A new approach to the idea of grace. The author isolates certain common themes consistently present in the traditional language of grace and reinterprets them in terms of the concept of liberation.
Hawkins explores both traditional and contemporary ways grace has been handled in literature. The traditional representation of grace is explained using, among other things, the parables of Jesus. Then he turns to more contemporary literature, including O'Connor's A Good Man is Hard to Find, Percy's The Second Coming, and Murdoch's A Word Child. Through these novels and short stories, Hawkins highlights the impoverishment of spirit and imagination when religious language fails us. He presents three writers struggling to bridge the gap between ourselves and those mysterious realities we can no longer talk about.
Paul’s Language of Grace in Its Graeco-Roman Context was originally published by Mohr Siebeck in 2003 and is now reprinted by Wipf and Stock with a new introduction by its author, James R. Harrison. The book was the first major investigation of charis (‘grace’, ‘favor’) in its social, political, and religious context since G. P. Wetter’s pioneering 1913 monograph on the topic. Focusing on the evidence of the inscriptions, papyri, philosophers, and Greek Jewish literature, Harrison examined the operations of the eastern Mediterranean benefaction system, probing the dynamic of reciprocity between the beneficiary and benefactor, whether human or divine. Before Paul’s converts were first exposed to the gospel, they would have held a variety of beliefs regarding the beneficence of the gods. The apostle, therefore, needed to tailor his language of grace as much to the theological and social concerns of the Mediterranean city-states in his missionary outreach as to the variegated traditions of first-century Judaism. In terms of human grace, although Paul endorses the reciprocity system, he redefines its rationale in light of the gospel of grace and transforms its social expression in his house churches. The explosion of ‘grace’ language that occurs in 2 Corinthians 8–9 regarding the Jerusalem collection is unusual in its frequency in comparison to the honorific inscriptions, underscoring the apostle’s distinctive approach to giving. Regarding divine beneficence, Paul accommodates his gospel to contemporary benefaction idiom. But he retains a distinctiveness of viewpoint regarding divine charis: it is non-cultic; it is mediated through a dishonored and impoverished Benefactor; it overturns the do ut des expectation (‘I give so that you may give’) regarding divine blessing in antiquity. Harrison’s book still remains the authoritative coverage of the Graeco-Roman context of charis.
Few concepts are more important in Catholic theology than that of grace, but most adult Catholics never move beyond a schoolchild's understanding of grace. Charles Journet explores philosophy, revelation and history to explain grace fully. Journet lays out both the doctrinal development of grace and corrects persistent mistakes that Catholics make about grace. He covers habitual grace, actual grace, predestination, justification, merit, and much more. He even includes a revealing exploration of Adam's earthly paradise and how the nature of the Fall called forth God's response of grace.
In the Arms of Grace is the powerful story of a modern woman warrior and her battle for physical, emotional and spiritual victory. As a Vietnamese and an American, she provides a link between the two nations through her life experiences. From her days as an orphan in Vietnam, when she sang and danced for American G.I.s, to her "ideal" life of having it all in the United States, LeChristine Hai constantly searched for love, security and belonging. Her "rags to riches" story shows the underside of the "American Dream." Enduring years of emotional and sexual abuse at the hands of her adoptive American father, LeChristine ultimately refuses to be a victim and transforms her life. She takes charge of her own life and becomes a successful business woman, only to discover that she still must confront the pain of abandonment in order to find true peace. When LeChristine Hai's soul search leads her to a reunion with her lost and found Vietnamese mother and sister, she comes full circle and learns how to heal the personal wars within. As she embraces her authentic self, she also opens her heart and life to reveal the healing power of love and courage.
"[Suzan-Lori Parks'] dislocating stage devices, stark but poetic language and fiercely idiosyncratic images transform her work into something haunting and marvelous."—Time "An original whose fierce intelligence and fearless approach to craft subvert theatrical convention and produce a mature and inimitable art that is as exciting as it is fresh."—August Wilson Named one of the "100 Innovators for the Next New Wave" by Time magazine, Suzan-Lori Parks is a truly original voice of the American theater. Winner of the Pulitzer Prize and a MacArthur "Genius" Award, Parks is renowned for her groundbreaking language, theatricality, and an aesthetic that continues to evolve in unexpected ways. Her first full-length play since her award-winning Topdog/Underdog, The Book of Grace is a scorching three-person drama in which a young man returns home to south Texas to confront his father, unearthing deep-seated passions and ambition. The play premiered in spring 2010 at the Public Theater, where Parks is in the midst of a three-year residency as the first recipient of the theater's master writer chair. Suzan-Lori Parks is a playwright, screenwriter, songwriter, and novelist. Her plays include Topdog/Underdog (winner of the 2002 Pulitzer Prize), In the Blood (a 2000 Pulitzer Prize finalist), Venus (OBIE Award winner) and Imperceptible Mutabilities in the Third Kingdom (OBIE Award, Best New American Play).
During the 1950s and early 1960s Flannery O'Connor wrote more than a hundred book reviews for two Catholic diocesan newspapers in Georgia. This full collection of these reviews nearly doubles the number that have appeared in print elsewhere and represents a significant body of primary materials from the O'Connor canon. We find in the reviews the same personality so vividly apparent in her fiction and her lectures--the unique voice of the artist that is one clear sign of genius. Her spare precision, her humor, her extraordinary ability to permit readers to see deeply into complex and obscure truths-all are present in these reviews and letters.
Grace explains why having a small hand with no fingers only makes her special, not stupid or strange, and how it can make things easier and harder for her at school and at home.
"Theology is a place and a story. Theology is the place and story you think of when you ask yourself about the meaning of your life, of the world, and the possibility of God." So begins Serene Jones's epic work of raw truth, fierce love, and spiritual teaching as muscular as the fractured soul of this century demands. From her abiding Oklahoma roots to her historic leadership of a legendary New York seminary, her story illuminates the deep fault lines of this age--and points beyond them. With a voice that is at once frank and poetic, humble and prophetic, intimate and practical, Jones makes complex teachings around hatred, forgiveness, mercy, justice, death, sin, and grace understandable and immediately applicable for modern people. Excavating the wisdom of great theological voices--Soren Kierkegaard, Reinhold Niebuhr, John Calvin, James Baldwin, James Cone, Luce Irigaray, Saint Teresa of Avila--she brings them to life with an intimacy and vividness that illumines our lives and our culture now. At the same time, and with great beauty, Call It Grace reveals Serene Jones as a towering voice of a new, and urgently necessary, public theology for this century.