A household name in nineteenth-century France, Xavier Marmier's work had a significant influence on literary and intellectual developments both in France and the countries he visited. Marmier's achievements are assessed in their intellectual and historical context, within the framework of his colorful and somewhat controversial private life.
Offering a broad and vivid survey of the culture of collecting from the French Revolution to the Belle Époque, The Purchase of the Past explores how material things became a central means of accessing and imagining the past in nineteenth-century France. By subverting the monarchical establishment, the French Revolution not only heralded the dawn of the museum age, it also threw an unprecedented quantity of artworks into commercial circulation, allowing private individuals to pose as custodians and saviours of the endangered cultural inheritance. Through their common itineraries, erudition and sociability, an early generation of scavengers established their own form of 'private patrimony', independent from state control. Over a century of Parisian history, Tom Stammers explores collectors' investments – not just financial but also emotional and imaginative – in historical artefacts, as well as their uncomfortable relationship with public institutions. In so doing, he argues that private collections were a critical site for salvaging and interpreting the past in a post-revolutionary society, accelerating but also complicating the development of a shared national heritage.
An entertaining and informative voyage through cultural fantasies of the North, from sea monsters and a mountain-sized magnet to racist mythmaking. Scholars and laymen alike have long projected their fantasies onto the great expanse of the global North, whether it be as a frozen no-man’s-land, an icy realm of marauding Vikings, or an unspoiled cradle of prehistoric human life. Bernd Brunner reconstructs the encounters of adventurers, colonists, and indigenous communities that led to the creation of a northern “cabinet of wonders” and imbued Scandinavia, Iceland, and the Arctic with a perennial mystique. Like the mythological sagas that inspired everyone from Wagner to Tolkien, Extreme North explores both the dramatic vistas of the Scandinavian fjords and the murky depths of a Western psyche obsessed with Nordic whiteness. In concise but thoroughly researched chapters, Brunner highlights the cultural and political fictions at play from the first “discoveries” of northern landscapes and stories, to the eugenicist elevation of the “Nordic” phenotype (which in turn influenced America’s limits on immigration), to the idealization of Scandinavian social democracy as a post-racial utopia. Brunner traces how crackpot Nazi philosophies that tied the “Aryan race” to the upper latitudes have influenced modern pseudoscientific fantasies of racial and cultural superiority the world over. The North, Brunner argues, was as much invented as discovered. Full of glittering details embedded in vivid storytelling, Extreme North is a fascinating romp through both actual encounters and popular imaginings, and a disturbing reminder of the power of fantasy to shape the world we live in.
A pioneering overview of the travel books produced by fourteen French Romantic writers - including Chateaubriand, Staël, Stendhal, Hugo, Nerval, Sand, Mérimée, Dumas, and Tristan - whose journeys ranged from Peru to Russia and from North America to North Africa and the Near East.
The expression “North of the North” refers both to an objective, geographical reality – the territories situated at the highest latitudes on our planet – and to a subjective, mental construction which came into being many centuries ago and has been developed, modified and differentiated ever since. The chapters in the present volume examine various aspects of that concept, analysing texts and works of art from a range of regions and periods. La notion de « Nord du Nord » renvoie tout autant à la réalité géographique objective que sont les territoires des latitudes les plus élevées de notre planète qu’à une construction mentale subjective qui s’est constituée, développée et modifiée au cours du temps. Les contributions du présent volume se proposent d’en explorer les multiples facettes en recourant à des textes et œuvres d’art d’époques et de provenances diverses. Der Begriff „Norden des Nordens“ verweist sowohl auf eine objektive geographische Wirklichkeit, nämlich die in den höchsten Breitengraden unseres Planeten gelegenen Territorien, als auch auf eine subjektive mentale Konstruktion, die im Laufe der Zeiten entstanden ist, sich fortentwickelt und ausdifferenziert hat. Die im vorliegenden Band enthaltenen Beiträge erforschen die vielfältigen Facetten dieses Begriffs anhand von Texten und Kunstwerken aus verschiedenen Regionen und Epochen.
Terence Cave traces the afterlives of Mignon, an apparently minor character in Goethe's novel Wilhelm Meisters Lehrjahre, through the European cultures of the 19th and 20th centuries. The enigmatic and fascinating Mignon reappears in wide range of different works, mainly narrative fiction but also poetry, song, opera, and film.
