“Fire Season both evokes and honors the great hermit celebrants of nature, from Dillard to Kerouac to Thoreau—and I loved it.” —J.R. Moehringer, author of The Tender Bar “[Connors’s] adventures in radical solitude make for profoundly absorbing, restorative reading.” —Walter Kirn, author of Up in the Air Phillip Connors is a major new voice in American nonfiction, and his remarkable debut, Fire Season, is destined to become a modern classic. An absorbing chronicle of the days and nights of one of the last fire lookouts in the American West, Fire Season is a marvel of a book, as rugged and soulful as Matthew Crawford’s bestselling Shop Class as Soulcraft, and it immediately places Connors in the august company of Edward Abbey, Annie Dillard, Aldo Leopold, Barry Lopez, and others in the respected fraternity of hard-boiled nature writers.
H Is for Hawk meets Joan Didion in the Pyrocene in this arresting combination of memoir, natural history, and literary inquiry that chronicles one woman’s experience of life in Northern California during the worst fire season on record. A MOST-ANTICIPATED BOOK: The New York Times, The Los Angeles Times, The San Francisco Chronicle, The Saturday Evening Post, Poets & Writers, The Millions, Alta, Heat Map News Told in luminous, perceptive prose, The Last Fire Season is a deeply incisive inquiry into what it really means—now—to live in relationship to the elements of the natural world. When Manjula Martin moved from the city to the woods of Northern California, she wanted to be closer to the wilderness that she had loved as a child. She was also seeking refuge from a health crisis that left her with chronic pain, and found a sense of healing through tending her garden beneath the redwoods of Sonoma County. But the landscape that Martin treasured was an ecosystem already in crisis. Wildfires fueled by climate change were growing bigger and more frequent: each autumn, her garden filled with smoke and ash, and the local firehouse siren wailed deep into the night. In 2020, when a dry lightning storm ignited hundreds of simultaneous wildfires across the West and kicked off the worst fire season on record, Martin, along with thousands of other Californians, evacuated her home in the midst of a pandemic. Both a love letter to the forests of the West and an interrogation of the colonialist practices that led to their current dilemma, The Last Fire Season, follows her from the oaky hills of Sonoma County to the redwood forests of coastal Santa Cruz, to the pines and peaks of the Sierra Nevada, as she seeks shelter, bears witness to the devastation, and tries to better understand fire’s role in the ecology of the West. As Martin seeks a way to navigate the daily experience of living in a damaged body on a damaged planet, she comes to question her own assumptions about nature and the complicated connections between people and the land on which we live.
H Is for Hawk meets Joan Didion in the Pyrocene in this arresting combination of memoir, natural history, and literary inquiry that chronicles one woman’s experience of life in Northern California during the worst fire season on record. A MOST-ANTICIPATED BOOK: The New York Times, The Los Angeles Times, The San Francisco Chronicle, The Saturday Evening Post, Poets & Writers, The Millions, Alta, Heat Map News Told in luminous, perceptive prose, The Last Fire Season is a deeply incisive inquiry into what it really means—now—to live in relationship to the elements of the natural world. When Manjula Martin moved from the city to the woods of Northern California, she wanted to be closer to the wilderness that she had loved as a child. She was also seeking refuge from a health crisis that left her with chronic pain, and found a sense of healing through tending her garden beneath the redwoods of Sonoma County. But the landscape that Martin treasured was an ecosystem already in crisis. Wildfires fueled by climate change were growing bigger and more frequent: each autumn, her garden filled with smoke and ash, and the local firehouse siren wailed deep into the night. In 2020, when a dry lightning storm ignited hundreds of simultaneous wildfires across the West and kicked off the worst fire season on record, Martin, along with thousands of other Californians, evacuated her home in the midst of a pandemic. Both a love letter to the forests of the West and an interrogation of the colonialist practices that led to their current dilemma, The Last Fire Season, follows her from the oaky hills of Sonoma County to the redwood forests of coastal Santa Cruz, to the pines and peaks of the Sierra Nevada, as she seeks shelter, bears witness to the devastation, and tries to better understand fire’s role in the ecology of the West. As Martin seeks a way to navigate the daily experience of living in a damaged body on a damaged planet, she comes to question her own assumptions about nature and the complicated connections between people and the land on which we live.
"Devilishly funny and endlessly inventive." —Jess Walter, #1 New York Times bestselling author Beautiful Ruins A Publisher’s Weekly Summer Reads Staff Pick One of Lit Hub’s “35 Novels You Need to Read This Summer” "An arresting take on magic, science, disaster, and salvation that’s eerily resonant with the fire seasons we find ourselves living through today." —Anna North, author of New York Times bestseller Outlawed "Darkly funny, deliciously devious and hugely inventive, a magical twist on the allure of the American West." —Good Housekeeping The propulsive story of three scheming opportunists—a banker, a conman, and a woman with an extraordinary gift—whose lives collide in the wake of a devastating fire in the American West For the citizens of Spokane Falls, the fire of 1889 that destroyed their frontier boomtown was no disaster; it was an opportunity. Barton Heydale, manager of the only bank in Spokane Falls, is on the verge of ending his short, unpopular life. But when his city goes up in flames, he sees an ember of hope shimmering on the horizon, headed right for him. As citizens flock to the bank to cash out insurance policies and take out loans, he realizes he can command the power he craves—and it’s not by following the rules. Here is his reason to live. When Quake Auchenbaucher, a career con man hired to investigate the cause of the fire, arrives in Spokane Falls, he employs his usual shady tactics. But this time, with Washington Territory vying for statehood, the sudden attention to due process jeopardizes Quake’s methods of manipulation. And then there’s Roslyn Beck, whose uncanny ability to see the future has long driven her to drink, and with whom both Barton and Quake have fallen madly and dangerously in love. She is known as a “certain kind of woman,” in possession of unique talents and influence, if only she can find the right ways to wield them. As their paths collide, diverge, and collide again, Barton, Quake, and Roslyn come to terms with their own needs for power, greed, and control, leading one to total ruin, one to heartbreak, and one, ultimately, to redemption. With masterful precision, devious originality, and dark whimsy, Fire Season freshly imagines the greed and misogyny of the American West to tell a rollicking, bewitching story about finding purpose in the face of injustice.
A journalist goes behind-the-scenes to explore the lives of smokejumpers and wilderness firefighters, following the fire season of 2001, during which fires across the West devastated thousands of acres and took the lives of four firefighters.
Get the Summary of Manjula Martin's The Last Fire Season in 20 minutes. Please note: This is a summary & not the original book. "The Last Fire Season" by Manjula Martin is a deeply personal and reflective account of living amidst the threat of wildfires in Northern California. Martin, awakened by a dry lightning storm, prepares to evacuate her forested hillside home, packing essentials and relying on a local volunteer fire department for protection. The year 2020 brings a series of crises, including the pandemic, climate change, and political unrest, exacerbating her anxiety as wildfires rage nearby...
In this important new collection of essays on the region, Stephen J. Pyne colorfully explores the ways the region has approached fire management. Florida has long resisted national models of fire suppression in favor of prescribed burning, for which it has ideal environmental conditions and a robust culture. Out of this heritage the fire community has created institutions to match. The Tallahassee region became the ignition point for the national fire revolution of the 1960s. Today, it remains the Silicon Valley of prescription burning. How and why this happened is the topic of a fire reconnaissance that begins in the panhandle and follows Floridian fire south to the Everglades.
A collection of essays from today’s most acclaimed authors—from Cheryl Strayed to Roxane Gay to Jennifer Weiner, Alexander Chee, Nick Hornby, and Jonathan Franzen—on the realities of making a living in the writing world. In the literary world, the debate around writing and commerce often begs us to take sides: either writers should be paid for everything they do or writers should just pay their dues and count themselves lucky to be published. You should never quit your day job, but your ultimate goal should be to quit your day job. It’s an endless, confusing, and often controversial conversation that, despite our bare-it-all culture, still remains taboo. In Scratch, Manjula Martin has gathered interviews and essays from established and rising authors to confront the age-old question: how do creative people make money? As contributors including Jonathan Franzen, Cheryl Strayed, Roxane Gay, Nick Hornby, Susan Orlean, Alexander Chee, Daniel Jose Older, Jennifer Weiner, and Yiyun Li candidly and emotionally discuss money, MFA programs, teaching fellowships, finally getting published, and what success really means to them, Scratch honestly addresses the tensions between writing and money, work and life, literature and commerce. The result is an entertaining and inspiring book that helps readers and writers understand what it’s really like to make art in a world that runs on money—and why it matters. Essential reading for aspiring and experienced writers, and for anyone interested in the future of literature, Scratch is the perfect bookshelf companion to On Writing, Never Can Say Goodbye, and MFA vs. NYC.
"Frightening...Firestorm comes alive when Struzik discusses the work of offbeat scientists." —New York Times Book Review "Comprehensive and compelling." —Booklist "A powerful message." —Kirkus "Should be required reading." —Library Journal For two months in the spring of 2016, the world watched as wildfire ravaged the Canadian town of Fort McMurray. Firefighters named the fire “the Beast.” It acted like a mythical animal, alive with destructive energy, and they hoped never to see anything like it again. Yet it’s not a stretch to imagine we will all soon live in a world in which fires like the Beast are commonplace. A glance at international headlines shows a remarkable increase in higher temperatures, stronger winds, and drier lands– a trifecta for igniting wildfires like we’ve rarely seen before. This change is particularly noticeable in the northern forests of the United States and Canada. These forests require fire to maintain healthy ecosystems, but as the human population grows, and as changes in climate, animal and insect species, and disease cause further destabilization, wildfires have turned into a potentially uncontrollable threat to human lives and livelihoods. Our understanding of the role fire plays in healthy forests has come a long way in the past century. Despite this, we are not prepared to deal with an escalation of fire during periods of intense drought and shorter winters, earlier springs, potentially more lightning strikes and hotter summers. There is too much fuel on the ground, too many people and assets to protect, and no plan in place to deal with these challenges. In Firestorm, journalist Edward Struzik visits scorched earth from Alaska to Maine, and introduces the scientists, firefighters, and resource managers making the case for a radically different approach to managing wildfire in the 21st century. Wildfires can no longer be treated as avoidable events because the risk and dangers are becoming too great and costly. Struzik weaves a heart-pumping narrative of science, economics, politics, and human determination and points to the ways that we, and the wilder inhabitants of the forests around our cities and towns, might yet flourish in an age of growing megafires.
Haunted. Scarred. Alone. And the nightmare's just beginning. Of all the end-of-the-world places he could have run to after he was burned, Miles McEwan chose Ross River. Buried deep in the vast wilderness of the Yukon, it seemed the perfect place to escape the past. Best of all, he could carry on doing what he did best--fighting fire. But five years on, Miles is still troubled by two phantoms of his previous life: the young man whose agonizing death preys on his conscience, and the woman he abandoned as a consequence. And in the dark forest around Ross River, fire and violence are brewing. As a small blaze becomes an inferno, a group of bear trackers is about to encounter nature in its wildest form. Elsewhere a killer is going about his work, quietly and ruthlessly. As the survivors of the hunting party are picked off one by one and fire rages through the mountains, Miles embarks on a desperate rescue mission, driven by love for a daughter who, until this dangerous summer, had been a perfect stranger. A remarkable work, The Wildfire Season is an edgy psychological thriller, a supernatural chiller, a terrifying tale of untamed nature, and an unusual--and unusually moving--story of what one can choose to endure in the name of love.
