The Cambridge Companion to the Lied
The Cambridge Companion to the Lied

Author: James Parsons

Publisher: Cambridge University Press

Published: 2004-07

Total Pages: 446

ISBN-13: 9780521804714

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Beginning several generations before Schubert, the Lied first appears as domestic entertainment. In the century that follows it becomes one of the primary modes of music-making. By the time German song comes to its presumed conclusion with Richard Strauss's 1948 Vier letzte Lieder, this rich repertoire has moved beyond the home and keyboard accompaniment to the symphony hall. This is a 2004 introductory chronicle of this fascinating genre. In essays by eminent scholars, this Companion places the Lied in its full context - at once musical, literary, and cultural - with chapters devoted to focal composers as well as important issues, such as the way in which the Lied influenced other musical genres, its use as a musical commodity, and issues of performance. The volume is framed by a detailed chronology of German music and poetry from the late 1730s to the present and also contains a comprehensive bibliography.

This Is How I Lied
This Is How I Lied

Author: Heather Gudenkauf

Publisher: Harlequin

Published: 2020-05-12

Total Pages: 359

ISBN-13: 1488056293

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Gudenkauf proves herself the master of the smart, suspenseful small-town thriller that gets right under your skin.” —Gilly Macmillan, New York Times bestselling author of The Nanny Everyone has a secret they’ll do anything to hide… Twenty-five years ago, the body of sixteen-year-old Eve Knox was found in the caves near her home in small-town Grotto, Iowa—discovered by her best friend, Maggie, and her sister, Nola. There were a handful of suspects, including her boyfriend, Nick, but without sufficient evidence the case ultimately went cold. For decades Maggie was haunted by Eve’s death and that horrible night. Now a detective in Grotto, and seven months pregnant, she is thrust back into the past when a new piece of evidence surfaces and the case is reopened. As Maggie investigates and reexamines the clues, secrets about what really happened begin to emerge. But someone in town knows more than they’re letting on, and they’ll stop at nothing to keep the truth buried deep. And don’t miss Heather’s latest book, AN OVERNIGHT GUEST! You’ll be chilled and riveted from start to finish with this story of an unexpected visitor and a deadly snowstorm! Check out these other riveting novels of suspense by bestselling author Heather Gudenkauf: The Weight of Silence These Things Hidden One Breath Away Little Mercies Missing Pieces Not a Sound Before She Was Found

The Lied
The Lied

Author: Edward F. Kravitt

Publisher:

Published: 1996

Total Pages: 0

ISBN-13: 9780300063653

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Kravitt surveys five major composers - Wolf, Mahler, Strauss, Pfitzner, and Reger - as well as the young Schoenberg and dozens of lesser-known figures, such as Engelbert Humperdinck and Joseph Haas.

Heinrich Heine and the Lied
Heinrich Heine and the Lied

Author: Susan Youens

Publisher: Cambridge University Press

Published: 2007-12-06

Total Pages: 317

ISBN-13: 0521823749

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A study into the poet Heinrich Heine's impact on nineteenth-century song.

Intimacy, Performance, and the Lied in the Early Nineteenth Century
Intimacy, Performance, and the Lied in the Early Nineteenth Century

Author: Jennifer Ronyak

Publisher: Indiana University Press

Published: 2018-09-10

Total Pages: 284

ISBN-13: 0253035791

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The German lied, or art song, is considered one of the most intimate of all musical genres—often focused on the poetic speaker's inner world and best suited for private and semi-private performance in the home or salon. Yet, problematically, any sense of inwardness in lieder depends on outward expression through performance. With this paradox at its heart, Intimacy, Performance, and the Lied in the Early Nineteenth Century explores the relationships between early nineteenth-century theories of the inward self, the performance practices surrounding inward lyric poetry and song, and the larger conventions determining the place of intimate poetry and song in the public concert hall. Jennifer Ronyak studies the cultural practices surrounding lieder performances in northern and central Germany in the first quarter of the nineteenth century, demonstrating how presentations of lieder during the formative years of the genre put pressure on their sense of interiority. She examines how musicians responded to public concern that outward expression would leave the interiority of the poet, the song, or the performer unguarded and susceptible to danger. Through this rich performative paradox Ronyak reveals how a song maintains its powerful intimacy even during its inherently public performance.

If the Witness Lied
If the Witness Lied

Author: Caroline B. Cooney

Publisher: Ember

Published: 2010-08-10

Total Pages: 226

ISBN-13: 0385734492

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This young adult thriller takes place in twenty-four hours and explores how people as well as the media can exploit a situation with devastating results, especially when innocent children are involved. Jack Fountain knows that what’s happened to his family sounds like the most horrible soap opera anyone could ever write. But it’s all true. It happened—to his parents; to his sisters, Smithy and Madison. And to his baby brother, Tris. What made it worse was that the media wanted to know every detail. Now it's almost Tris’s third birthday, and everything’s starting again. Aunt Cheryl, who’s living with the Fountain children, has decided that they will heal only if they work through their pain—on camera. It will be a field day for the media, and no one, except Cheryl, wants that. Jack and his sisters gear up to keep Tris’s adorable face off-screen, but they quickly realize that there is more at stake than their privacy. The very identities they’ve created for themselves are called into question. What really happened the day of their father’s accident? The Fountain siblings have less than twenty-four hours to change their fate. Together, they will ask questions no one asked at the time of the tragedy. And together, they vow that this time, they will not be exploited.

Songs in Motion
Songs in Motion

Author: Yonatan Malin

Publisher: Oxford University Press, USA

Published: 2010

Total Pages: 250

ISBN-13: 0195340051

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This is an exploratopn of rhythm and meter in the 19th-century German Lied, including songs for voice and piano by Fanny Hensel née Mendelssohn, Franz Schubert, Robert Schumann, Johannes Brahms, and Hugo Wolf. The Lied, as a genre, is characterised especially by the fusion of poetry and music.

Intimacy, Performance, and the Lied in the Early Nineteenth Century
Intimacy, Performance, and the Lied in the Early Nineteenth Century

Author: Jennifer Ronyak

Publisher: Indiana University Press

Published: 2018-09-10

Total Pages: 254

ISBN-13: 0253035805

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The German lied, or art song, is considered one of the most intimate of all musical genres—often focused on the poetic speaker's inner world and best suited for private and semi-private performance in the home or salon. Yet, problematically, any sense of inwardness in lieder depends on outward expression through performance. With this paradox at its heart, Intimacy, Performance, and the Lied in the Early Nineteenth Century explores the relationships between early nineteenth-century theories of the inward self, the performance practices surrounding inward lyric poetry and song, and the larger conventions determining the place of intimate poetry and song in the public concert hall. Jennifer Ronyak studies the cultural practices surrounding lieder performances in northern and central Germany in the first quarter of the nineteenth century, demonstrating how presentations of lieder during the formative years of the genre put pressure on their sense of interiority. She examines how musicians responded to public concern that outward expression would leave the interiority of the poet, the song, or the performer unguarded and susceptible to danger. Through this rich performative paradox Ronyak reveals how a song maintains its powerful intimacy even during its inherently public performance.

The Lied at the Crossroads of Performance and Musicology
The Lied at the Crossroads of Performance and Musicology

Author: Benjamin Binder

Publisher: Cambridge University Press

Published: 2024-02-15

Total Pages: 247

ISBN-13: 1009007750

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There seems to be an essential relationship between the performance and the scholarship of the German Lied. Yet the process by which scholarly inquiry and performative practices mutually benefit one another can appear mysterious and undefined, in part because any dialogue between the two invariably unfolds in relatively informal environments – such as the rehearsal studio, seminar room or conference workshop. Contributions from leading musicologists and prominent Lied performers here build on and deepen these interactions to reconsider topics including Werktreue aesthetics and concert practices; the authority of the composer versus the performer; the value of lesser-known, incomplete, or compositionally modified songs; and the traditions, habits and prejudices of song recitalists regarding issues like transposition, programming and dramatic modes of presentation. The book as a whole reveals the reciprocal relevance of Lied musicology and Lied performance, thereby opening doors to fresh and exciting modes of interpretative artistry and intellectual discovery.

The Last Time I Lied
The Last Time I Lied

Author: Riley Sager

Publisher: Penguin

Published: 2023-08-01

Total Pages: 401

ISBN-13: 0593473124

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THE INSTANT NEW YORK TIMES BESTSELLER From the author of Survive the Night and Final Girls comes a tense and twisty thriller about a summer camp that’s impossible to forget—no matter how hard you try. Two Truths and a Lie. Vivian, Natalie, Allison, and Emma played it all the time in their cabin at Camp Nightingale. But the games ended the night Emma sleepily watched the others sneak out into the darkness. The last she—or anyone—saw of the teenagers was Vivian closing the cabin door behind her, hushing Emma with a finger pressed to her lips.... Fifteen years later, Emma is a rising star in the New York art scene, turning her past into paintings—massive canvases filled with dark leaves and gnarled branches over ghostly shapes in white dresses. When the paintings catch the attention of the wealthy owner of Camp Nightingale, she implores Emma to come back to the newly reopened camp as a painting instructor. Despite her guilt and anxiety—or maybe because of them—Emma agrees to revisit her past. Nightingale looks the same as it did all those years ago, haunted by a midnight-dark lake and familiar faces. Emma is even assigned to the same cabin she slept in as a teenager, although the security camera pointed at her door is a disturbing new addition. As cryptic clues about the camp's origins begin to surface, Emma attempts to find out what really happened to her friends. But her closure could come at a deadly price.