The twisted, but fascinating, mind of a serial killer is revealed with terrifying consequences in this astonishing and shocking exploration. with 20 b&w photos.
Dr Charlotte Stone sees what others do not. An expert in criminal pathology, Charlie regularly sits face-to-face with madmen. She's been obsessed with learning what makes human monsters commit terrible crimes since she was sixteen, when a man butchered the family of her best friend Holly, then left the girl's body on a seaside boardwalk one week later. Charlie kept quiet about her eerie postmortem visions of Holly and her mother. And even years later, knowing it might undermine her credibility as a psychological expert, she tells no one about the visits she gets from the spirit world. Now all-too-handsome FBI agent Tony Bartoli suspects the Boardwalk Killer is back. A teenage girl is missing, her family slaughtered. With time running short for the innocent girl, Bartoli turns to the only person who could stop this vicious murderer. But Dr. Charlotte Stone sees what others do not. And she sees the Boardwalk Killer coming for her.
When a young hunting guide from a remote island in Alaska is found brutally murdered, his naked body is discovered in the Cascade Mountains outside Seattle—the shocking pinnacle to a grisly Totem of body parts. Nathan Applewhite is the fourteenth victim of a cunning serial killer who targets and stalks young men. With the body count escalating, FBI profiler Ryker Townsend and his specialized team investigate the gruesome crime scene. They find no reason for Nate to have mysteriously vanished from his isolated home in Alaska before he ended up in the hands of a sadist, who has been taunting Ryker and his team in a sinister game of catch me if you can. But Townsend has a secret he won’t share with anyone—not even his own team—that sets him on the trail of a ruthless psychopath, alone. The intuitive FBI profiler is plagued by recurring nightmares—seen through Nate’s dead eyes—that slowly chips away at his mental stability. Is he burning out and losing his mind—becoming unfit for duty—or is the last victim reaching out to him from the grave? Townsend sees horrific flashes of memory, imprinted on the retinas of a dead man, the last image Applewhite saw when he died. Ryker must piece together the fragments. Each nightmarish clue brings him closer to a killer who knows how to hide in plain sight and will see him coming, but when the dead man has the skills of a hunting guide, he has the perfect ally to track down a killer—the last victim.
"In this work of nonfiction, Elon Green reports on a series of baffling and brutal crimes. The victims of the serial murderer dubbed the 'Last Call Killer' were all gay men, and Green tries to shine a light onto their complicated lives and the queer community in New York City in the 1980s and 1990s as well. Peter Stickney Anderson was the first of the known victims"-- Adapted from the publisher's description.
With friends like these, who needs enemies? A twisting psychological thriller about what lies behind a marriage’s façade—and the deadly results . . . Hazel and Jamie are happily married. Or so it would seem. Behind closed doors, things are far from normal. Jamie has an unhealthy obsession, and Hazel is more worried about herself than her husband. So when Millicent injects herself into their lives, with Jamie firmly in her sights, the trio end up on a path that will end in death. Everyone has secrets. Everyone has a dark side. But who is good, who is bad, and who is going to get away with murder?
Before he attained notoriety as Dean of the Hollywood Ten—the blacklisted screenwriters and directors persecuted because of their varying ties to the Communist Party—John Howard Lawson had become one of the most brilliant, successful, and intellectual screenwriters on the Hollywood scene in the 1930s and 1940s, with several hits to his credit including Blockade, Sahara, and Action in the North Atlantic. After his infamous, almost violent, 1947 hearing before the House Un-American Activities Committee, Lawson spent time in prison and his lucrative career was effectively over. Studded with anecdotes and based on previously untapped archives, this first biography of Lawson brings alive his era and features many of his prominent friends and associates, including John Dos Passos, Theodore Dreiser, F. Scott Fitzgerald, Charles Chaplin, Gene Kelly, Edmund Wilson, Ernest Hemingway, Humphrey Bogart, Dalton Trumbo, Ring Lardner, Jr., and many others. Lawson's life becomes a prism through which we gain a clearer perspective on the evolution and machinations of McCarthyism and anti-Semitism in the United States, on the influence of the left on Hollywood, and on a fascinating man whose radicalism served as a foil for launching the political careers of two Presidents: Richard Nixon and Ronald Reagan. In vivid, marvelously detailed prose, Final Victim of the Blacklist restores this major figure to his rightful place in history as it recounts one of the most captivating episodes in twentieth century cinema and politics.
The Nazis' Last Victims articulates and historically scrutinizes both the uniqueness and the universality of the Holocaust in Hungary, a topic often minimized in general works on the Holocaust. The result of the 1994 conference at the United States Holocaust Memorial Museum on the fiftieth anniversary of the deportation of Hungarian Jewry, this anthology examines the effects on Hungary as the last country to be invaded by the Germans. The Nazis' Last Victims questions what Hungarians knew of their impending fate and examines the heightened sense of tension and haunting drama in Hungary, where the largest single killing process of the Holocaust period occurred in the shortest amount of time. Through the combination of two vital components of history writing—the analytical and the recollective—The Nazis' Last Victims probes the destruction of the last remnant of European Jewry in the Holocaust.
Captain Patti O'Shay, a by-the-books cop, is assigned to the case. But with the evidence lost to time and the elements, the heinous incident goes unsolved. The perpetrator, known only as "The Handyman," remains at large. Two years later Patti is still haunted by her own personal tragedy—her husband and fellow police captain was murdered in the post-storm chaos. But when a female victim missing her right hand is unearthed, Patti prepares to return to The Handyman investigation. She is unprepared, however, for what she finds at the crime scene—the victim's bones beside her husband's police badge. Casting aside all the rules, Patti is fearless in her quest to find the truth…because if she isn't, she could become The Handyman's last known victim.