The Lied at the Crossroads of Performance and Musicology

The Lied at the Crossroads of Performance and Musicology

Author: Benjamin Binder

Publisher: Cambridge University Press

Published: 2024-02-15

Total Pages: 247

ISBN-13: 1009007750

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There seems to be an essential relationship between the performance and the scholarship of the German Lied. Yet the process by which scholarly inquiry and performative practices mutually benefit one another can appear mysterious and undefined, in part because any dialogue between the two invariably unfolds in relatively informal environments – such as the rehearsal studio, seminar room or conference workshop. Contributions from leading musicologists and prominent Lied performers here build on and deepen these interactions to reconsider topics including Werktreue aesthetics and concert practices; the authority of the composer versus the performer; the value of lesser-known, incomplete, or compositionally modified songs; and the traditions, habits and prejudices of song recitalists regarding issues like transposition, programming and dramatic modes of presentation. The book as a whole reveals the reciprocal relevance of Lied musicology and Lied performance, thereby opening doors to fresh and exciting modes of interpretative artistry and intellectual discovery.


The Lied at the Crossroads of Performance and Musicology

The Lied at the Crossroads of Performance and Musicology

Author: Jennifer Ronyak

Publisher: Cambridge University Press

Published: 2023-12-31

Total Pages: 247

ISBN-13: 1316518841

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"Leading musicologists and prominent German Lied performers collectively reveal productive connections between their two approaches, thereby opening doors to fresh and exciting modes of interpretative artistry and intellectual discovery. Investigates how historical, cultural and aesthetic research offer new perspectives on this important repertoire"--


The Cambridge Companion to Schubert's ‘Winterreise'

The Cambridge Companion to Schubert's ‘Winterreise'

Author: Marjorie W. Hirsch

Publisher: Cambridge University Press

Published: 2021-02-04

Total Pages: 307

ISBN-13: 1108832849

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An accessible multi-disciplinary exploration of Franz Schubert's haunting late song cycle Winterreise (1827) that combines context and different analytical approaches.


German Song Onstage

German Song Onstage

Author: Natasha Loges

Publisher: Indiana University Press

Published: 2020-05-05

Total Pages: 205

ISBN-13: 0253047021

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A singer in an evening dress, a grand piano. A modest-sized audience, mostly well-dressed and silver-haired, equipped with translation booklets. A program consisting entirely of songs by one or two composers. This is the way of the Lieder recital these days. While it might seem that this style of performance is a long-standing tradition, German Song Onstage demonstrates that it is not. For much of the 19th century, the songs of Beethoven, Schubert, Schumann, and Brahms were heard in the home, salon, and, no less significantly, on the concert platform alongside orchestral and choral works. A dedicated program was rare, a dedicated audience even more so. The Lied was a genre with both more private and more public associations than is commonly recalled. The contributors to this volume explore a broad range of venues, singers, and audiences in distinct places and time periods—including the United States, the United Kingdom, Russia, and Germany—from the mid-19th century through the early 20th century. These historical case studies are set alongside reflections from a selection of today's leading musicians, offering insights on current Lied practices that will inform future generations of performers, scholars, and connoisseurs. Together these case studies unsettle narrow and elitist assumptions about what it meant and still means to present German song onstage by providing a transnational picture of historical Lieder performance, and opening up discussions about the relationship between history and performance today.


Victorian Cathedral Music in Theory and Practice

Victorian Cathedral Music in Theory and Practice

Author: William J. Gatens

Publisher: Cambridge University Press

Published: 1986-11-13

Total Pages: 248

ISBN-13: 9780521268080

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This is a critical assessment of Victorian cathedral music, unique in its detailed treatment of the cultural intellectual, philosophical and religious issues that shaped the composer's creative world and so influenced compositional practice. Among the issues investigated by William Gatens are the status of music in Church and society, the Victorians' views on the moral dimension of music, the aesthetic implications of Christian orthodoxy and notions of stylistic propriety. The careers and works of seven eminent composers - Thomas Attwood, T. A. Walmisley, John Goss, S. S. Wesley, F. A. G. Ouseley, John Stainer and Joseph Barnby - are discussed in some detail with emphasis on anthems and fully composed service settings. These provide specific illustrations of stylistic trends and the practical effects of theoretical principles. The study seeks to correct some of the misunderstandings and distortions that were common among earlier twentieth-century writers on the subject.


Intimacy, Performance, and the Lied in the Early Nineteenth Century

Intimacy, Performance, and the Lied in the Early Nineteenth Century

Author: Jennifer Ronyak

Publisher: Indiana University Press

Published: 2018-09-10

Total Pages: 284

ISBN-13: 0253035791

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The German lied, or art song, is considered one of the most intimate of all musical genres—often focused on the poetic speaker's inner world and best suited for private and semi-private performance in the home or salon. Yet, problematically, any sense of inwardness in lieder depends on outward expression through performance. With this paradox at its heart, Intimacy, Performance, and the Lied in the Early Nineteenth Century explores the relationships between early nineteenth-century theories of the inward self, the performance practices surrounding inward lyric poetry and song, and the larger conventions determining the place of intimate poetry and song in the public concert hall. Jennifer Ronyak studies the cultural practices surrounding lieder performances in northern and central Germany in the first quarter of the nineteenth century, demonstrating how presentations of lieder during the formative years of the genre put pressure on their sense of interiority. She examines how musicians responded to public concern that outward expression would leave the interiority of the poet, the song, or the performer unguarded and susceptible to danger. Through this rich performative paradox Ronyak reveals how a song maintains its powerful intimacy even during its inherently public performance.


The Song Cycle

The Song Cycle

Author: Laura Tunbridge

Publisher: Cambridge University Press

Published: 2010

Total Pages: 255

ISBN-13: 0521896444

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Investigates how other types of music have influenced the scope of the song cycle, from operas and symphonies to popular song --


The Musicology of Record Production

The Musicology of Record Production

Author: Simon Zagorski-Thomas

Publisher: Cambridge University Press

Published: 2014-08-14

Total Pages: 279

ISBN-13: 1139993518

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Recorded music is as different to live music as film is to theatre. In this book, Simon Zagorski-Thomas employs current theories from psychology and sociology to examine how recorded music is made and how we listen to it. Setting out a framework for the study of recorded music and record production, he explains how recorded music is fundamentally different to live performance, how record production influences our interpretation of musical meaning and how the various participants in the process interact with technology to produce recorded music. He combines ideas from the ecological approach to perception, embodied cognition and the social construction of technological systems to provide a summary of theoretical approaches that are applied to the sound of the music and the creative activity of production. A wide range of examples from Zagorski-Thomas's professional experience reveal these ideas in action.


Words and Music

Words and Music

Author: Deborah Fillerup Weagel

Publisher: Peter Lang

Published: 2010

Total Pages: 184

ISBN-13: 9781433108365

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Introduction -- Musical contrast in Albert Camus' L'étranger -- Musical counterpoint in Albert Camus' L'étranger -- Musical qualities in Samuel Beckett's En attendant Godot -- Silence in John Cage and Samuel Beckett : 4' 33" and En attendant Godot -- John Cage's collaboration of words and music in the song books -- The edited performance : Glenn Gould's solitude trilogy -- Musical and verbal counterpoint in two short films about Glenn Gould.