The Martians were on the rampage all across Queen Victoria's Britain. Nothing man possessed could stop them. But then the huge fighting machines began to slow down and lumber to a halt. One by one, the Martians inside the giant tripod machines began to die. Soon there were just scattered and failing remnants of the once-mighty tripods wandering here and there among the derelict monuments. Even the red weed was dying as Mother Earth began to reclaim her own. The human survivors became emboldened and they emerged from the hiding places intent on fighting back.
Sister Ciara has a high powered hunting rifle, a lot of ammunition and a robust attitude problem towards Martians. With two trusted odd-ball accomplices, she will complete her task.Victorian London lies in ruins under the onslaught of the Martian fighting machines. In turn, the Martians begin to succumb to the many blights Mother Earth can offer. Soon, most of the diseased aliens are dead. The tripod fighting machines lay dormant in vast numbers amid the post-apocalyptic landscape. However, for the human survivors of the Sewer Sanctuary, the surface is still unsafe. The threat remains of a few Martian survivors. They are still hunting inside their colossal machines. They still need to feed while the humans still need to forage amid the ruins. It has become a game of cat and mouse. The surviving humans are becoming adaptable and more resourceful. Among them is a devoted lady of the cloth. A middle-aged nun from County Mayo, Ireland. Our Lady of Martian Slayers.
Pastiche story from H.G. Wells' WAR OF THE WORLDS from the perspective of H.M.S. Thunder Child's Royal Navy crew. The year is 1898 and the story unfolds through the eyes of an ironclad crew and a land based Ministry of Defence clerk; Mister Albert Stanley. Gradually everyone moves towards the dreadful outcome as the strange alien tripods rampage around Victorian Britain.
The Martians are moving northwards, conquering Queen Victoria's Britain. The hideous alien beings, in their great tripod fighting machines, kill and destroy everything that stands in their path. In the Victorian Fenlands, Colonel Blake has assembled a militia from his Cambridgeshire Yeomanry and forcefully conscripted civilian help where necessary. Colonel Blake, of the Wake, oversees his bold ad-hoc engineering plan with help of a railway system that is operating on borrowed time. He must complete his plan before the giant tripod machines arrive and destroy the precious rail line. Everything must be properly prepared. Quickly and as efficiently as possible. Once done, the Wake Men will confront the confounded Martians with a few surprises of their own.
"No one would have believed in the last years of the nineteenth century that this world was being watched keenly and closely by intelligences greater than man's..." So begins H. G. Wells' classic novel in which Martian lifeforms take over planet Earth. As the Martians emerge, they construct giant killing machines - armed with heatrays - that are impervious to attack. Advancing upon London they destroy everything in their path. Everything, except the few humans they collect in metal traps. Victorian England is a place in which the steam engine is state-of-the-art technology and powered flight is just a dream. Mankind is helpless against the killing machines from Mars, and soon the survivors are left living in a new stone age. Includes the original Warwick Goble illustrations.
For those who know... that something is going on... The witnesses are legion, scattered across the world and dotted through history, people who looked up and saw something impossible lighting up the night sky. What those objects were, where they came from, and who—or what—might be inside them is the subject of fierce debate and equally fierce mockery, so that most who glimpsed them came to wish they hadn’t. Most, but not everyone. Among those who know what they’ve seen, and—like the toll of a bell that can’t be unrung—are forever changed by it, are a pilot, an heiress, a journalist, and a prisoner of war. From the waning days of the 20th century’s final great war to the fraught fields of Afghanistan to the otherworldly secrets hidden amid Nevada’s dusty neverlands—the truth that is out there will propel each of them into a labyrinth of otherworldly technology and the competing aims of those who might seek to prevent—or harness—these beings of unfathomable power. Because, as it turns out, we are not the only ones who can invent and build...and destroy. Featuring actual events and other truths drawn from sources within the military and intelligence community, Tom DeLonge and A.J. Hartley offer a tale at once terrifying, fantastical, and perhaps all too real. Though it is, of course, a work of... fiction?
A pictorial history of the end of World War II from the perspective of Nazi Germany. Drawing on rare and previously unpublished photographs accompanied by in-depth captions and text, this book is a compelling account of the final weeks of the Nazis’ struggle for survival against overwhelming odds. Each photograph fully captures the tension, turmoil, and tragedy of those last, terrible days of war as Wehmacht, Waffen SS, Luftwaffe, Hitlerjungend, Volkssturm, and other units, some of which were comprised of barely trained conscripts, fought out their last battles. Exhausted and demoralized skeletal units must have been aware of the impending defeat. Yet the German General Staff was still resolved to fight at all costs. By late March 1945, less than 100 miles east of Berlin, some 250,000 German troops had slowly withdrawn to the Oder, and what followed was a series of fierce and determined defensive actions that would finally see the Germans encircled and fighting the last desperate battle within Berlin itself against overwhelming odds.
