Read and Download eBook Full
Author: Jan Marsh
Publisher: Interlink Books
Published: 2010
Total Pages: 0
ISBN-13: 9780704371934
DOWNLOAD EBOOKEach era fosters its own myths, and in the process Elizabeth Siddal, the coppery-haired poet and painter changed from suicidal waif to ideal gentlewoman to feminist. Here, Jan Marsh enlarges on the life of one of the subjects of her earlier work, Pre-Raphaelite Sisterhood, and delineates the true story of Siddal as an artist in her own right.
Author: Jan Marsh
Publisher: Quartet Books (UK)
Published: 1989
Total Pages: 280
ISBN-13:
DOWNLOAD EBOOKAuthor: Anne Woolley
Publisher: Manchester University Press
Published: 2021-03-09
Total Pages: 327
ISBN-13: 1526143860
DOWNLOAD EBOOKA ground breaking new book that considers all Siddal poems with reference to female and primarily male counterparts, adding substantially to knowledge of her work as a writer, and their shared contemporary concerns. Dante Rossetti, Swinburne, Tennyson, Ruskin and Keats were either known to her or a source of influence on the Pre-Raphaelite Brotherhood with which she was associated, and certain of their texts are compared with hers to discuss interplay between erotic and spiritual love, the ballad tradition, nineteenth-century feminism, and the Romantic concept of the conjoined physical and spectral body. Siddal’s artwork is used to introduce each chapter, while other Pre-Raphaelite paintings illuminate the texts and further the inter-disciplinary philosophy of the Brotherhood. This important and stimulating book focuses on the intrinsic merit of Siddal’s poetics whilst advocating a research method that could have multiple applications elsewhere.
Author: Lucinda Dickens Hawksley
Publisher:
Published: 2023-08-04
Total Pages: 0
ISBN-13: 9781802797923
DOWNLOAD EBOOKThe supermodel did not arrive when Twiggy first donned false eyelashes; the concept began more than 100 years previously, with a young artists' model whose face captivated a generation. Saved from the drudgery of a working-class existence by a young Pre-Raphaelite artist, Lizzie Siddal rose to become one of the most famous faces in Victorian Britain and a pivotal figure of London's artistic world, until tragically ending her young life in a laudanum-soaked suicide in 1862. In the twenty-first century, even those who do not know her name always recognise her face: she is Millais's doomed Ophelia and Rossetti's beatified Beatrice. With many parallels in the modern-day world of art and fashion, this biography takes Lizzie from the background of Dante Rossetti's life and, finally, brings her to the forefront of her own.
Author: Elizabeth Eleanor Siddall
Publisher:
Published: 2018-08-31
Total Pages: 114
ISBN-13: 9781906469627
DOWNLOAD EBOOKEdited collection of Elizabeth Siddall's extant poems, including critical analysis, biographical commentary, and contextual material. Also features illustrations, some by Siddall herself.
Author: Tim Barringer
Publisher: Yale University Press
Published: 1999-01-01
Total Pages: 182
ISBN-13: 9780300077872
DOWNLOAD EBOOKThis illustrated book focuses on the Pre-Raphaelite artists and their radical departure from artistic conventions. Barringer explores the meanings encoded in Pre-Raphaelite paintings and analyses key pictures and their significance within the complex social and cultural matrix of 19th century Britain.
Author: Kate Forsyth
Publisher: Macmillan
Published: 2014-09-23
Total Pages: 587
ISBN-13: 1466847832
DOWNLOAD EBOOK“Full of palace intrigue, dark magic, romance, and lush, evocative descriptions, this is historical fiction at its finest.” —Library Journal, starred review The amazing power and truth of the Rapunzel fairy tale comes alive for the first time in this breathtaking tale of desire, black magic and the redemptive power of love French novelist Charlotte-Rose de la Force has been banished from the court of Versailles by the Sun King, Louis XIV, after a series of scandalous love affairs. At the convent, she is comforted by an old nun, Sœur Seraphina, who tells her the tale of a young girl who, a hundred years earlier, is sold by her parents for a handful of bitter greens . . . After Margherita’s father steals parsley from the walled garden of the courtesan Selena Leonelli, the famous muse of the artist Tiziano, he is threatened with having both hands cut off, unless he and his wife relinquish their precious little girl. Locked away in a tower, Margherita sings in the hope that someone will hear her. One day, a young man does. Award-winning author Kate Forsyth braids together the stories of Margherita, Selena, and Charlotte-Rose, the woman who penned Rapunzel as we now know it, to create a sumptuous historical novel and a loving tribute to the imagination of one remarkable woman. “Captivating.” —Kirkus Reviews “An absorbing, richly detailed, and heart-wrenching reimagining of a timeless fairytale.” —Jennifer Chiaverini, New York Times–bestselling author of Mrs. Lincoln’s Rival “A complex, dazzling achievement.” —Susan Vreeland, New York Times–bestselling author of Clara and Mr. Tiffany and Girl in Hyacinth Blue
Author: Jan Marsh
Publisher: National Portrait Gallery
Published: 2019
Total Pages: 0
ISBN-13: 9781855147270
DOWNLOAD EBOOKOverlooked stories of the female painters and subjects of Pre-Raphaelite art When the Pre-Raphaelite Brotherhood exhibited their first works in 1849 it heralded a revolution in British art. Styling themselves the "Young Painters of England," this group of young men aimed to overturn stale Victorian artistic conventions and challenge the previous generation with their startling colors and compositions. Think of the images created by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti and others in their circle, however, and it is not men but pale-faced young women with lustrous, tumbling locks that spring to mind, gazing soulfully from the picture frame or in dramatic scenes painted in glowing colors. Who were these women? What is known of their lives and their roles in a movement that spanned over half a century? Some were models, plucked from obscurity to pose for figures in Pre-Raphaelite paintings, while others were sisters, wives, daughters and friends of the artists. Several were artists themselves, with aspirations to match those of the men, sharing the same artistic and social networks yet condemned by their gender to occupy a separate sphere. Others inhabited and sustained a male-dominated art world as partners in production, maintaining households and studios and socializing with patrons. Some were skilled in the arts of interior decoration, dressmaking, embroidery, jewelry-making--the fine crafts that formed a supportive tier for the "higher" arts of painting and sculpture. Although their backgrounds and life experiences certainly varied widely, all were engaged in creating Pre-Raphaelite art. Containing over 100 beautifully reproduced images, Pre-Raphaelite Sisters illustrates the obscure stories of some of the movement's most familiar faces. "
Author: Elisabeth Bronfen
Publisher: Manchester University Press
Published: 1992
Total Pages: 484
ISBN-13: 9780719038273
DOWNLOAD EBOOKIn 1846, Edgar Allen Poe wrote that 'the death of a beautiful woman is, unquestionably, the most poetic topic in the world'. The conjuction of death, art and femininity forms a rich and disturbing strata of Western culture, explored here in fascinating detail by Elisabeth Bronfen. Her examples range from Carmen to Little Nell, from Wuthering Heights to Vertigo, from Snow White to Frankenstein. The text is richly illustrated throughout with thirty-seven paintings and photographs. The argument that this book presents is that narrative and visual representations of death can be read as symptoms of our culture and because the feminine body is culturally constructed as the superlative site of "other" and "not me", culture uses art to dream the deaths of beautiful women.
Author: Rita Cameron
Publisher: Kensington Publishing Corporation
Published: 2015-09-29
Total Pages: 369
ISBN-13: 1617738565
DOWNLOAD EBOOK"I'll never want to draw anyone else but you. You are my muse. Without you there is no art in me." With her pale, luminous skin and cloud of copper-colored hair, nineteen-year-old Lizzie Siddal looks nothing like the rosy-cheeked ideal of Victorian beauty. Working in a London milliner's shop, Lizzie stitches elegant bonnets destined for wealthier young women, until a chance meeting brings her to the attention of painter and poet Dante Gabriel Rossetti. Enchanted both by her ethereal appearance and her artistic ambitions--quite out of place for a shop girl--Rossetti draws her into his glittering world of salons and bohemian soirees. Lizzie begins to sit for some of the most celebrated members of the Pre-Raphaelite Brotherhood, posing for John Everett Millais as Shakespeare's Ophelia, for William Holman Hunt--and especially for Rossetti, who immortalizes her in countless paintings as his namesake's beloved Beatrice. The passionate visions Rossetti creates on canvas are echoed in their intense affair. But while Lizzie strives to establish herself as a painter and poet in her own right, betrayal, illness, and addiction leave her struggling to save her marriage and her sense of self. Rita Cameron weaves historical figures and vivid details into a complex, unconventional love story, giving voice to one of the most influential yet overlooked figures of a fascinating era--a woman who is both artist and inspiration, long gazed upon, but until now, never fully seen. An excerpt from Ophelia’s Muse Rossetti stood behind the canvas, pretending to study Deverell's painting while he admired its model. Despite Deverell's enthusiastic descriptions, Rossetti was completely unprepared for the glorious woman before him. She seemed to be from another age, as if she had sprung to life from an antique painting of an Italian saint. Seated before the window, her hair cast a slight golden glow in the afternoon sun, like a halo. She could not have been more perfect if he had sculpted her from marble with his own hands. Deverell claimed that he had found the perfect Viola, but this girl was far too beautiful to pose as some love-sick page. She was clearly meant to sit for the great heroines of history and myth, and Rossetti vowed to paint her as a queen. "Miss Siddal, has anyone ever told you that you were surely crafted by the gods in order to be painted? If you don't believe that yours is a beauty for the ages, you underestimate yourself." The force of his words struck Lizzie, and she wondered if he was serious, and if it could be true. Was this the thing that she had always been waiting for? Was she really meant to inspire great artists? Her head buzzed with the possibility, but the very allure of the idea felt dangerous. . .
