Funny, spooky, sexy, and literate, The Legacy of Emily Hargraves starts as a paranormal thriller and ends as a meditation on the nature of the human soul.
In 1936, a man was caught in a blizzard on Australia’s Bogong High Plains. Found unconscious by a search party, he was taken to the nearest township where an old aborigine woman made the cryptic comment, “They brought back only his body.” He died soon after. In the decades since, there have been reports of a lone figure seen wandering in the region. When approached, the man vanishes and no trace of him can be found. Almost 60 years later, a young American returns from Australia, exhausted after ten years on the front lines of the AIDS epidemic and haunted by dreams of the Bogong High Plains. He, too, is lost in a kind of blizzard, struggling to remember a time when life was about more than death. Plunging back into the heart of the epidemic by working at an AIDS organization in Portland, Oregon, he will eventually come to understand the old woman’s words and his mystic connection to the Bogong High Plains: When he returned to the States, he brought back only his body. The historical event known as the Mt. Bogong Tragedy is the seed for this fictional story about profound loss and profound healing. With expected pathos and unexpected humor, As If Death Summoned testifies to the power of grief to erode a life, and—for those who can find a way through their grief—the power to rebuild and renew it.
"I've often wondered, did anything happen to you at that camp?" his mother asked. "You came back...different." Successful financial advisor Peter Braddock's third marriage is on the rocks. All his wives have described him the same way: as handsome, charming, intelligent, and deadÑseemingly incapable of relating on a deeper emotional level. His mother's question stirs forgotten memories of when he was thirteen and went away to summer camp. As he seeks counseling in an attempt to save his marriage, Peter and his therapist begin to explore his suppressed memories of that summer and of his relationship to Father Scott, the camp director. Eventually, Peter will come to the conclusion that he was molested by the priest. But he is wrong; the truth is far worse. The Unforgiven is a complex psychological thriller that explores the relationship between memory and guilt, and how the forgotten past continues to bleed into one's present.
Reveals the systematic marginalization of women within pop culture fan communities When Ghostbusters returned to the screen in 2016, some male fans of the original film boycotted the all-female adaptation of the cult classic, turning to Twitter to express their disapproval and making it clear that they considered the film’s “real” fans to be white, straight men. While extreme, these responses are far from unusual, with similar uproars around the female protagonists of the new Star Wars films to full-fledged geek culture wars and harassment campaigns, as exemplified by the #GamerGate controversy that began in 2014. Over the past decade, fan and geek culture has moved from the margins to the mainstream as fans have become tastemakers and promotional partners, with fan art transformed into official merchandise and fan fiction launching new franchises. But this shift has left some people behind. Suzanne Scott points to the ways in which the “men’s rights” movement and antifeminist pushback against “social justice warriors” connect to new mainstream fandom, where female casting in geek-nostalgia reboots is vilified and historically feminized forms of fan engagement—like cosplay and fan fiction—are treated as less worthy than male-dominant expressions of fandom like collection, possession, and cataloguing. While this gender bias harkens back to the origins of fandom itself, Fake Geek Girls contends that the current view of women in fandom as either inauthentic masqueraders or unwelcome interlopers has been tacitly endorsed by Hollywood franchises and the viewer demographics they selectively champion. It offers a view into the inner workings of how digital fan culture converges with old media and its biases in new and novel ways.
From molecules to stars, much of the cosmic canvas can be painted in brushstrokes of primary color: the protons, neutrons, and electrons we know so well. But for meticulous detail, we have to dip into exotic hues—leptons, mesons, hadrons, quarks. Bringing particle physics to life as few authors can, Jeremy Bernstein here unveils nature in all its subatomic splendor. In this graceful account, Bernstein guides us through high-energy physics from the early twentieth century to the present, including such highlights as the newly discovered Higgs boson. Beginning with Ernest Rutherford’s 1911 explanation of the nucleus, a model of atomic structure emerged that sufficed until the 1930s, when new particles began to be theorized and experimentally confirmed. In the postwar period, the subatomic world exploded in a blaze of unexpected findings leading to the theory of the quark, in all its strange and charmed variations. An eyewitness to developments at Harvard University and the Institute for Advanced Study in Princeton, Bernstein laces his story with piquant anecdotes of such luminaries as Wolfgang Pauli, Murray Gell-Mann, and Sheldon Glashow. Surveying the dizzying landscape of contemporary physics, Bernstein remains optimistic about our ability to comprehend the secrets of the cosmos—even as its mysteries deepen. We now know that over eighty percent of the universe consists of matter we have never identified or detected. A Palette of Particles draws readers into the excitement of a field where the more we discover, the less we seem to know.
In Cooking Data Crystal Biruk offers an ethnographic account of research into the demographics of HIV and AIDS in Malawi to rethink the production of quantitative health data. While research practices are often understood within a clean/dirty binary, Biruk shows that data are never clean; rather, they are always “cooked” during their production and inevitably entangled with the lives of those who produce them. Examining how the relationships among fieldworkers, supervisors, respondents, and foreign demographers shape data, Biruk examines the ways in which units of information—such as survey questions and numbers written onto questionnaires by fieldworkers—acquire value as statistics that go on to shape national AIDS policy. Her approach illustrates how on-the-ground dynamics and research cultures mediate the production of global health statistics in ways that impact local economies and formulations of power and expertise.
Greenwich Village coffeehouse manager Clare Cosi is rolling with a popular new trend, until someone close to her is driven to kill… The Village Blend’s Muffin Muse coffee truck is all the rage. But a fatal hit-and-run and a shocking death at a food truck–catered wedding give Clare a clue that something bitter is brewing. Then she opens a bag of imported coffee beans and finds ten pounds of rocks—the kind that will earn you a twenty-year jail sentence. Is her ex-husband and business partner smuggling Brazilian crack? Is her staff now in danger? To clear up this murky brew, Clare must sweet-talk two federal agents, dupe a drug kingpin, stake out a Dragon Boat festival, and teach a cocky young undercover cop how to pull the perfect espresso—all while keeping herself and her baristas out of hot water. Coffee. It can get a girl killed.