Severson, Marcia Mount Shoop, Robert D. Stolorow, George Yancy.
As a concept, 'trauma' has attracted a great deal of interest in literary studies. A key term in psychoanalytic approaches to literary study, trauma theory represents a critical approach that enables new modes of reading and of listening. It is a leading concept of our time, applicable to individuals, cultures, and nations. This book traces how trauma theory has come to constitute a discrete but influential approach within literary criticism in recent decades. It offers an overview of the genesis and growth of literary trauma theory, recording the evolution of the concept of trauma in relation to literary studies. In twenty-one essays, covering the origins, development, and applications of trauma in literary studies, Trauma and Literature addresses the relevance and impact this concept has in the field.
In Against the Unspeakable, Naomi Mandel offers a paradigm of reading that will enable the crucial work on comparative atrocities and the representation of suffering to move beyond the impasse of "unspeakability." Discussing a variety of texts such as Toni Morrison's Beloved, Steven Spielburg's Schindler's List, and William Styron's Confessions of Nat Turner, Mandel asks: What does the evocation of the limits of language enable writers, authors, and critics to do?
Serious difficulties arise when people try to make sense of their feelings, behavior, and discourse in everyday life and, especially, after traumatic experiences. Two groups of impediments are identified: the "indescribable" is demonstrated by a group of pathfinders working through their different maps of mind and nature; by individuals trying to understand and integrate a first heart attack into their previous life experiences. The "undiscussable" is highlighted in the intergenerational transmission of traumatic experiences in the families of Holocaust survivors and Nazi perpetrators. By providing a unique way of looking at life experiences, embedded in a variety of social contexts, this book suggests a new psychosocial theoretical framework which can be used by both laymen and professionals when confronted by troublesome issues that require acknowledgement.
Demonstrating the range of linguistic and semiotic practices which are deployed in the construction of war memory, The Burden of Traumascapes investigates the discourses of remembering that are enculturated in the everyday lives of the people of Bosnia-Herzegovina. Maida Kosatica explores how the memory and narratives of the Bosnian War (1992-5) convey and renegotiate historical acts of violence in quite ordinary, banal ways and extend the war into the present day. Reintroducing the concept of 'traumascapes', this book demonstrates that semiotic landscapes are marked by traumatic legacies of violence in which the sense of trauma establishes its meaning through the discourses of remembering. In this context, this book argues that discourses of remembering, whether constructed in physical or virtual spaces, stem simultaneously from personal and collective needs to follow moral orders and responsibility, as well as from political, pedagogical and economic demands.
1. Within trauma : an introduction / Eric Wertheimer and Monica J. Casper -- I. Politics -- 2. Trauma is as trauma does : the politics of affect in catastrophic times / Maurice E. Stevens -- 3. "She was just a Chechen" : the female suicide bomber as a site of collective suffering in wartime Chechen Republic / Francine Banner -- 4. Naming sexual trauma : on the political necessity of nuance in rape and sex offender discourses / Breanne Fahs -- 5. Conceptualizing forgiveness in the face of historical trauma / Carmen Goman and Douglas Kelley -- II. Poetics -- 6. Bahareh : singing without words in an Iranian prison camp / Shahla Talebi -- 7. Voices of silence : on speaking from within the void (a response to Shahla Talebi) / Gabriele M. Schwab -- 8. Future's past : a conversation about the Holocaust with Gabriele M. Schwab / Martin Beck Matuštík -- 9. "No other tale to tell" : trauma and acts of forgetting in The road / Amanda Wicks -- 10. Body animations (or, Lullaby for Fallujah) : a performance / Jackie Orr -- III. Praxis -- 11. First responders : a pedagogy for writing and reading trauma / Amy Hodges Hamilton -- 12. Answering the call : crisis intervention and rape survivor advocacy as witnessing trauma / Debra Jackson -- 13. Documenting disaster : Hurricane Katrina and one family's saga / Rebecca Hankins and Akua Duku Anokye -- 14. A cure for bitterness / Dorothy Allison