"A lighthearted and delightful tour de force" (The Washington Times). A romantic and suspenseful epistolary novel about a group of people trying to make a movie about Moses in the present day, The Lawgiver is a story that emerges from letters, memos, e-mails, journals, news articles, Skype transcripts, and text messages. At the center of The Lawgiver is Margo Solovei, a brilliant young writer-director who has rejected her rabbinical father’s strict Jewish upbringing to pursue a career in the arts. When an Australian multibillionaire promises to finance a movie about Moses, Margo does everything she can to land the job, including reunite with her estranged first love, an influential lawyer with whom she still has unfinished business. Two other key characters in the novel are Herman Wouk himself and his wife of more than sixty years, Betty Sarah, who, almost against their will, find themselves entangled in the movie. As Wouk and his characters contend with Moses and marriage, the force of tradition, rebellion and reunion, The Lawgiver reflects the wisdom of a lifetime. Inspired by the great nineteenth-century novelists, one of America’s most beloved twentieth-century authors has now written a remarkable twenty-first-century work of fiction.
Examines the men who brought laws to the early Greek city states, as an introduction both to the development of law and to the basic issues in early legal practice. This book is an introduction to the establishment of law in ancient Greece. It is written for late school and early university students.
A collection of stories intended to be told, drawn from a variety of traditions including European, African, and contemporary American. Includes tips on such aspects of storytelling as voice patterns, body expression, and audience participation.
Francisco Suárez was a principal figure in the transition from scholastic to modern natural law, summing up a long and rich tradition and providing much material both for adoption and controversy in the seventeenth century and beyond. Most of the selections translated in this volume are from On the Laws and God the Law-Giver (De legibus ac Deo legislatore, 1612), a work that is considered one of Suárez’s greatest achievements. Working within the framework originally elaborated by Thomas Aquinas, Suárez treated humanity as the subject of four different laws, which together guide human beings toward the ends of which they are capable. Suárez achieved a double objective in his systematic account of moral activity. First, he examined and synthesized the entire scholastic heritage of thinking on this topic, identifying the key issues of debate and the key authors who had formulated the different positions most incisively. Second, he went beyond this heritage of authorities to present a new account of human moral action and its relationship to the law. Treading a fine line between those to whom moral directives are purely a matter of reason and those to whom they are purely a matter of a commanding will, Suárez attempted to show how both human reason and the command of the lawgiver dictate the moral space of human action. The Liberty Fund edition is a revised version of that prepared for the Carnegie Endowment for International Peace by translators Gwladys L. Williams, Ammi Brown, and John Waldron, with revisions by Henry Davis, S. J. Francisco Suárez (1548-1617), a Jesuit priest, was professor of theology at the University of Salamanca in Spain. Annabel S. Brett is a Fellow, Tutor, and University Lecturer in History at Gonville and Caius College, Cambridge. Knud Haakonssen is Professor of Intellectual History at the University of Sussex, England.
The biblical figure of Moses has been the center of fascination for over 2,000 years, but what do we actually know about him? Was he a real person? Did the Exodus truly happen? Or is the story in the Pentateuch a mythical account written centuries after the alleged events? Why does Moses's story resemble that of other, older lawgivers and legendary predecessors? Why are there so many elements of sun and wine god myths in the tale of Moses? What does the focus on the serpent in his story signify? Who were Yahweh and the Elohim? Did Moses Exist? includes: Maps and 126 illustrations Extensive bibliography, table of contents and index Hundreds of footnotes and citations from primary sources in multiple languages Best modern scholarship from credentialed authorities Did Moses Exist? provides a massive amount of information from antiquity about the world's religious traditions and mythology, including how solar myths, wine cultivation and fertility cults have shaped the Bible and Judaism. This book may be the most comprehensive study to date, using the best scholarship and state-of-the-art research methods. "The existence of Moses as well as the veracity of the Exodus story is disputed amongst archaeologists and Egyptologists, with experts in the field of biblical criticism citing logical inconsistencies, new archaeological evidence, historical evidence and related origin myths in Canaanite culture." --"Moses," Wikipedia "There is no historical evidence outside of the Bible, no mention of Moses outside the Bible, and no independent confirmation that Moses ever existed." --Dr. Michael D. Coogan, lecturer on the Old Testament at Harvard Divinity School "We cannot be sure that Moses ever lived because there are no traces of his earthly existence outside of tradition." --Egyptologist Dr. Jan Assmann, Moses the Egyptian "The life of Moses contains elements--canonical and apocryphal--that mark him as a true mythic hero, and certainly he is Judaism's greatest hero and the central figure in Hebrew mythology." --Dr. David Leeming, The Oxford Companion to World Mythology "...the stories of the creation, of the flood, of Abraham, of Jacob, of the descent into and the exodus from Egypt, of the career of Moses and the Jews in the desert, of Joshua and his soldiers, of the judges and their clients, are all apocryphal, and were fabricated at a late period of Jewish history." --Dr. Thomas Inman, Ancient Faiths and Modern Table of Contents List of Illustrations Preface Introduction Who Wrote the Pentateuch? Was Moses an Egyptian Pharaoh or Priest? The Exodus as History? The Exodus in Ancient Literature Hyksos and Lepers Who Were the Israelites? The Exodus as Myth The Lawgiver Archetype The Dionysus Connection The Life of Dionysus The Vine and Wine The Great God Sun Yahweh and the Sun Moses as Solar Hero Conclusion Bibliography Index
This book offers the first comprehensive close reading in any language of the complete works of Charles Baudelaire (1821-1867). Taking full account of his critical writings on literature and the fine arts, it provides fresh readings of Les Fleurs du Mal and Le Spleen de Paris. It situates these works within the context of nineteenth-century French literature and culture and reassesses Baudelaire's reputation as the 'father' of modern poetry. Whereas he is traditionally considered to have rejected the public role of the writer as moralist, educator, and political leader and to have dedicated himself instead to the exclusive pursuit of beauty in art, this book contends not only that he rejected Art for Art's sake but that he saw in 'beauty'—defined not as an inherent quality but as an effect of harmony and rich conjecture—an alternative ethos with which to resist the tyrannies of ideology and conformism. Contrarian in his thinking and provocatively innovative in his poetic practice, Baudelaire fell foul of the law when six poems in Les Fleurs du Mal (1857) were banned for obscenity. In the second edition (1861), substantially recast and enlarged, the poet as alternative lawgiver made plainer still his resistance to the orthodoxies of his day. In a series of major critical articles he proclaimed the 'government of the imagination', while from 1855 until his death he developed an alternative literary form, the prose poem—a thing of beauty and an invitation to imagine the world afresh, to make our own rules.
