This work is a presentation of early photographs, history and genealogy. People who lived through the revolutionary war and their children, also alive at the time, are the subjects of the history.
Aint he the one killed Lee and Frank Lewis over some Mormon . . . a girl? Joey was careful not to say what he was thinking. It was Judge that said all women were whores, and a lot of Mormon women were real pretty whores, especially Clara Williams, even if she was Jeremiah Becks! Joey certainly wasnt afraid of Jeremiah Beck, even if his Uncle Jim had said Jeremiah Beck was dangerous! Nonetheless, unsure if Nate and Patrick would back him, Joey didnt move. If I know Frank and Lee . . . they asked for it. Leave him to Clay . . . or Windel after Windel grows up . . . Jim Davis turned to face Jeremiah. That right . . . old friend . . . I mean about Frank and Lee asking for it? You know me. Id never kill a man aint tried me . . . Jeremiahs feet were set, and his open coat revealed his two pistols. Apart from Mexico . . . when we all had to kill without giving a man a chance . . . but even then you never liked it none . . . Not like Judge. He always said killings . . . killing! If he was here . . . you know he wouldnt agree with me stopin the boys. He and Frank was real close . . . dont matter none that Frank asked for what he got . . .
This collection of images assigns faces to an un-illustrated war and tells the stories of our nation's Founding Fathers and Mothers. It is a much-needed contribution to the history of the American Revolution, the history of the early Republic, and the history of photography.
Biographical sketches of six veterans of the American Revolutionary War still alive during the American Civil War : Samuel Downing (2nd New Hampshire Regiment) -- Daniel Waldo (Connecticut Militia) -- Lemuel Cook (2nd Dragoons) -- Alexander Milliner (1st New York Regiment) -- William Hutchings (Massachusetts Militia) -- Adam Link (Pennsylvania Militia).
The Last Muster is set on a cattle station on Bunuba country in the Kimberley district of Western Australia. It follows the adventures of two teenagers, one of Bunuba heritage and one European. They come across a herd of wild brumbies and a mysterious hidden valley as they struggle together to find a way for both their families to stay on the country they love.
The Revolutionary War has divided the country. Angry rumblings of "no taxation without representation" surround you. You dream of a new country and crave independence from Britain. But do you have the courage to act on your feelings? Are you willing to risk your life for your beliefs? These are the stories of courageous women who did just that.
Combining behind-the-scenes coverage of an often besieged religious group with a personal account of one woman's struggle to find meaning in it, Betrayal of the Spirit takes readers to the center of life in the Hare Krishna movement. Nori J. Muster joined the International Society of Krishna Consciousness (ISKCON)--the Hare Krishnas--in 1978, shortly after the death of the movement's spiritual master, and worked for ten years as a public relations secretary and editor of the organization's newspaper, the ISKCON World Review. In this candid and critical account, Muster follows the inner workings of the movement and the Hare Krishnas' progressive decline. Combining personal reminiscences, published articles, and internal documents, Betrayal of the Spirit details the scandals that beset the Krishnas--drug dealing, weapons stockpiling, deceptive fundraising, child abuse, and murder within ISKCON–as well as the dynamics of schisms that forced some 95 percent of the group's original members to leave. In the midst of this institutional disarray, Muster continued her personal search for truth and religious meaning as an ISKCON member until, disillusioned at last with the movement's internal divisions, she quit her job and left the organization. In a new preface to the paperback edition, Muster discusses the personal circumstances that led her to ISKCON and kept her there as the movement's image worsened. She also talks about "the darkest secret"–child abuse in the ISKCON parochial schools--that was covered up by the public relations office where she worked.
'One day there is life . . . and then, suddenly, it happens there is death.' So begins Paul Auster's moving and personal meditation on fatherhood. The first section, 'Portrait of an Invisible Man', reveals Auster's memories and feelings after the death of his father. In 'The Book of Memory' the perspective shifts to Auster's role as a father. The narrator, 'A', contemplates his separation from his son, his dying grandfather and the solitary nature of writing and story-telling.