The Language of Fiction

The Language of Fiction

Author: Emar Maier

Publisher: Oxford University Press

Published: 2021-10-15

Total Pages: 400

ISBN-13: 0192585355

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This volume brings together new research on fiction from the fields of philosophy and linguistics. Fiction has long been a topic of interest in philosophy, but recent years have also seen a surge in work on fictional discourse at the intersection between linguistics and philosophy of language. In particular, there has been a growing interest in examining long-standing issues concerning fiction from a perspective that is informed both by philosophy and linguistic theory. Following a detailed introduction by the editors, The Language of Fiction contains 14 chapters by leading scholars in linguistics and philosophy, organized into three parts. Part I, 'Truth, Reference, and Imagination', offers new, interdisciplinary perspectives on some of the central themes from the philosophy of fiction: What is fictional truth? How do fictional names refer? What kind of speech act is involved in telling a fictional story? What is the relation between fiction and imagination? Part II, 'Storytelling', deals with themes originating from the study of narrative: How do we infer a coherent story from a sequence of event descriptions? And how do we interpret the words of impersonal or unreliable narrators? Part III, 'Perspective Shift', focuses on an alleged key characteristic of fictional narratives, namely how we get access to the fictional characters' inner lives, through a variety of literary techniques for representing what they say, think, or see. The volume will be of interest to scholars from graduate level upwards in the fields of discourse analysis, semantics and pragmatics, philosophy of language, psychology, cognitive science, and literary studies.


The Fictions of Language and the Languages of Fiction

The Fictions of Language and the Languages of Fiction

Author: Monika Fludernik

Publisher: Routledge

Published: 2003-12-16

Total Pages: 548

ISBN-13: 1134872879

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Monika Fludernik presents a detailed analysis of free indirect discourse as it relates to narrative theory, and the crucial problematic of how speech and thought are represented in fiction. Building on the insights of Ann Banfield's Unspeakable Sentences, Fludernik radically extends Banfield's model to accommodate evidence from conversational narrative, non-fictional prose and literary works from Chaucer to the present. Fludernik's model subsumes earlier insights into the forms and functions of quotation and aligns them with discourse strategies observable in the oral language. Drawing on a vast range of literature, she provides an invaluable resource for researchers in the field and introduces English readers to extensive work on the subject in German as well as comparing the free indirect discourse features of German, French and English. This study effectively repositions the whole area between literature and linguistics, opening up a new set of questions in narrative theory.


The Language of Fiction

The Language of Fiction

Author: Keith Sanger

Publisher: Psychology Press

Published: 1998

Total Pages: 132

ISBN-13: 9780415145992

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This accessible satellite textbook is unique in offering students hands-on practical experience of textual analysis focused on fiction. It combines activities, commentaries and suggestions for further reading.


Prose Fiction: An Introduction to the Semiotics of Narrative

Prose Fiction: An Introduction to the Semiotics of Narrative

Author: Ignasi Ribó

Publisher: Open Book Publishers

Published: 2019-12-13

Total Pages: 119

ISBN-13: 1783748125

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This concise and highly accessible textbook outlines the principles and techniques of storytelling. It is intended as a high-school and college-level introduction to the central concepts of narrative theory – concepts that will aid students in developing their competence not only in analysing and interpreting short stories and novels, but also in writing them. This textbook prioritises clarity over intricacy of theory, equipping its readers with the necessary tools to embark on further study of literature, literary theory and creative writing. Building on a ‘semiotic model of narrative,’ it is structured around the key elements of narratological theory, with chapters on plot, setting, characterisation, and narration, as well as on language and theme – elements which are underrepresented in existing textbooks on narrative theory. The chapter on language constitutes essential reading for those students unfamiliar with rhetoric, while the chapter on theme draws together significant perspectives from contemporary critical theory (including feminism and postcolonialism). This textbook is engaging and easily navigable, with key concepts highlighted and clearly explained, both in the text and in a full glossary located at the end of the book. Throughout the textbook the reader is aided by diagrams, images, quotes from prominent theorists, and instructive examples from classical and popular short stories and novels (such as Jane Austen’s Pride and Prejudice, Franz Kafka’s ‘The Metamorphosis,’ J. K. Rowling’s Harry Potter, or Dostoyevsky’s The Brothers Karamazov, amongst many others). Prose Fiction: An Introduction to the Semiotics of Narrative can either be incorporated as the main textbook into a wider syllabus on narrative theory and creative writing, or it can be used as a supplementary reference book for readers interested in narrative fiction. The textbook is a must-read for beginning students of narratology, especially those with no or limited prior experience in this area. It is of especial relevance to English and Humanities major students in Asia, for whom it was conceived and written.


Perverted by Language

Perverted by Language

Author: Peter Wild

Publisher: Profile Books

Published: 2007

Total Pages: 292

ISBN-13:

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Mechanical ducks, shark women that taste of licorice, perverted sexual shenanigans in cramped office spaces, double-crossing Nazi apologists, bald-headed cultural subversives, and celebrity deer-culling--this is the wonderful and frightening world of Perverted by Language. Twenty-three writers choose a song by The Fall and use it as inspiration for a short story. Contributors include: Steve Aylett, Matt Beaumont, Nicholas Blincoe, Clare Dudman, Richard Evans, Michel Faber, Niall Griffiths, Andrew Holmes, Mick Jackson, Nick Johnstone, Stewart Lee, Kevin MacNeil, Carlton Mellick III, Rebbecca Ray, Nicholas Royle, Matthew David Scott, Stav Sherez, Mark E Smith, Nick Stone, Matt Thorne, Jeff VanderMeer, Helen Walsh, and John Williams.


Pragmatics of Fiction

Pragmatics of Fiction

Author: Miriam A. Locher

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2017-04-10

Total Pages: 628

ISBN-13: 3110431092

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Pragmatics of Fiction provides systematic orientation in the emerging field of studying pragmatics with/in fictional data. It provides an authoritative and accessible overview of this versatile new field in its methodological and theoretical richness. Giving center stage to fictional language allows scholars to review key concepts in sociolinguistics such as genre, style, voice, stance, dialogue, participation structure or features of orality and literariness. The contributors explore language as one of the creative tools to craft story worlds and characters by drawing on concepts such as regional, social and ethnic language variation, as well as multilingualism. Themes such as emotion, taboo language or impoliteness in fiction receive attention just as the challenges of translation and dubbing, the creation of past and future languages, the impact of fictional language on language change or the fuzzy boundaries of narratives. Each contribution, written by a leading specialist, gives a succinct, representative and up-to-date overview of research questions, theories, methods and recent developments in the field.


The Language of Fiction

The Language of Fiction

Author: David Lodge

Publisher: Routledge

Published: 2015-10-30

Total Pages: 336

ISBN-13: 1136751386

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Language of Fiction was the first book of criticism by the renowned novelist and critic David Lodge. His uniquely informed perspective - he was already the author of three successful novels at the time of its first publication in 1966 - and lucid exposition meant that the work proved a landmark of literary criticism, not least because it succeeded


A World of Words

A World of Words

Author: Michael J. S. Williams

Publisher: Duke University Press

Published: 1988-03-11

Total Pages: 210

ISBN-13: 9780822307808

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A World of Words offers a new look at the degree to which language itself is a topic of Poe's texts. Stressing the ways his fiction reflects on the nature of its own signifying practices, Williams sheds new light on such issues as Poe's characterization of the relationship between author and reader as a struggle for authority, on his awareness of the displacement of an "authorial writing self" by a "self as it is written," and on his debunking of the redemptive properties of the romantic symbol.