Tagcog is a cyborg with no money, no resources and no tiime. He's due for deactivation due to his parts being old and unable to be fixed. A favor asked of him to go around town with a little girl who just became a cyborg herself is the last thing he wants to do on his last day. He admires her innocence though as they go around town, and he may just open up to her about everything he's going through
One of Vol. 1 Brooklyn's Favorite Fiction Books of 2017, a Literary Hub Staff Favorite Book of 2017, and one of BOMB Magazine's "Looking Back on 2017: Literature" Selections. "Wondrous . . . [A] sense of the erratic and tangential quality of everyday life—even if it’s displaced into a bizarre, parallel world—drifts off the page, into the world you see, after reading Dear Cyborgs." —Hua Hsu, The New Yorker In a small Midwestern town, two Asian American boys bond over their outcast status and a mutual love of comic books. Meanwhile, in an alternative or perhaps future universe, a team of superheroes ponder modern society during their time off. Between black-ops missions and rescuing hostages, they swap stories of artistic malaise and muse on the seemingly inescapable grip of market economics. Gleefully toying with the conventions of the novel, Dear Cyborgs weaves together the story of a friendship’s dissolution with a provocative and timely meditation on protest. Through a series of linked monologues, a lively cast of characters explores narratives of resistance—protest art, eco-terrorists, Occupy squatters, pyromaniacal militants—and the extent to which any of these can truly withstand and influence the cold demands of contemporary capitalism. All the while, a mysterious cybernetic book of clairvoyance beckons, and trusted allies start to disappear. Entwining comic-book villains with cultural critiques, Eugene Lim’s Dear Cyborgs is a fleet-footed literary exploration of power, friendship, and creativity. Ambitious and knowing, it combines detective pulps, subversive philosophy, and Hollywood chase scenes, unfolding like the composites and revelations of a dream.
"It's easier to imagine the end of the world than the end of capitalism," said philosopher Frederic Jameson. In Jordan A. Rothacker's The Death of the Cyborg Oracle the former has led to the latter. It's 2220 and climate catastrophe has made most of the earth uninhabitable. In this future, domed Atlanta, solar energy has ended want, but socialism would be more fun if the guilt of capitalism's role in the destruction of earth wasn't inherited by its descendants. Out of this void all goddesses and gods are reborn for worship, monotheism is verboten, and crime is divided into Sacred and Profane. Meet Assistant Sacred Detective Edwina Casaubon, she's just transferred from Profane and working with the legendary Sacred Detective Rabbi Jakob "Thinkowitz" Rabbinowitz. And not a moment too soon, someone has murdered the Oracle of Delphi. "Rothacker's The Death of The Cyborg Oracle is wildly creative, transgressive, and hilarious. With its dystopian futurism, dual critiques of capitalism and Christianity, the book feels beamed in from the future." - John Vanderslice, musician, producer, Pixel Revolt "When I read through The Death of the Cyborg Oracle, I wept. Not from sadness, but from its comforting familiarity and universalism during our times of chaos, anxiety, destruction, and uncertainty. Jordan A. Rothacker's treatment of themes ranging from science fiction to religion, and mythology to ontology provides hope in a time of despair, and a call for rebirth and regeneration while we stare at the possibility of our own dystopian future. Most of all, The Death of the Cyborg Oracle-through its stunning prose and flow-calls on us to examine, understand, and utilize the past to work for a better present." - Adam Shprintzen, historian, The Vegetarian Crusade "When the Profane prophet Alfred North Whitehead made that comment about footnotes and Plato, he could not have foreseen that The Death of the Cyborg Oracle would be the ideal embodiment of Platonic mythmaking. Set after the destruction of one Amazon and the dismantling of another, Rothacker's prescient fiction laments and celebrates our all too human blindnesses and insights. Like the eagle-like eyes of Detective Rabbi Jakob "Thinkowitz" Rabbinowitz, it felt like this book was reading and writing me all at once. Its particular mix of knowing tragedy and anarchic hope will continue to resonate long after closing its pages, like the thud of realization made by a brick of marble thrown into the hole of Tartarus." - Minus Plato, author of No Philosopher King: An Everyday Guide to Art and Life under Trump "Jordan A. Rothacker has written a holy lamb in wolf's clothing with this short novel-on the surface we have a futuristic detective yarn centred on a gruesomely violent murder, but at its heart it's a treatise on the destructive power of unfettered capitalism and the redemptive magic of faith on both a personal and community level." - Matt Neil Hill, writer, Invert/Extant press "In a time when we are all pickled in these moments and days, Jordan Rothacker's engrossing work allows us to imagine a world beyond this one." - Kelly Girtz, Mayor, Athens, Ga "A solar noir intrigue, complete with climate apocalypse, capitalism abandoned, and the murder of the Oracle at Delphi. Rothacker's bold intelligence and fleet styling will elevate and mesmerize you. Simultaneously a thrilling page turner, and a brilliant critical inquiry as to our time and our future. Smart, creative, prescient." - John Reed, author of Snowball's Chance and All the World's a Grave. "A deeply satisfying, intensely flavored stew of ancient myths and Hebrew iconoclasm, served warm in a glass postmodern bowl. I found it very comforting, especially in its humane account of genders and gods. If this is the future, we don't do as badly as we deserve." - Peter Gardella, religion scholar, author of Innocent Ecstasy and American Civil Religion
Cyborg Steve Austin, linked symbiotically to his own space vehicle, is sent to identify and remedy the inexplicable failure in the USAF reconnaisance satellites monitoring Soviet military installations
A deadly circus competition. A tinkerer tasked with removing the losing cyborgs' implants. Who is she to protect when she falls for both the handsome ringleader and a beautiful acrobat?
This book looks at the representation of the body in culture from a feminist perspective. Subjects covered include bodybuilding, cosmetic surgery, and cyberculture.
Queen Levana is a ruler who uses her 'glamour' to gain power. but long before she crossed paths with Cinder, Scarlet, and Cress, Levana lived a very different story - a story that has never been told ... until now.
The Cyborg Caribbean examines a wide range of twenty-first-century Cuban, Dominican, and Puerto Rican science fiction texts, arguing that authors from Pedro Cabiya, Alexandra Pagan-Velez, and Vagabond Beaumont to Yasmin Silvia Portales, Erick Mota, and Yoss, Haris Durrani, and Rita Indiana Hernandez, among others, negotiate rhetorical legacies of historical techno-colonialism and techno-authoritarianism. The authors span the Hispanic Caribbean and their respective diasporas, reflecting how science fiction as a genre has the ability to manipulate political borders. As both a literary and historical study, the book traces four different technologies—electroconvulsive therapy, nuclear weapons, space exploration, and digital avatars—that have transformed understandings of corporality and humanity in the Caribbean. By recognizing the ways that increased technology may amplify the marginalization of bodies based on race, gender, sexuality, and other factors, the science fiction texts studied in this book challenge oppressive narratives that link technological and sociopolitical progress. .
