This book illustrates how religion and ideology were used by Robert Mugabe to ward off opposition within his own party, in Zimbabwe and from the West. An interdisciplinary line up of contributors argue that Mugabe used a calculated narrative of deification – presenting himself as a divine figure who had the task of delivering land, freedom and confidence to black people across the world – to remain in power in Zimbabwe. The chapters highlight the appropriation and deployment of religious themes in Mugabe’s domestic and international politics, reflect on the contestation around the deification of Mugabe in Zimbabwean politics across different forms of religious expression, including African Traditional Religions and various strands of Christianity and initiate further reflections on the interface between religion and politics in Africa and globally. Politics and Religion in Zimbabwe will be of interest to scholars of religion and politics, Southern Africa and African politics.
Acknowledgements; Preface; Timeline: A chronology of key events in Robert Mugabe’s life; Introduction; 1 Brother in the background; 2 Mummy and Uncle Bob; 3 The prisoner’s friend; 4 Comrades in arms; 5 A surprise agreement; 6 Tea with Lady Soames; 7 I told you so; 8 Britain’s diplomatic blunder; 9 A reluctant politician; 10 The faithful priest; 11 In the eyes of God’s deputies; 12 The man in the elegant suit; 13 Two of a kind; 14 Yesterday’s heroes; 15 As it was in the beginning; 16 The good, the bad, and the reality; Postscript; Selected bibliography; Index
Like Fela Kuti and Bob Marley, singer, composer, and bandleader Thomas Mapfumo and his music came to represent his native country's anticolonial struggle and cultural identity. Mapfumo was born in 1945 in what was then the British colony of Rhodesia (now Zimbabwe). The trajectory of his career—from early performances of rock 'n' roll tunes to later creating a new genre based on traditional Zimbabwean music, including the sacred mbira, and African and Western pop—is a metaphor for Zimbabwe's evolution from colony to independent nation. Lion Songs is an authoritative biography of Mapfumo that narrates the life and career of this creative, complex, and iconic figure. Banning Eyre ties the arc of Mapfumo's career to the history of Zimbabwe. The genre Mapfumo created in the 1970s called chimurenga, or "struggle" music, challenged the Rhodesian government—which banned his music and jailed him—and became important to Zimbabwe achieving independence in 1980. In the 1980s and 1990s Mapfumo's international profile grew along with his opposition to Robert Mugabe's dictatorship. Mugabe had been a hero of the revolution, but Mapfumo’s criticism of his regime led authorities and loyalists to turn on the singer with threats and intimidation. Beginning in 2000, Mapfumo and key band and family members left Zimbabwe. Many of them, including Mapfumo, now reside in Eugene, Oregon. A labor of love, Lion Songs is the product of a twenty-five-year friendship and professional relationship between Eyre and Mapfumo that demonstrates Mapfumo's musical and political importance to his nation, its freedom struggle, and its culture.
This book is a philosopher’s view into the chaotic postcolony of Zimbabwe, delving into Robert Mugabe’s Will to Power. The Will to Power refers to a spirited desire for power and overwhelming fear of powerlessness that Mugabe artfully concealed behind performances of invincibility. Nietzsche’s philosophical concept of the Will to Power is interpreted and expanded in this book to explain how a tyrant is produced and enabled, and how he performs his tyranny. Achille Mbembe’s novel concept of the African postcolony is mobilised to locate Zimbabwe under Mugabe as a domain of the madness of power. The book describes Mugabe’s development from a vulnerable youth who was intoxicated with delusions of divine commission to a monstrous tyrant of the postcolony who mistook himself for a political messiah. This account exposes how post-political euphoria about independence from colonialism and the heroism of one leader can easily lead to the degeneration of leadership. However, this book is as much about bad leadership as it is about bad followership. Away from Eurocentric stereotypes where tyranny is isolated to African despots, this book shows how Mugabe is part of an extended family of tyrants of the world. He fought settler colonialism but failed to avoid being infected by it, and eventually became a native coloniser to his own people. The book concludes that Zimbabwe faces not only a simple struggle for democracy and human rights, but a Himalayan struggle for liberation from genocidal native colonialism that endures even after Robert Mugabe’s dethronement and death.
Describes Robert Mugabe's rise to power in Zimbabwe's first elections as an independent nation, how his economic policies have contributed to the country's ruin, and what life is like in Zimbabwe under his rule.
Twelve-year-old Robert Jacklin comes face-to-face with bigotry, racism, and brutality when he is uprooted from England and moves to Zimbabwe with his family. Robert is enrolled in one of the country's most elite boys' boarding schools. Newly integrated, the school is a microcosm of the horrible problems faced by the struggling new country in the wake of a bloody civil war. The white boys want their old country back and torment the black Africans. Robert must make careful alliances. His decision to join the ranks of the more powerful white boys has a devastating effect on his conscience and emerging manhood.
An informed, insightful biography of Zimbabwe's first--and only--president which tells of his fateful path from revolutionary patriot to ruthless dictator
Recounts the story of the man who led the struggle for black political power in the emerging nation of Zimbabwe and was elected its first prime minister.